Previous Page
  Next Page
 
Evokation
 
 
Index
 

 

 

 

 

 

 

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Midway this way of life we're bound upon

I woke to find myself in a dark wood,

Where the right road was wholly lost and gone."

 

M
=
4
-
6
MIDWAY
75
30
3
T
=
2
-
4
THIS
56
20
2
W
=
5
-
3
WAY
49
13
4
O
=
6
-
2
OF
21
12
3
L
=
3
-
4
LIFE
32
23
5
W
=
5
-
4
WE'RE
51
24
6
B
=
2
-
5
BOUND
56
20
2
U
=
3
-
4
UPON
66
21
3
-
-
30
-
32
-
406
163
28
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
W
=
5
-
4
WOKE
54
18
9
T
=
2
-
2
TO
35
8
8
F
=
6
-
4
FIND
33
24
6
M
=
4
-
6
MYSELF
80
26
8
I
=
9
-
2
IN
23
14
5
A
=
1
-
1
A
1
1
1
D
=
4
-
4
DARK
34
16
7
W
=
5
-
4
WOOD
57
21
3
-
-
45
-
28
-
326
137
56
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WHERE
59
32
5
T
=
2
-
3
THE
33
15
6
R
=
9
-
5
RIGHT
62
35
8
R
=
9
-
4
ROAD
38
20
2
W
=
5
-
3
WAS
43
7
7
W
=
5
-
6
WHOLLY
95
32
5
L
=
3
-
4
LOST
66
12
3
A
=
1
-
3
AND
19
10
1
G
=
7
-
4
GONE
41
23
5
-
-
46
-
37
-
456
186
42
-
-
-
-
-
-
-
-
-
-
-
121
-
97
First Total
1188
486
126
-
-
1+2+1
-
9+7
Add to Reduce
1+1+8+8
4+8+6
1+2+6
Q
-
4
-
16
Second Total
18
18
9
-
-
-
-
1+6
Reduce to Deduce
1+8
1+8
-
-
-
4
-
7
Essence of Number
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
-
10
REMEMBERED
88
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
11
DISMEMBERED
97
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
5
RIGHT
80
35
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
3
WAY
49
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
D
=
4
-
3
DIE
18
18
9
-
-
-
-
-
-
-
-
-
9
-
-
53
-
52
First Total
558
270
72
-
1
2
3
4
5
6
28
16
9
-
-
5+3
-
5+2
Add to Reduce
5+5+8
2+7+0
7+2
-
-
-
-
-
-
-
2+8
1+6
-
-
-
8
-
7
Second Total
18
9
9
-
1
2
3
4
5
6
10
10
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
1+0
1+0
-
-
-
8
-
7
Essence of Number
9
9
9
-
1
2
3
4
5
6
1
1
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
6
SPIRIT
91
37
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
7
WILLING
86
41
5
-
-
-
-
-
5
-
-
-
-
B
=
2
-
3
BUT
43
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
5
FLESH
50
23
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
4
WEAK
40
13
4
-
-
-
-
4
-
-
-
-
-
-
-
41
-
35
Add to Reduce
432
171
36
-
1
2
3
4
5
12
7
8
9
-
-
4+1
-
3+5
Reduce to Deduce
4+3+2
1+7+1
3+6
-
-
-
-
-
-
1+2
-
-
-
-
-
5
-
8
Essence of Number
9
9
9
-
1
2
3
4
5
3
7
8
9

 

 

WAKEFIELD EXPRESS

Friday April 15 2011

Page 73

Sport

Sports editor Steve Heptinstall, deputy sports editor Mark Berry, sports reporter Nick Rigg

MILESTONE: The city's oldest continuous amateur rugby league club - Stanley Rangers - is holding a reunion of former players on Friday, May 20, 2011. The club was formed in 1918.Organisers have already contacted several past players, but they're urging family and friends to spread the word to those who have moved out of the area. The club is also trying to trace its oldest living former player. Pictured above is one of Stanley's successful teams from the early 1960s.

The full line up is, back from left, Henry White, Terry Clarkson, Arthur Wright, Dave Denison, Tony Hammond, Peter Hammond, Ronnie Stead, Derek Fox. Front, Alwyn Shepherd, Geoff Bateman, Les Starkey, Tony Peters, Henry Parkin.

Photograph omitted

 

 

Rugby Leaguer & League Express - www.totalrl.com 13th June 2011

Page 12

9s RUGBY LEAGUE NINES - RUGBY LEAGUE NINES 9s

Nine the magic number?

The Rugby Football League launched it's shortened version of the game at four different venues last Tuesday.

Martin Butcher reflects on the night at Derwent Park

9s

RUGBY LEAGUE

An inquisitive crowd assembled at Derwent Park to see nines Rugby League played in Cumbria for the first time

 

"NINE THE MAGIC NUMBER"

 

 

THISISTHESCENEOFTHESEENUNSEENTHEUNSEENSEENOFTHESCENEUNSEENTHISISTHESCENE

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock1996

Page 252

Chapter 16

Message in a Bottle?

'We have reached this fascinating point in

our evolution ... we have reached the time

when we know we can talk to each other

across the distances between the stars ...'

Dr John Billingham, NASA Ames Research Center, 1995.

 

Together with the ancient texts and rituals that are linked to them, could the vast, monuments of the Giza necropolis-have been designed to transmit a message from one culture to another - a message not across space, but across' time?

Egyptologists reply to such questions by rolling their eyes and hooting derisively. Indeed they would not be 'Egyptologists' (or at any rate they could not long remain within that profession) if they reacted with anything other than scorn and disbelief to suggestions that the necropolis might be more than a cemetery, that the Great Sphinx might significantly predate the epoch of 2500 BC, and that the Pyramids might not be just 'royal tombs'. By the same token, no selrespecting Egyptologist would be prepared to consider, even for a moment, the outlandish possibility that some sort of mysterious 'message'imight have been encoded into the monuments.

So whom should we turn to for advice when confronted by what we suspect may be a message from a civilization so far distant from us in time as to be almost unknowable?

Anti-cipher.

The only scientists actively working on such problems today are those involved in the Search for Extraterrestrial Intelligence - SETI for /Page 253/ short. They endlessly sweep the heavens for messages from distant civilizations and they have therefore naturally had to give some thought to what might happen if they ever did identify. such a message. According to Dr Philip Morisson of the Massachusetts Institute of Technology:

To begin with we would know very little about it. If we received it we would not understand what we're getting, But we would have an unmistakable.signal, full of structure, full of'challenge. The best people would try to decode it, and it will be easy to do because those who have constructed it would have made it easy to decode, otherwise there's no point. This is anti-cryptography: 'I want to make a message for you, who never got in touch with any symbols of mine no key no clue, nevertheless you'll be able to read it . . .' I would have to fill it full of clues and unmistakable clever devices . .'1

In his book, Cosmos, Professor Carl Sagan of Cornell University makes much the same point and does, curiously enough, with reference to the ancient Egyptian hierogiyphic system. He explains that the 'Egyptian hieroglyphics are, in.significant part, a simple substitution cipher, But not evcry hieroglyph is a letter or syllable. Some are pictographs. . . 'When it came to translation, this mix of letters and pictographs caused some grief for interpreters . . .' In the early nineteenth century, however, a breakthrough was made by the French scholar Champollion who deciphered the famous 'Rosetta Stone', a slab of black basalt bearing identical inscnptions in Egyptian hieroglyphics and in Greek. Since Champollion could read the Greek, all he needed was, some kind of 'key' to relate specific hieroglyphs to specific Greek words or letters.This key was provided by the constant repetition in the Greek texts of the name of Pharaoh Ptolemy V and an equal number of repetitons in the Egyptian text of a distinctive oblong enclosure - known as a cartouche - containing a repeated group of hieroglyphs, As Sagan comments:

The cartouches were the key . . . almost as though the Pharaohs of Egypt had circled their own names to make the going easier for Egyptologists two thousand years in the future . . . What a joy it must have been [for Champollion] to-open this one-way communication channel with another civilization, to permit a culture that had been /page/ 254/ mute for millenia to speak of its history, magic, religion politics and philosophy.2

Professor Sagan then offers a comparison that is highly apposite to our present-inquiry. 'Today,' he says:

we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood? Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible, as possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere?

It seems to us that if there is indeed a very ancient 'message' at Giza then it is likely to be expressed in the language of science and mathematics that Sagan identifies - and for the same reason. Moreover, given its need to continue 'transmitting' coherently across thousands of years (and chasms of cultural change), We think that the composer of such a message would be likely to make use of the Precession of the Equinoxes, the one particular 'law of Nature' that can be said to govern, and measure - and identify - long periods of terrestrial time.

Durable vehicles

The Pyramids and the Great Sphinx at Giza are, above all else, as elegant, -as complex, as internally consistent and as utterly 'alien' as the extraterrestrial intelligence that Sagan envisages (alien in the sense of the tremendous, almost superhuman scale of these structures and of their uncanny -. and in our terms apparently unnecessary ­ precision).

Moreover, returning briefly to Dr Philip Morisson's remarks quoted. earlier, we think that the Giza necropolis also qualifies rather well for the description 'packed full of clues and unmistakable clever devices'.4 Indeed, it seems to us that a truly astonishing quantum of /Page 255/ ingenuity was invested by the Pyramid builders to ensure that the four fundamental aspects of an 'unmistakable' message were thoroughly elaborated here:

1 the creation of durable, unequivocal markers which could serve as beacons to inflame the curiosity and engage the intelligence of future generations of seekers;

2 the use of the ' common language' of precessional astronomy; the use of precessional co-ordinatesto signal specifictime ­ referents linking past to present and present to future;

4 Cunningly concealed store-rooms, or 'Halls of Records' that could only be found and entered by those who were fully initiated-in the 'silent language' and thus could read and follow its clues.

In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context is understood, we, have also to consider the amazing profusion of funerary texts that have come down to us from all periods of Egyptian history - all apparently emanating. from the same very few common sources.5 As we have seen, these texts operate like 'software' to the monuments hardware', charting the route that the Horus-King (and all other future seekers) must follow.

We recalL a remark made by Giorgio de Santillana and.Hertha von Dechend in Hamlet's Mill to the effect that the great strength of myths as vehicles for specific technical information is that they are.capable of transmitting that information independently of the knowledge of individual story-tellers.6 In other words as long as a myth continues to be told true, it will also continue to transmit any higher message that may be concealed within its - structure even if neither the teller nor the hearer understands that message.

So, too, we suspect, with the ancient Egyptian funerary. texts, We would be surprised.if the owners of many: of the coffins and tomb walls-onto which. they were copied had even the faintest inkling.that specific astronorni;;al observations and directions were being duplicated at their expense. What motivated them was .precisely what the texts offered - the lure of immortal life. Yet by taking that lure did they, not in fact guarantee a kind of irnmortality for the texts themselves. Did they not ensure that so many faithful copies would /Page 256/ be made that some at least would be bound to survive for many thousands of years?

We think that there were always people who understood the true 'science of immortality' connected to the texts, and who were able to read the astronomical allegories in which deeper secrets, not granted to the common herd, lay concealed. We presume that these people were once called the 'Followers of Horus', that they operated as an invisible college behind the scenes in Egyptian prehistory and history, that their primary cult centre was at Giza-Heliopolis, and that they were responsible for the initiation of kings and the realization of blueprints. We also think that the timetables they worked to - and almost everything of significance that they did - was in one way or another written in the stars.

Hints and Memories

The powerfully astronomical character of the Giza necropolis, although ignored by Egyptologists, has been recognized by open­minded and intuitive researchers throughout history. The Hermetic Neoplatonists of Alexandria, for example, appear to have been acutely sensitive to the possibility of a 'message' and were quick to discern the strong astral qualities of the textual material and the monuments.7 The scholar Proclus (fifth century AD) also acknowledged that the Great Pyramid was astronomically designed - and with certain specific stars in mind. Indeed, in his commentary on Plato's Timaeus (which deals with the story of the lost civilization of 'Atlantis'), Proclus reported strangely that 'the Great Pyramid was used as an observation for Sirius'.8

Vague memories of an astronomically constructed 'message' at Giza appear to have filtered down to the Middle Ages. At any rate the Arab chroniclers in this period spoke of the Great Pyramid as 'a temple to the stars' and frequently connected it to the Biblical 'Flood' which they dated to circa 10,300 BC, 9 Also of relevance is a report written by the Arab geographer Yakut al Hamawi (eleventh century AD) to the effect that the star-worshippers of Harran, the Sabians (whose 'holy books' were supposedly the writings of'Thoth-Hermes) came at that time on special pilgrimages to the Pyramids at Giza. 10 It /Page 257/ has also been pointed out that the very name of the Sabians - in Arabic Sa 'Ba - almost certainly derived from the ancient Egyptian word for star, i.e. Sba. 11 And the reader will recall from Part I that as far back as the early second millennium BC - i.e. almost three thousand years before Yakut al Hamawi left us his report connecting the Sabians to the Pyramids - pilgrims from Harran are known to have visited the Sphinx which they worshipped as a god under the name Hwl.12

In the seventeenth century, the British mathematician Sir Isaac Newton became deeply interested in the Great Pyramid and wrote a dissertation on its mathematical and geodetic qualities based on data that had been gathered at Giza by Dr John Greaves, the Savillian Professor of Astronomy at Oxford.13 Later, in 1865 the Astronomer Royal of Scotland, Charles Piazzi Smyth, launched an investigation into the Great Pyramid which he was convinced was an instrument of prophecy that incorporated a Messianic 'message'. It was Piazzi Smyth who first accurately measured and demonstrated the intense polar and meridional alignments of the monument, the precision of which he assigned to sightings of the ancient Pole star, Alpha Draconis.14

In the first half of the twentieth century, a succession of eminent astronomers - such as Richard Proctor, Eugene Antoniadi, Jean Baptiste Biot and Norman Lockyer .. made persistent attempts to draw attention to the astronomical qualities of the Giza monuments. Their efforts, however, had little impact on professional Egyptologists who by this time felt that they had got the whole intellectual business of the necropolis 'wrapped up' (it was a cemetery), did not understand astronomy at all (and claimed that the ancient Egyptians didn't either), and routinely ganged up to debunk, deride or simply ignore any astronomical 'theories' which diverged from their consensus.

Despite this hostile intellectual climate, we are of the opinion at the end of our own research that the big question is no longer whether the monuments of Giza were designed to express key astronomical and mathematical principles, but why.

 

THE GREAT PYRAMID OF GIZA

Y RAM MARY O MARY Y RAM

THE GREAT PMARYID OF GIZA

Y RAM MARY O MARY Y RAM

THE GREAT PYRAMID OF GIZA

 

......

 

 

 

 

THE

CHRISTOS

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

 

 

 

 

DAVIDE 72 DAVIDE

MAY 21 1939 21 MAY

HAPPY BIRTH DAY = 9 DAVIDE 9 = HAPPY BIRTH DAY

21ST MAY 2011

 

THE CYCLE OF THE CIRCLE IS CLOSED NOW CLOSED IS THE CIRCLE OF THE CYCLE

FRATERNAL GREETINGS UNIVERSAL CITIZENS OF ETERNAL MIND

I AM THAT I AM

..........

I THANK THE ANKH THE ANKH I THANK

 

 

The Upside Down of the Downside Up

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

..............

 

 

 

 

 

 

 

 

 

.....

 

 

 

 

 

 

.....

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Upside Down of the Downside Up

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IN

THE

BEGINNING

WAS THE WORD AND THE WORD WAS

WITH

GOD AND THE WORD WAS GOD

THE

SAME WAS IN THE BEGINNING WITH

GOD ALL THINGS WERE MADE BY GOD AND WITHOUT GOD

WAS

NOT

ANYTHING

MADE THAT WAS MADE

IN

GOD

WAS LIFE AND THE LIFE WAS

THE

LIGHT

OF

HUMANKIND

AND THE

LIGHT

SHINETH IN THE DARKNESS AND THE DARKNESS COMPREHENDED IT NOT

 

 

I

AM

ALPHA AND OMEGA

THE BEGINNING AND THE END THE FIRST AND THE LAST

I

AM

THE ROOT AND THE OFFSPRING

OF

DAVID

AND

THE BRIGHT AND MORNING STAR

AND

THE SPIRIT AND THE BRIDE SAY COME

AND

LET THEM THAT HEARETH SAY COME

AND

LET THEM THAT IS ATHIRST COME

AND

WHOSOEVER WILL LET THEM TAKE THE WATER OF LIFE FREELY

 

 

THE CHRISTOS THE

CHRIST

 

CHRISTOS SEE HERE IS THE CHRISTOS

 

OSIRIS

 

 

THE HERMETICA

THE LOST WISDOM OF THE PHARAOHS

Timothy Freke & Peter Gandy

To the Memory of Giordano Bruno 1548 - 1600

Mundus Nihil Pulcherrimum

The World is a Beautiful Nothing

Page 23

"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."

 

Page 45

The Being of Atum

"Atum is Primal Mind."

Page 45

The Being of Atum

Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight, which comes only as a gift of grace.

It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it, leaving behind not only the hearer, but even the teacher himself.

To conceive of Atum is difficult.

To define him is impossible.

The imperfect and impermanent cannot easily apprehend the eternally perfected.

Atum is whole and conconstant.

In himself he is motionless, yet he is self-moving.

He is immaculate, incorruptible and ever-lasting.

He is the Supreme Absolute Reality. He is filled with ideas which are imperceptible to the senses, and with all-embracing Knowledge.

Atum is Primal Mind.

Page 46

He is too great to be called by the name 'Atum'. He is hidden, yet obvious everywhere.

His Being is known through thought alone, yet we see his form before our eyes.

He is bodiless, yet embodied in everything. There is nothing which he is not. He has no name, because all names are his name. He is the unity in all things, so we must know him by all names and call everything 'Atum'.

He is the root and source of all. Everything has a source, except this source itself, which springs from nothing.

Atum is complete like the number one, which remains itself whether multiplied or divided, and yet generates all numbers.

Atum is the Whole which contains everything. He is One, not two.

He is All, not many.

The All is not many separate things, but the Oneness that subsumes the parts.

The All and the One are identical.

You think that things are many when you view them as separate, but when you see they all hang on the One, /Page 47/ and flow from the One, you will realise they are united­linked together, and connected by a chain of Being from the highest to the lowest, all subject to the will of Atum.

The Cosmos is one as the sun is one, the moon is one and the Earth is one.

Do you think there are many Gods? That's absurd - God is one.

Atum alone is the Creator of all that is immortal, and all that is mutable.

If that seems incredible, just consider yourself. You see, speak, hear, touch, taste, walk, think and breathe.

It is not a different you who does these various things, but one being who does them all.

To understand how Atum makes all things, consider a farmer sowing seeds; here wheat - there barley,
now planting a vine - then an apple tree.

Just as the same man plants all these seeds, so Atum sows immortality in heaven and change on Earth.

Throughout the Cosmos he disseminates Life and movement­the two great elements that comprise Atum and his creation, and so everything that is.

Page 48

Atum is called 'Father' because he begets all things, and, from his example, the wise hold begetting children the most sacred pursuit of human life. Atum works with Nature, within the laws of Necessity, causing extinction and renewal, constantly creating creation to display his wisdom.

Yet, the things that the eye can see are mere phantoms and illusions.

Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.

Just as the eye cannot see the Being of Atum, so it cannot see these great ideas.

They are attributes of Atum alone, and are inseparable from him.

They are so perfectly without blemish that Atum himself is in love with them.

There is nothing which Atum lacks, so nothing that he desires.

There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.

Atum makes everything, and everything is a part of Atum.

Atum, therefore, makes himself.

This is Atum's glory - he is all-creative, and this creating is his very Being.

It is impossible for him ever to stop creating­for Atum can never cease to be.

Page 49

Atum is everywhere.

Mind cannot be enclosed, because everything exists within Mind.

Nothing is so quick and powerful.

Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention you will be there!

Think of the ocean - and there you are.

You have not moved as things move, but you have travelled, nevertheless.

Fly up into the heavens - you won't need wings!

Nothing can obstruct you - not the burning heat of the sun, or the swirling planets.

Pass on to the limits of creation. Do you want to break out beyond the boundaries of the Cosmos?

For your mind, even that is possible.

Can you sense what power you possess? If you can do all this, then what about your Creator?

Try and understand that Atum is Mind.

This is how he contains the Cosmos. All things are thoughts which the Creator thinks."

 

 

 

 

-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
6
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
6
A
T
U
M
-
-
1
-
-
4
-
1

 

 

6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
6
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
6
A
T
U
M
-
-
1
-
-
4
-
1

 

 

GOD ONE GOD

AND ONE CHOSEN RACE THE HUMAN RACE

 

 

http://www.youtube.com/watch?v=JoAPCwn7F-k

Bring Me to Life (Thousand Foot Krutch song) From Wikipedia, the free encyclopedia

"Bring Me to Life" is a song by the rock band Thousand Foot Krutch on their album

Welcome to the Masquerade.

It was released as a single on April 22, 2009.

 

How can you see into my eyes like open doors
leading you down into my core
where Ive become so numb without a soul my spirit sleeping somewhere cold
until you find it there and lead it back home

-CHORUS-

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing Ive become

now that I know what I’m without
you can't just leave me
breathe into me and make me real
bring me to life

-CHORUS-

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing Ive become

Bring me to life
(I've been living a lie, there's nothing inside)
Bring me to life

frozen inside without your touch without your love darling only you are the life among the dead

all this time I can't believe I couldn't see
kept in the dark but you were there in front of me
Ive been sleeping a thousand years it seems
got to open my eyes to everything
without a thought without a voice without a soul
don't let me die here
there must be something more
bring me to life

-CHORUS-

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing Ive become

(Bring me to life)
Ive been living a lie, there’s nothing inside
(Bring me to life)

 

 

THE GARDEN OF THE GOLDEN FLOWER

Longfield Beatty 1996

Page 207 / 208

"And the next quotation is "relayed" from Budge (op. Cit., p. 521), having come from Papyrus No. 10188 (Brit. Mus.) There have been some omissions in order to reinforce as much as possible the particular aspect of it which is our immediate concern."
"...from Papyrus No. 10188"

 

" THE LAMENT OF THE SISTERS "

( Isis and Nepthys over the dead Osiris)


"Beautiful Youth, come to thy exalted house at once: we see thee not.

"Hail, beautiful boy, come to thy house, draw nigh after
thy separation from us

"Hail Beautiful Youth, Pilot of Time, who groweth
except at this hour.
"Holy image of his Father, mysterious essence proceeding from Tem.

"The Lord! How much more wonderful is he than his
Father, the first-born son of the womb of his mother.

"Come back to us in thy actual form; we will embrace
thee. Depart not from us, thou Beautiful Face, dearly beloved
one, the image of Tem, Master of Love.

"Come thou in peace, our Lord, we would see thee.

"Great Mighty One among the Gods, the road that thou
travellest cannot be described.

"The Babe, the Child at morn and at eve, except when
thou encirclest the heavens and the earth with thy bodily form.

"Come, thou Babe, growing young when setting, our
Lord, we would see thee.

"Come in peace, Great Babe of His Father, thou art
established in thy house.

"Whilst thou travellest thou art hymned by us, and
life springeth up for us out of thy nothingness. O our Lord,
come in peace, let us see thee.

"Hail Beautiful Boy, come to thy exalted house.; let thy
back be to thy house. The Gods are upon their thrones.
Hail ! come in peace, King.

"Babe! How lovely it is to see thee! Come, come to us,
O Great One, glorify our love.

"O ye gods who are in Heaven.
O ye gods who are in Earth.
O ye gods who are in the Tuat.
O ye gods who are in the Abyss.
O ye gods who are in the service of the Deep.
We follow the Lord, the Lord, of Love!"

 

 

 

 

 

 

 

 
Top
 
 
Evokation
 
Previous Page
Index
Next Page