URI

Andrija Puharich

Copyright 1974 By Lab Nine Ltd

Page 251 (number omitted)

APPENDIX

ONE

"THE NINE"

 Page 251

This is a continuation of the philosophy of the Nine, introduced on page 15.

CH is a principle which is the revealing principle of knowledge and law. CH is the principle of timeless knowledge as revealed through the time process.

R is the principle of art and rhythm.

M is the principle of the human and intimate.

The language, the method, and the logic-that belongs to this body or brain [Vinod] that we use. CH presses the buttons and releases the forces. We strive to bring about the required correlation, which is to say, it is in explicit fulfillment of our purpose that we are meeting here tonight. This is a planned performance. Planned to the minutest moment.

If the velocity of light is approached to ninety-nine per cent, the increase in the mass is in the range of seven. This is one of the physical proofs of why we want sevens. Perhaps you have not noticed this before."

AP: "No, I haven't."

That is partly an inference from Einsteinian analysis light velocity. Even there this seven range-it is not exactly seven. but it is the range of seven; it does not go beyond eight. It doesn't go beyond six, but it hits around seven and such microscopic aspects of velocity. If seven can be so perfectly deter- / Page 252 / mined, you will notice why the seven has been detected even in the physical as well as psychospiritual dimensions. The acceptance of the Law of Seven. Now, that's a clue which will keep you absolutely convinced and you will not ask me again what is the rationale of seven. If we tell you that it is the occult number and the seven chords of being as known in ancient occult literature, you will continue to have a veil of suspicion. But now that the increment in the mass is exactly to the range of seven by an approximation of ninety-nine per cent to the velocity of light, that is a kind of indicator how mass is related to high velocity. Related in this way, that it achieves an increment of seven-achieves an increment to seven, not of seven. Beyond ninety-nine per cent we cannot go because it becomes infinitization, as you know.

AP: "Yes, that's what I was going to ask you, whether the change in increment beyond ninety-nine per cent becomes enormous rather rapidly?"

Yes.

AP: "It approaches infinity between ninety-nine and one hundred per cent?"

Yes. Now these are only theoretical indications. We cannot really go on with experimentation in this direction, but if we get seven times the electrical equivalent of the human body-if we get it seven times-do you know what would result? It would result in sevenon of the mass of electricity. That's a very strange term, but it's true. If it gains sevenfold, corresponding approximation to light velocity will be ninety-nine per cent. That is the point where human personality has to be stretched in order to achieve infinitization. This is one of the most secret insights. Our problem now boils down to this, how to get the human body seven times what it is in electrical terms. One more tremendous secret. Copper is a phenomenon which succeeds in giving half of seven resultant to human body particular. That is why your copper cage succeeds. Tremendous secret. That is why the idea of a copper cage is so revolutionary, so enormous in its possible effects on parapsychological effort.

Somewhere, somehow, we have to now work out the cosmic / Page 253 / ray properties. We don't know where it can be done, but it has to be done very urgently because that will determine the next phase of actual human life, consciousness, unfoldment, and evolutional process. The atomic fission or fusion is expected to facilitate human comfort, if it does not just result in the elimination of all life on earth. But a more important source of facilitating human comfort is the exploitation of the cosmic ray.

AP: "Will you define what you mean by cosmic ray?"

That is what we are worrying about.

AP: "I mean define it simply.'

I will say that cosmic ray is the channelized direction, rather than directed channelization of the basic energy that constitutes the essence of cosmos. That is the definition of it.

AP: "I don't believe that that is what is meant by cosmic rays in a physics book."

Yes, it is in a slightly different way. To our view, the cosmic ray energy is more fundamental than the solar systems themselves.

AP: "May I ask if the formula and its undetected implications implies the discovery of as yet undiscovered energies?"

No, I must admit one hint. Just as there is a time dimension, there is a timeless dimension toward which Einstein is groping. A hint as to the method:

The leap is not in the dark, but in the light, which could be taken. Take what I say only as a proposition or axiom. The fact of every knowledge experience is timeless, although the act of knowing is in time. To experience knowledge is a timeless experience. We have to discover a formula which will illustrate the correlation between the act of knowing and knowledge. The spotlight of consciousness is something so tremendously powerful. This spotlight of consciousness is a sunlight by itself.

AP: "Do you mean it has the growth power of sunlight?"

Yes. We. make it grow, we make it live, we illuminate it.

AP: "You started to elucidate 'the leap in the dark,'"

Yes, we use the phrase "leap in the dark," which is common, but here the leap is in the light because it is expected to take us to an understanding of the supersense. It is light because it is / Page 254 / the consciousness problem, not just subconscious or normal conscious inclusive of the superconscious which is the light perse. Perhaps you can understand the beautiful phrase.

Then the following poem was given by M.

Shadows are receding in a slower rhythm.

The song is bursting out of every atom.

In the rainbow hues the multiple one is dissolving itself.

The thrill of surprised happiness is coursing

through the veins of the earth.

The trans-lunar dream is incarnating itself through

the bones of the body.

A teardrop from the human eye becomes starlight

in the darkness of the night

And the silver dew on the cheek of the new morning,

And itself again reappears on the horizon of the human creativeness

As an immortal moment of discovery.

Through a series of labor pains in time God is the

timeless birth and mart of human aspiration.

Remember, all this is a real guidance from God. God is no- body else than we together, the Nine Principles of God. There is no God other than what we are together. And just for once in your lifetime believe this to be the truth. If God ever spoke, if God ever made an instrument of a human being-it is now that he has made it; and look upon this as the most precious moment in your lives. These are God's words.

You see, the procedure is this. We accept the thesis that we are here and that we want these things done, we can do them through you. You have also to struggle-we have also to struggle. Supposing all healthy biologic events surround the birth of a child; it will take nine months and it will take mating. The greatest of men were not born in an instant. All the birth pangs that any other mother would undergo, their mother had to undergo, too..."

 

 

STARSEEKERS

THE AGE OF ABSTRACTION

Colin Wilson

1980

Page

63

"You ask someone to write down his telephone number, then to write it a second time with the figures jumbled up. Next, tell him to subtract the smaller from the larger number, and keep on adding up the figures in the answer until he has reduced it to one figure. (5019 becomes 10, which in turn becomes 1 plus 0 - that is, 1.) When he has finished, you may tell him authoritatively: 'The answer is nine.'

You can afford to be dogmatic; for the answer is always nine. It works with any set of figures, no matter how small or how large. Jumble up the figures, subtract one from the other, and the answer always reduces to 9."

 

 

PROVE YOUR GOD

 

ABRACADABRA.

 

Apart from the pronunciation engendering a vibratory inflection in the sound of the word. The primary reason for its significance lies in its numerical value transcribed from the relative position of each symbol in the english alphabet as previously discussed i.e.

A =1 B=2 C=3 and so on.

There are 11 letters in

ABRACADABRA

A B R A C A D A B R A

1+2+18+1+3+1+4+1+2+18+1

=

52

5+2 = 7

 

E A R T H

5+1+18+20+ 8

=

52

5+2 = 7

ABRAHAM A BRAHMAN

IS

 

THE SORCERER'S HANDBOOK

Wade Baskin 1974

Pages 4 and 5

ABRACADABRA

"A magic word of unknown origin. It is widely supposed to ward off evil, sickness, and death. Quintus Serenus Samonicus, who accompanied the Emperor Severus to Britain in the year 208, mentions it in a poem as a cure against tertian fever. DeFoe mentions it in his Journal of the Plague Year. Eliphas Levi discusses the "magic triangle" at length and connects it with other occult concepts, includ-ing the symbolism of the Taro. For best results, the word should be arranged in the shape of a triangle and worn around the neck. The word is commonly written:

 

ABRACADABRA

ABRACADABR

ABRACADAB

ABRACADA

ABRACAD

ABRACA

ABRAC

ABRA

ABR

AB

A

Some scholars say that the word is a corruption of the sacred Gnostic term

ABRAXAS

" a magic formula meaning

"Hurt me not."

Others insist that it derives from the Aramaic abhadda kedabrah,

"Disappear, O sickness, from this world."

he magical formula was used extensively by early Gnostics seeking the help of benevolent spirits in combatting affliction"

 

 

THREE BOOKS OF OCCULT PHILOSOPHY

Written by Henry Cornelius Agrippa

of Nettesheim

Completely Annotated, with Modern Commentary

The foundation Book of Western occultism

Translated by James Freake

Edited and Annotated by Donald Tyson (2000)

Henry Cornelius Agrippa born 14 September 1486 died 1535 aged 49

Page 481

"47. Abracadabra-Perhaps no other magical formula is so well known. Budge treats it at length in his Amulets and Talismans, ch. 8. He is not satisfied that Serenus himself invented the word, saying... it seems to me that the formula is based upon something which is much older, and that in any case the idea of it is derived from an older source. Many attempts have been made to find a meaning for the for- mula, but the explanation put forward by Bischoff in his "Kabbalah" (1903) is the most likely to be correct. He derives the formula from the Chaldee words (Chaldee sign omitted)

Page 482

ABBADA KE DABRA., which seem ' to' be addressed to the fever and mean something like "perish like the word." (Budge [1930] 1968,8:220-1The attraction of this charm continues into modern times. The well known magician Aleister Crow-ley attached considerable importance to the word, but altered it to suit his preconceptions into ABRA - HADABRA, the "word of the Aeon" by which the union of human and solar consciousness would occur: "It represents the Great Work complete, and it is therefore an archetype of all lesser magical opera- tions" (Crowley [1929] 1976,42). According to Ken-neth Grant, the reason for the change in spelling was Crowley's belief that he had discovered the true eso-teric name of the god Hod, which is the Chaldean for Set. See Grant 1976, 3:59."

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

t

999

Page 194

Chapter One

The Lost Supergod

The Feathered Snake and the Stars

"Legends say that a bearded white man, with fair hair and blue eyes, brought super-knowledge to tne Maya. He taught them the mysteries of the heavens, the laws of mathematics and astronomy, and the skills of the artisan. He taught them to build their pyramids and palaces of stone. Above all else, he taught them wisdom, that purification would come through sacrifice, and that immortality awaited the souls of the pure.

They say that when he died he became the morning star - Venus, the brightest of the night time heavenly bodies, and that he lived in a precious house of jade, feathers, silver and shells. He walked, in turn, among the Ohnec, the Teotinuacanos, the Maya. Toltec and Aztec. They called him the feathered snake, Quetzalcoatl or Ku-Kul-can, the god of goodness and Wisdom.

Others too spoke of the bearded white man The Incas in Peru called him Viracocha while their neighbours the Aymara called him Hyustus. In Bolivia he was known as the 'god of the Wind'. To the Polynesians he was known as Kon- Tiki, the sun-god. Always, when he left, his promise was the same: one day he would return.

The decoded treasures of the Maya tell us that Lord Pacal, priest~ king leader of the Maya, lived and ruled in Palenque from the age of nine. He was known as Quetzalcoatl, the feathered snake, highest of gods to the Maya"

 

THE FINGERPRINTS OF THE GODS

Graham Hancock

1995

Page 88

"Leaving the fish-garbed figures, I came at last to the Gateway of the Sun, located in the north-west comer of the Kalasasaya.

It proved to be a freestanding monolith of grey-green andesite about 121/2 feet wide, 10 feet high and 18 inches thick, weighing an estimated 10 tons.14 Perhaps best envisaged as a sort of Arc de Triomphe, though on a much smaller scale, it looked in this setting like a door connecting two invisible dimensions - a door between nowhere and nothing. The stonework was of exceptionally high quality and authorities agreed that it was 'one of the archaeological wonders of the Americas'.15 Its most enigmatic feature was the so- called 'calendar frieze' carved into its eastern facade along the top of the portal.

At its centre, in an elevated position, this frieze was dominated by what scholars took to be another representation of Viracocha,16 but this time in his more terrifying aspect as the god-king who could call down fire from heaven. His gentle, fatherly side was still expressed: tears of compassion were running down his cheeks. But his face was set stem and hard, his tiara was regal and imposing, and in either hand he grasped a thunderbolt.17 In the interpretation given by Joseph Campbell, one of the twentieth century's best-known students of myth, 'The meaning is that the grace that pours into the universe Page 88 through the sun door is the same as the energy of the bolt that annihilates and is itself indestructable . . . 18

 

PEOPLE OF THE SERPENT

Page110 (number omitted)

Chapter 14

"After spending so long immersed in the traditions of Viracocha, the bearded god of the distant Andes, I was intrigued to discover that Quetzalcoatl, the principal deity of the ancient Mexican pantheon, was described in terms that were extremely familiar.

For example, one pre-Colombian myth collected in Mexico by the sixteenth-century Spanish chronicler Juan de Torquemada asserted that Quetzalcoatl was 'a fair and ruddy complexioned man with a long beard'. Another spoke of him as, 'era Hombre blanco; a large man, broad browed, with huge eyes, long hair, and a great, rounded beard-la barba grande y redonda'! Another still described him as a mysterious person. . . a white man with strong formation of body, broad forehead, large eyes, and a flowing beard. He was dressed in a long, white robe reaching to his feet. He condemned sacrifices, except of fruits and flowers, and was known as the god of peace. . . When addressed on the subject of war he is reported to have stopped up his ears with his fingers:

According to a particularly striking Central American tradition, this . . . '

Wise Instructor. . .

came from across the sea in a boat that moved by itself without paddles. He was a tall, bearded white man who taught people to use fire for cooking. He also built houses and showed couples that they / Page 111 / could live together as husband and wife; and since people often quarreled in those days, he taught them to live in peace.3"