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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

 

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

18
THE ENGLISH ALPHABET
-
-
-
1
THE
33
15
6
-
ENGLISH
74
38
2
1
ALPHABET
65
29
2
18
THE ENGLISH ALPHABET
172
82
10
1+8
-
1+7+2
8+2
1+0
9
THE ENGLISH ALPHABET
10
10
10
-
-
1+0
1+0
1+0
9
THE ENGLISH ALPHABET
1
1
1

 

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

C
=
3
-
8
CREATORS
99
36
9
R
=
9
-
8
REACTORS
99
36
9
-
-
12
-
16
First Total
198
72
18
-
-
1+2
-
1+6
Add to Reduce
1+9+8
7+2
1+8
-
-
3
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
7
Essence of Number
9
9
9

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
 =
 =
 =
 =
 =
 =
 =
 =
=
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
=
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
 =
 =
 =
 =
 =
 =
 =
 =
=
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
=
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

THE WORLD IS BUILT UPON THE POWER OF NUMBERS

 

S
=
1
-
8
STUVWXYZ
180
36
36
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
19
1
S
19
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
21
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
22
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
W
=
5
23
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
X
=
6
24
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
25
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
Z
=
8
26
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
36
-
8
STUVWXYZ
180
36
36
-
1
2
3
4
5
6
7
8
9
-
-
3+6
-
-
-
1+8+0
3+6
3+6
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
STUVWXYZ
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
STUVWXYZ
9
9
9
-
1
2
3
4
5
6
7
8
9

 

STUVWXYZ 180 ZYXWVUTS

STUVWXYZ 36 ZYXWVUTS

STUVWXYZ 9 ZYXWVUTS

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.
A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units

 

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
-
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

 

3
SUN
54
9
9
5
EARTH
52
25
7
4
MOON
57
21
3
12
First Total
163
55
19
1+2
Add to Reduce
1+6+3
5+5
6+2
3
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
3
Essence of Number
1
1
1

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

8
EXOTERIC
99
45
9
3
AND
19
10
1
8
ESOTERIC
94
40
4
19
First Total
212
95
14
1+9
Add to Reduce
2+1+2
9+5
1+4
10
Second Total
5
14
5
1+0
Reduce to Deduce
-
1+4
-
1
Essence of Number
5
5
5

 

 

8
EXOTERIC
99
45
9
8
ESOTERIC
94
40
4
16
First Total
193
85
13
1+6
Add to Reduce
1+9+3
8+5
1+3
7
Second Total
13
13
4
8
ESOTERIC
94
40
4
7
Essence of Number
4
4
4

 

 

-
ESOTERIC
-
-
-
1
E
5
5
5
1
S
19
10
1
1
O
15
6
6
1
T
20
2
2
1
E
5
5
5
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ESOTERIC
94
49
40
-
-
9+4
4+9
4+0
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
1
E
5
5
5
3
SOT
54
18
9
1
E
5
5
5
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ESOTERIC
94
49
40
-
-
9+4
4+9
4+0
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
5
ESOTE
64
28
1
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ESOTERIC
94
49
40
-
-
9+4
4+9
4+0
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
1
I
9
9
9
6
SECRET
70
34
7
1
O
15
6
6
8
ESOTERIC
94
49
22
-
-
9+4
4+9
2+2
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
1
O
15
6
6
6
SECRET
70
34
7
1
I
9
9
9
8
ESOTERIC
94
49
22
-
-
9+4
4+9
2+2
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

8
EXOTERIC
99
45
9
3
AND
19
10
1
8
ESOTERIC
94
40
4
19
First Total
212
95
14
1+9
Add to Reduce
2+1+2
9+5
1+4
10
Second Total
5
14
5
1+0
Reduce to Deduce
-
1+4
-
1
Essence of Number
5
5
5

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT

 

 

ATONEMENT

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

3
GOD
26
17
8
1
O
15
6
6
4
GOOD
41
23
5

 

 

-
GOOD
-
-
-
10
DO
19
10
1
4
GOOD
41
23
5
6
GOOD DO
60
33
6

2
GO
22
13
4
2
DO
19
10
1
4
GOOD
41
23
5
8
GOOD GO DO
82
46
10
-
-
8+2
4+6
1+0
8
GOOD DO GO
10
10
1
-
-
1+0
1+0
-
8
GOOD GO DO
1
1
1

 

 

0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
Add
522
225
45
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
Deduce
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

 

 

 

GREETINGS CITIZENS OF PLANET EARTH

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

STAR TREK; FIRST CONTACT

Story by Rick Berman & Brannon Braga & Ronald D. Moore

Screenplay by Brannon Braga & Ronald D. Moore

1996

First

STAR TREK

FIRST CONTACT

Second

STAR TREK

FIRST CONTACT

This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Third

STAR TREK

FIRST CONTACT

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

1996

STAR TREK; FIRST CONTACT

Page 43

"He'd named his ship the Phoenix.

Page 47

".........the Phoenix........."

".........the Phoenix........."

Page 48

".........the Phoenix........."

Page 54

"The Phoenix had risen"

 

ONE LOVE

One Love appears on the album One Love Peace Concert

(Bob Marley)

One Love, One Heart
Let's get together and feel all right
Hear the children crying (One Love)
Hear the children crying (One Heart)
Sayin' give thanks and praise to the Lord and I will feel all right
Sayin' let's get together and feel all right

Let them all pass all their dirty remarks (One Love)
There is one question I'd really like to ask (One Heart)
Is there a place for the hopeless sinner
Who has hurt all mankind just to save his own?
Believe me

One Love, One Heart
Let's get together and feel all right
As it was in the beginning (One Love)
So shall it be in the end (One Heart)
Give thanks and praise to the Lord and I will feel all right
One more thing

Let's get together to fight this Holy Armageddon (One Love)
So when the Man comes there will be no no doom (One Song)
Have pity on those whose chances grove thinner
There ain't no hiding place from the Father of Creation

Sayin' One Love, One Heart
Let's get together and feel all right
I'm pleading to mankind (One Love)
Oh Lord (One Heart)

Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right

 

"One Love/People Get Ready" is a song by Bob Marley & The Wailers from their 1977 album Exodus and it has also been released on many of his compilation albums. It has become one of the most influential and known reggae songs ever. The song expressed Bob's beliefs of global unity. Marley was born in the small village of Nine Mile in the Saint Ann Parish, Jamaica.

 

I

CAN'T STOP LOVING YOU

Jim Reeves 1923 - 1964

I can't stop loving you
I've made up my mind
To live in memori-i-ies
Of old lonesome time

I can't stop wanting you
It's useless to say
So I'll just live my life
In dreams of yesterday

Those happy hours
That we once new
Though long ago-o-o
Still make me blue

They say that time
Heals a broken heart
But time has stood still
Since we've been apart

I can't stop loving you
Done made up my mind
To live in memories
Of old lonesome time

Just can't stop wanting you
It's useless to say-ay
I'll just live my life
In dreams of yesterday

www.lyricmusic.us/index.php?search=songid&id

 

 

O MY LOVE IS LIKE A RED RED ROSE

Robert Burns 1794

O, my love is like a red, red rose,
That is newly sprung in June.
O, my love is like the melody,
That is sweetly played in tune.

As fair are you, my lovely lass,
So deep in love am I,
And I will love you still, my Dear,
Till all the seas go dry.

Till all the seas go dry, my Dear,
And the rocks melt with the sun!
O I will love you still, my Dear,
While the sands of life shall run

And fare you well, my only Love,
And fare you well a while!
And I will come again, my Love,
Although it were ten thousand mile.

 

Standard English Translation

O, my love is like a red, red rose, That is newly sprung in June. O, my love is like the melody, That is sweetly played in tune. As fair are you, my lovely ...
www.worldburnsclub.com/poems/translations/a_red_red_rose.htm

Burns Original

1

O, my luve's like a red, red rose,
That's newly sprung in June.
O, my luve's like the melodie,
That's sweetly play'd in tune.

2

As fair art thou, my bonie lass,
So deep in luve am I,
And I will luve thee still, my Dear,
Till a' the seas gang dry.

3

Till a' the seas gang dry, my Dear,
And the rocks melt wi' the sun!
O I will luve thee still, my Dear,
While the sands o' life shall run.

4

And fare thee weel, my only Luve,
And fare thee weel a while!
And I will come again, my Luve,
Tho' it were ten thousand mile!

 

WELCOME

 

9
FIFTY FOUR
126
54
9

 

 

9
FIFTY FOUR
126
54
9
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9
9

 

 

 
FIFTY FOUR
     
5
FIFTY
66
30
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FOUR
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24
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FIFTY FOUR
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54
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FIFTY FOUR
9
9
9

 

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

STAR TREK; FIRST CONTACT

Story by Rick Berman & Brannon Braga & Ronald D. Moore

Screenplay by Brannon Braga & Ronald D. Moore

1996

First

STAR TREK

FIRST CONTACT

Second

STAR TREK

FIRST CONTACT

This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Third

STAR TREK

FIRST CONTACT

 

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

1996

First

STAR TREK

FIRST CONTACT

Second

STAR TREK

FIRST CONTACT

Third

STAR TREK

FIRST CONTACT

Page 43

"He'd named his ship the Phoenix.

Page 47

".........the Phoenix........."

".........the Phoenix........."

Page 48

".........the Phoenix........."

Page 54

"The Phoenix had risen"

 

ZEROREZ

ZEROREZ

ZEROREZ

ZEROREZ

ZEROREZ

ZEROREZ

ZEROREZ

ZEROREZ

ZEROREZ

 

 

DAILY MAIL

Friday, July 6, 2007

Colin Wilson

Page 15

ALL THE SEVENS

Just why is tomorrow's date (7-7-07 said to be so special ?

OR THOSE of the marrying disposition, tomorrow is the most auspicious day to wed for decades. Gamblers should also find their luck is in.
Anyone with a birthday can hope to be kissed by good chance. And the rest of us? Well, fortune should be smiling on us too.

The reason for all this bounty lies in the fact that tomorrow, Saturday, happens to fall on the seventh day of the seventh month of the seventh year of the millennium.

Throughout history, seven has been regarded as a perfect number. So what date could be more special than 7/07/07 - except perhaps the seventh of July 1977?

Modern man long ago forgot why seven has always been so blessed. But he still evokes that ancient knowledge when he uses the phrase 'being in the seventh heaven'. The number seven runs throughout world mythology, magic and religion and symbolises completeness and perfection.

There are seven seas, seven virtues, Seven Wonders of the World. Seven colours of the rainbow as well as repeated references in the Bible - the seven days of Creation, the seven deadly sins, and the blessing- of the seventh day which makes Sunday a day of rest.

Of course, July 7, 2005 is i remembered as one the most tragic events in recent British history - the London tube and bus bombings.

But it cannot be denied that the notion of seven being a special number goes way back beyond Biblical times, extending to our remotest ancestors. The proof lies in the group of stars known as the Pleiades, or Seven Sisters.

The acclaimed British anthropologist Stan Gooch discovered that they are the only constellation named by every culture on Earth, past and present, and going back at least 40,000 years.
The Greek legend of the Pleiades says they are six maidens and their mother, who were pursued through the forest by Orion the Hunter, until
Zeus took pity on them and changed them into stars.
The Australian Aborigines call them the hunter Wurunna. The Wyoming Indians have the seven maidens pursued by a bear

And they also play an important part in the legends of the Aztecs, the Incas, the Polynesians, the Chinese, the Masai and the Kikuyu of Kenya, the Hindus and the ancient Egyptians. They are important to all these ancient peoples because they symbolise the number seven.

THE REASON is hinted at by the phrase 'the seventh heaven'. Since pre-history, witch doc~ tors - or shamans - of every society have held the same belief: that above our earthly level there are seven heavens, the uppermost of which is the home of spirits.

The shaman was a person cho­sen-by the spirits to act as the intermediary between their world and the Earth. Once cho­sen, he had to go through a horrifically cruel and harsh training.

He (or sometimes she) may have been starved to the point of death, or lain out in the cold until frozen. It was like a long illness, and if he recovered, he would have gained magical healing powers, and would often have to ascend to the seventh heaven to consult the spirits.

It sounds like absurd supersti­tion. Yet what makes this so extraordinary is that shamans all over the world, from the Arctic to the Amazon, from Siberia to Japan, have for eons held exactly the same beliefs, even when separated by thousands of miles of space or thousands of years in time.

The belief in seven heavens can be found all over the Near East, from India to Iran. It is echoed in the Koran, in Jewish religious belief, and in the ancient Mesopotamian priest climbing the seven steps of his ziggurat.

This is the root cause of the number seven being considered lucky - because throughout human history, mythology and
religion, the secret of good fortune /has involved the shamans passing through the concentric seven layers of he av­ens to progressively deeper forms of knowledge
.

Shamans insist that attaining such knowledge demands that we learn to focus the mind.

And isn't it striking that things seem to go right when we focus on them - and wrong when we don't. How, by focusing our minds, we can make our own luck.

The playwright George Bernard Shaw expressed this the very same insight in Heartbreak House, when he makes the aged
Captain Shotover explain that his basic aim in life has been to achieve the Seventh Degree of Concentration. In my younger days-I will, by coincidence, be 77 next June - co I spent a great deal of time su trying to put Shotover's recommendation into practice.

I would try to hone my powers of of concentration by fixing on certain subjects and consciously to applying as much brain power
to them as I possibly could.

The trouble was that I never ac felt anything other than rather of furrow-browed - I could never ne succeed beyond a certain point th before I lost my focus. Then one at day I stumbled on the solution by accident.

On New Year's Day, 1979, I was trapped by snow in a remote Devon farmhouse where, as an author, I had gone to lecture to some extra-mural students.

After 24 hours we decided we 'had to try to escape. It so happened that my car was the only one that would climb the slope out of the farmyard.

After several hours' hard work with shovels, we finally made it up and onto a narrow country road. Although the snow had
been churned up by traffic, it was still treacherous. And in places where the snow lay untouched, it was hard to see where the road ended and the ditch began.

SO AS I began to make my way home, I was forced to drive with total, obsessive attention in case I ended up in aditch. It took two hours to reach the main Exeter road, where I was finally able to relax. Then I noticed a fascinating thing: that everything I looked at seemed curiously real and interesting.

The two hours of concentrated effort had somehow 'fixed' my consciousness in a higher state of awareness.

There was also a tremendous feeling of optimism, a conviction that most of our problems are due to vagueness, slackness, inattention, and that they are all perfectly easy to overcome with determined effort.

This state lasted throughout the rest of the drive home. Even now, merely thinking about the experience is enough to bring back the insight and renew the certainty.

What seemed to have happened was that total attention had allowed my level of consciousness to build up a pressure far beyond its normal level.

This, I saw, was the closest I had come to Shaw's seventh degree of concentration.

Afterwards, I tried many times to re-create it, initially without success. But before long, after practice, I found that I could achieve this heightened degree of concentration and conscious ness in just about one hour, and that, I could then maintain it for at least a further hour.
And now that I have learned the trick, I shall make sure I do it tomorrow. Just to make sure it's my lucky day

 

 

DAILY MAIL

Friday,August 31, 2007

Jonathan Cainer

Page 31

"THEY now tell us, with a straight face, that in deep space, experts have discovered a billion miles of nothing. Sorry, I know I have already written about this. But I can't quite manage to stop thinking, about it. Nothing? Nothing we recognise, perhaps. Nothing we can detect. Nothing doing. Nothing happening. Nothing to report. Nothing to write home about. But surely there can't be absolutely Nothing at all. And why 'a billion miles'? This may sound like a lot, but I rather feel it's not big enough to be convincing. Surely, nothing lasts for ever!

 

1
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NOTHING
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NOTHING
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DAILY MAIL

Monday, September 3, 2007

Jonathan Cainer

A BILLION miles of 'nothing' in space. I still can't stop thinking about it. I reckon those people who sell the names of stars as novelty gifts should package it up. This would entitle the new 'owners' to sing the Gershwin lyrics from Porgy And Bess: 'I've got plenty of nothing... and nothing's plenty for me.'
Alternatively, those from a different generation could hum the Dire Straits tune Money For Nothing. Then one day, when we crack the conundrum of how to travel faster than light, tourists can go there for excursions - while singing the movie song Busy Doing Nothing.

 

 

I

ME

ENTANGLEMENTS

 

 

Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other ...en.wikipedia.org/wiki/Quantum_entanglement

Quantum entanglement

Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other, even though the individual objects may be spatially separated. This leads to correlations between observable physical properties of the systems. For example, it is possible to prepare two particles in a single quantum state such that when one is observed to be spin-up, the other one will always be observed to be spin-down and vice versa, this despite the fact that it is impossible to predict, according to quantum mechanics, which set of measurements will be observed. As a result, measurements performed on one system seem to be instantaneously influencing other systems entangled with it. But quantum entanglement does not enable the transmission of classical information faster than the speed of light (see discussion in next section below).

Quantum entanglement applications in the emerging technologies of quantum computing and quantum cryptography, and has been used to realize quantum teleportation experimentally. At the same time, it prompts some of the more philosophically oriented discussions concerning quantum theory. The correlations predicted by quantum mechanics, and observed in experiment, reject the principle of local realism , which is that information about the state of a system should only be mediated by interactions in its immediate surroundings. Different views of what is actually occurring in the process of quantum entanglement can be related to different interpretations of quantum mechanics.

 

 

Since Indus was introduced in the 17th century, and lies in the south, it was not known to classical or early cultures thus they produced no mythology ...
en.wikipedia.org/wiki/Indus_(constellation)

 

Indus (constellation)

Indus Indus (IPA: /'indəs/) is a southern constellation that is supposed to represent an American Indian.

Epsilon Indi is one of the closest stars to Earth, approximately 11.82 light years away.

[edit History]

The constellation was one of twelve constellations created by Pieter Dirkszoon Keyser and Frederick de Houtman between 1595 and 1597, and it first appeared in Johann Bayer's Uranometria of 1603.

Since Indus was introduced in the 17th century, and lies in the south, it was not known to classical or early cultures thus they produced no mythology concerning it.

[edit] References

Ian Ridpath and Wil Tirion (2007). Collins Stars and Planets Guide,

 

 

A synopsis of the Harappan Civilization by Vinay Lal of the UCLA History Department.
www.sscnet.ucla.edu/southasia/History/Ancient/Indus2.html

Indus Valley Civilization.

"The earliest traces of civilization in the Indian subcontinent are to be found in places along, or close, to the Indus river. Excavations first conducted in 1921-22, in the ancient cities of Harappa and Mohenjodaro, both now in Pakistan, pointed to a highly complex civilization that first developed some 4,500-5,000 years ago, and subsequent archaeological and historical research has now furnished us with a more detailed picture of the Indus Valley Civilization and its inhabitants. The Indus Valley people were most likely Dravidians, who may have been pushed down into south India when the Aryans, with their more advanced military technology, commenced their migrations to India around 2,000 BCE. Though the Indus Valley script remains undeciphered down to the present day, the numerous seals discovered during the excavations, as well as statuary and pottery, not to mention the ruins of numerous Indus Valley cities, have enabled scholars to construct a reasonably plausible account of the Indus Valley Civilization.

Some kind of centralized state, and certainly fairly extensive town planning, is suggested by the layout of the great cities of Harappa and Mohenjodaro. The same kind of burnt brick appears to have been used in the construction of buildings in cities that were as much as several hundred miles apart. The weights and measures show a very considerable regularity. The Indus Valley people domesticated animals, and harvested various crops, such as cotton, sesame, peas, barley, and cotton. They may also have been a sea-faring people, and it is rather interesting that Indus Valley seals have been dug up in such places as Sumer. In most respects, the Indus Valley Civilization appears to have been urban, defying both the predominant idea of India as an eternally and essentially agricultural civilization, as well as the notion that the change from ‘rural’ to ‘urban’ represents something of a logical progression. The Indus Valley people had a merchant class that, evidence suggests, engaged in extensive trading.

Neither Harappa nor Mohenjodaro show any evidence of fire altars, and consequently one can reasonably conjecture that the various rituals around the fire which are so critical in Hinduism were introduced later by the Aryans. The Indus Valley people do not appear to have been in possession of the horse: there is no osteological evidence of horse remains in the Indian sub-continent before 2,000 BCE, when the Aryans first came to India, and on Harappan seals and terracotta figures, horses do not appear. Other than the archaeological ruins of Harappa and Mohenjodaro, these seals provide the most detailed clues about the character of the Indus Valley people. Bulls and elephants do appear on these seals, but the horned bull, most scholars are agreed, should not be taken to be congruent with Nandi, or Shiva’s bull. The horned bull appears in numerous Central Asian figures as well; it is also important to note that Shiva is not one of the gods invoked in the Rig Veda. The revered cow of the Hindus also does not appear on the seals. The women portrayed on the seals are shown with elaborate coiffures, sporting heavy jewelry, suggesting that the Indus Valley people were an urbane people with cultivated tastes and a refined aesthetic sensibility. A few thousand seals have been discovered in Indus Valley cities, showing some 400 pictographs: too few in number for the language to have been ideographic, and too many for the language to have been phonetic.

The Indus Valley civilization raises a great many, largely unresolved, questions. Why did this civilization, considering its sophistication, not spread beyond the Indus Valley? In general, the area where the Indus valley cities developed is arid, and one can surmise that urban development took place along a river that flew through a virtual desert. The Indus Valley people did not develop agriculture on any large scale, and consequently did not have to clear away a heavy growth of forest. Nor did they have the technology for that, since they were confined to using bronze or stone implements. They did not practice canal irrigation and did not have the heavy plough. Most significantly, under what circumstances did the Indus Valley cities undergo a decline? The first attacks on outlying villages by Aryans appear to have taken place around 2,000 BCE near Baluchistan, and of the major cities, at least Harappa was quite likely over-run by the Aryans. In the Rig Veda there is mention of a Vedic war god, Indra, destroying some forts and citadels, which could have included Harappa and some other Indus Valley cities. The conventional historical narrative speaks of a cataclysmic blow that struck the Indus Valley Civilization around 1,600 BCE, but that would not explain why settlements at a distance of several hundred miles from each other were all eradicated. The most compelling historical narrative still suggests that the demise and eventual disappearance of the Indus Valley Civilization, which owed something to internal decline, nonetheless was facilitated by the arrival in India of the Aryans."

 

 

Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual ... www.themystica.com/mystica/articles/a/anthropos.html

Anthropos

Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual essence of humanity, which was opposite of the collective meaning of the term humanity. Valentinus stated the church consists of the portion of humanity that recognizes and celebrates its divine origin. This could refer to the followers of Valentinus who "considered (themselves) more skillful" than the rest and agreed with the teacher Colorbasus, who said when God revealed himself, He revealed himself in the form of Anthopos. Still others maintained that

that the primal father of the whole, the primal beginning, and the primal incomprehensible, is called Anthropos…and that is the great and abstruse mystery, namely, that the power which is above all others, and contains all others in its embrace, is called Anthopos.

This is the reason that those Gnostics believing in the concept of Anthropos explained, the Savior called himself "Son of Man" (that is, Son of Anthropos)A.G.H.

Source(s):

Pagels, Elaine, The Gnostic Gospels, New York: Vintage Books, 1979, pp. 122-123

del greco anthopos, homine, e morphè, forma. Anthropomorphismo, etiam nominate personification, es le attribution de characteristicas e qualitates human a ... ia.wikipedia.org/wiki/Anthropomorphismo

Etymologia

. of the Greek anthopos, homine, and morphè, shape.

Ime Anthropos Ki Ego (Greek script: , English translation: "I'm A Person Too") was the Cypriot entry in the Eurovision Song Contest ... en.wikipedia.org/wiki/Ime_Anthropos_Ki_Ego - 17k

 

Anthropos Ki Ego

From Wikipedia, the free encyclopedia

Jump to: navigation, search

 

Ime Anthropos Ki Ego (Greek script:, English translation: "I'm A Person Too") was the Cypriot entry in the Eurovision Song Contest 1994, performed in Greek by Evridiki.
The song was performed fourth on the night (following Ireland's Paul Harrington and Charlie McGettigan with Rock 'n' Roll Kids and preceding Iceland's Sigga with Nætur). At the close of voting, it had received 51 points, placing 11th in a field of 25.

The song is a plea for peace, with Evridiki singing that she (and, by extension, everyone else) is a person too, and entitled to the same privileges as everyone else.

It was succeeded as Cypriot representative at the 1995 Contest by Alexandros Panayi with Sti Fotia

 

 

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FORTUNE TELLING BY DICE

Uncovering the Future Through the Ancient System of Casting Lots

David and Julia Line 1984

Behold this ruin! 'Twas a skull

Once of ethereal spirit full!

This narrow cell was Life's retreat;

This place was Thought's mysterious seat!

What beauteous pictures fill'd that spot,

What dreams of pleasure, long forgot!

Nor Love, nor Joy, nor Hope, nor Fear,

Has left one trace, one record here.

Lines to a skull - Antul Jane Vardill - 1816

 

The skull is not the most pleasant of symbols and is a constant _reminder to man of his own mortality. It represents death, = rrar.sitoriness and the vanity of earthly life. The skull, like a snail's shell, is what survives the living once the body has gone foreverFor this reason it becomes significant as a receptacle of life and thought. Leblant describes the skull as 'the semi-spherical crown of the human body' which signifies the heavens, whilst Plato· in - Timaeus declares that 'the human head is the image of the world.' Skulls were once objects employed in divination. The origin of the belief in a head discoursing after death probably has its roots in such legends as Arthur, Bran, Mimir and Orpheus. This idea can ilio be found in Shakespeare's Hamlet. In Norse mythology it was believed that the heavens were made from the skull of Ymir, a primaeval giant.

 

 

DOES GOD PLAY DICE

THE NEW MATHEMATICS OF CHAOS

Ian Stewart 1989

Page 1

PROLOGUE

CLOCKWORK OR CHAOS?

"YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER."

Albert Einstein, Letter to Max Born

 

 

The Death Of Forever

A New Future for Human Consciousness

Darryl Reanney (1995 Edition)

Page 219

(It was this indeterminate character of quantum mechanics that caused Einstein to complain that God 'did not play dice with the world'.)

 

 

 

 
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