THE NUCLEAR FAMILY 1969
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
2 |
THE ADVENT |
9 |
9 |
9 |
WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE
...
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
THE JOURNEYWOMAN 1977
THE JOURNEY MAN 1971
EHT NAMUH 1977
SCULPTURE OF VIBRATIONS 1971
FIRST CONTACT 1980
GREETINGS O NAMUH
|
-THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY |
|
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE |
|
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED-
|
|
THE MESSAGE OF CREATION IS CLEAR EACH LETTER |
|
OF |
|
|
|
ALPHABET |
|
IS |
|
|
|
A |
|
NUMERICAL |
|
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
|
|
REARRANGING THEM IN ENDLESS CONFIGURATIONS
|
|
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
|
|
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
CITY OF REVELATION
John Michell
1972
Page 109
"At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation.
The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.'
The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.'
The number 666 in metrology
The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future.
Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING NOW RISING IS THE LIGHT
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
S |
= |
1 |
- |
3 |
SEE |
29 |
11 |
2 |
- |
|
I |
= |
9 |
- |
2 |
IT |
29 |
11 |
2 |
- |
2 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
- |
7 |
N |
= |
5 |
- |
3 |
NOW |
52 |
16 |
7 |
- |
7 |
S |
= |
1 |
- |
4 |
SAID |
33 |
15 |
6 |
- |
6 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
6 |
B |
= |
2 |
- |
5 |
BLIND |
41 |
23 |
5 |
- |
- |
M |
= |
4 |
- |
3 |
MAN |
28 |
10 |
1 |
- |
- |
- |
- |
34 |
|
27 |
First |
|
|
|
|
30 |
- |
- |
3+4 |
- |
2+7 |
Add |
2+7+9 |
1+1+7 |
4+5 |
- |
3+0 |
- |
- |
7 |
- |
|
Second |
|
|
|
- |
|
- |
- |
- |
- |
- |
Reduce |
1+8 |
- |
- |
- |
- |
- |
- |
|
- |
|
Essence |
|
|
|
- |
|
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
- |
- |
41 |
|
53 |
First Total |
|
|
|
- |
- |
4+1 |
- |
5+3 |
Add to Reduce |
6+1+6 |
2+3+8 |
4+9 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
C |
= |
3 |
- |
14 |
COMPREHENSIBLE |
144 |
72 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
T |
= |
2 |
- |
15 |
TECHNOLOGICALLY |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
ADVANCED |
54 |
27 |
9 |
S |
= |
1 |
- |
7 |
SOCIETY |
96 |
33 |
6 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
E |
= |
5 |
- |
5 |
EPOCH |
47 |
29 |
2 |
- |
- |
47 |
|
81 |
First Total |
|
|
|
- |
- |
4+7 |
- |
8+1 |
Add to Reduce |
9+3+1 |
4+0+0 |
8+5 |
- |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+3 |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
- |
- |
49 |
|
57 |
First Total |
|
|
|
- |
- |
4+9 |
- |
5+7 |
Add to Reduce |
5+9+8 |
2+3+8 |
5+8 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
1+2 |
Reduce to Deduce |
2+2 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
- |
- |
19 |
|
28 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+8 |
Add to Reduce |
2+9+9 |
1+1+0 |
2+0 |
- |
- |
10 |
- |
|
Second Total |
|
|
|
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
2+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
|
|
41 |
|
53 |
|
|
|
49 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
C |
= |
3 |
- |
4 |
THAT |
144 |
72 |
9 |
T |
= |
2 |
- |
5 |
WOULD |
35 |
8 |
8 |
A |
= |
1 |
- |
2 |
BE |
40 |
13 |
4 |
T |
= |
2 |
- |
14 |
COMPREHENSIBLE |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
TO |
54 |
27 |
9 |
S |
= |
1 |
- |
3 |
ANY |
96 |
33 |
6 |
I |
= |
9 |
- |
15 |
TECHNOLOGICALLY |
23 |
14 |
5 |
A |
= |
1 |
- |
2 |
ADVANCED |
40 |
13 |
4 |
E |
= |
5 |
- |
7 |
SOCIETY |
48 |
29 |
2 |
T |
= |
2 |
- |
2 |
IN |
49 |
13 |
4 |
W |
= |
5 |
- |
3 |
ANY |
75 |
21 |
3 |
B |
= |
2 |
- |
5 |
EPOCH |
7 |
7 |
7 |
|
|
47 |
|
81 |
|
|
|
85 |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
|
|
49 |
|
57 |
|
|
|
58 |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
|
|
19 |
|
28 |
|
|
|
20 |
|
|
|
|
|
|
|
|
|
- |
- |
156 |
|
219 |
First Total |
|
|
|
- |
- |
1+5+6 |
- |
2+1+9 |
Add to Reduce |
2+4+4+4 |
9+8+6 |
2+1+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
1+4 |
2+3 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTER AND NUMBER
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
S |
- |
19 |
|
26 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+6 |
Add to Reduce |
2+6+1 |
1+0+8 |
1+8 |
- |
- |
|
- |
|
Second Total |
9 |
9 |
9 |
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
9 |
9 |
9 |
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
9 |
THE ADVENT |
9 |
9 |
9 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
7 |
ENGLISH |
74 |
38 |
2 |
8 |
LANGUAGE |
68 |
32 |
5 |
|
|
|
|
|
1+8 |
|
1+7+5 |
8+5 |
1+3 |
|
|
|
|
|
|
THIRTEEN |
|
|
|
7 |
ENGLISH |
74 |
38 |
2 |
8 |
LANGUAGE |
68 |
32 |
5 |
15 |
First Total |
|
|
|
1+5 |
Add to Reduce |
1+4+2 |
7+9 |
- |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+6 |
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
- |
- |
1+0 |
- |
1+8 |
Add to Reduce |
1+7+2 |
9+1 |
1+0 |
- |
- |
1 |
- |
|
Second Total |
10 |
10 |
1 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
- |
- |
|
- |
|
Essence of Number |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
12 |
|
18 |
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
|
7 |
|
74 |
47 |
38 |
|
|
|
|
28 |
|
42 |
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
8 |
|
65 |
29 |
29 |
|
|
|
|
32 |
|
48 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+0 |
|
1+4 |
2+4 |
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
1+8 |
Add to Reduce |
1+7+2 |
9+1 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
|
Second Total |
10 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
Essence of Number |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+0 |
|
1+4 |
2+4 |
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
1+8 |
Add to Reduce |
1+7+2 |
9+1 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
|
Second Total |
10 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
Essence of Number |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+0 |
|
1+4 |
2+4 |
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
1+8 |
Add to Reduce |
1+7+2 |
9+1 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
|
Second Total |
10 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
Essence of Number |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
2+0 |
1+4 |
2+4 |
|
E |
= |
5 |
- |
7 |
ENGLISH |
74 |
47 |
2 |
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
|
|
|
|
|
|
|
|
- |
- |
8 |
|
18 |
First Total |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
1+8 |
Add to Reduce |
1+7+2 |
9+1 |
1+0 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
|
Second Total |
10 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
Essence of Number |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
SOPHIA |
- |
- |
- |
|
|
|
|
|
S+O+P+H |
58 |
22 |
|
|
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
6 |
SOPHIA |
68 |
32 |
14 |
|
|
|
|
- |
- |
6+8 |
3+2 |
1+4 |
|
|
|
|
6 |
SOPHIA |
14 |
5 |
5 |
|
|
|
|
- |
- |
1+4 |
- |
- |
|
|
|
|
6 |
SOPHIA |
5 |
5 |
5 |
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
1 |
6 |
|
8 |
9 |
|
|
|
|
2+4 |
|
|
= |
|
|
- |
19 |
15 |
|
8 |
9 |
|
|
|
|
5+1 |
|
|
= |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
7 |
|
|
1 |
|
|
|
|
|
|
= |
|
|
- |
|
|
16 |
|
|
1 |
|
|
|
1+7 |
|
|
1+7 |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
19 |
15 |
16 |
8 |
9 |
1 |
|
|
|
6+8 |
|
|
1+4 |
|
|
- |
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
3+2 |
|
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|
- |
|
- |
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|
occurs |
x |
|
= |
2 |
|
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- |
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|
occurs |
x |
|
= |
6 |
|
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|
occurs |
x |
|
= |
7 |
|
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|
occurs |
x |
|
= |
8 |
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|
occurs |
x |
|
= |
|
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|
1+4 |
2+0 |
|
|
|
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|
3+1 |
|
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|
3+2 |
|
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1 |
6 |
7 |
8 |
9 |
1 |
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5 |
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|
20 |
S |
|
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|
|
|
- |
|
- |
1 |
6 |
|
8 |
9 |
|
|
|
|
2+4 |
|
|
= |
|
|
- |
19 |
15 |
|
8 |
9 |
|
|
|
|
5+1 |
|
|
= |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
7 |
|
|
1 |
|
|
|
|
|
|
= |
|
|
- |
|
|
16 |
|
|
1 |
|
|
|
1+7 |
|
|
1+7 |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
19 |
15 |
16 |
8 |
9 |
1 |
|
|
|
6+8 |
|
|
1+4 |
|
|
- |
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
3+2 |
|
|
|
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|
|
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|
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|
|
|
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|
|
- |
|
- |
|
|
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|
|
occurs |
x |
|
= |
2 |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
2+0 |
|
|
|
|
|
|
|
|
3+1 |
|
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
4 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
4 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
4 |
ATUM |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
|
|
|
|
4 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
4 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
4 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
4 |
ATUM |
1 |
1 |
1 |
|
|
|
|
4 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
4 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
4 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
4 |
ATUM |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
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|
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|
|
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|
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|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
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|
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|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
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|
occurs |
x |
|
= |
|
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|
|
|
|
1 |
2 |
3 |
4 |
|
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1+0 |
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Q |
1+0 |
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ATUM QUANTUM ATOM
QUANTUM
QUNATUM
ATUM
GOOGLE SEARCH AM 25/11/2011.
About 4,780,000 results (0.23 seconds)
ATUM
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1 |
20 |
21 |
13 |
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5+5 |
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1+0 |
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1+0 |
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5+5 |
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1+0 |
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1+0 |
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1 |
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5+5 |
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1+0 |
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1+0 |
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occurs |
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occurs |
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occurs |
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occurs |
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1 |
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1+0 |
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Q |
1+0 |
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6 |
ATUM RA |
- |
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ATUM |
- |
- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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2 |
RA |
- |
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R |
18 |
9 |
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1+0 |
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A |
1 |
1 |
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6 |
ATUM RA |
74 |
20 |
20 |
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- |
7+4 |
2+0 |
2+0 |
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6 |
ATUM RA |
11 |
2 |
2 |
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1+1 |
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6 |
ATUM RA |
2 |
2 |
2 |
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18 |
1 |
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7+4 |
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1+1 |
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1 |
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9 |
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2+0 |
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1 |
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18 |
1 |
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7+4 |
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1+1 |
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9 |
1 |
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2+0 |
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1 |
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7+4 |
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1+1 |
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1 |
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2+0 |
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occurs |
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occurs |
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occurs |
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occurs |
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5 |
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FIVE |
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6 |
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SIX |
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7 |
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SEVEN |
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8 |
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EIGHT |
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occurs |
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26 |
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2+6 |
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9 |
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1+9 |
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2+0 |
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9 |
1 |
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1+0 |
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8 |
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18 |
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7+4 |
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1+1 |
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2+0 |
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18 |
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7+4 |
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1+1 |
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1 |
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9 |
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2+0 |
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1 |
20 |
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18 |
1 |
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7+4 |
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1+1 |
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1 |
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9 |
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2+0 |
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occurs |
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occurs |
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occurs |
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occurs |
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1+9 |
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1+0 |
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18 |
1 |
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7+4 |
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1+1 |
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2+0 |
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18 |
1 |
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7+4 |
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1+1 |
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18 |
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7+4 |
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1+1 |
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2+0 |
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occurs |
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occurs |
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occurs |
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occurs |
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occurs |
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9 |
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1+9 |
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Q |
2+0 |
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A |
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A |
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A |
R |
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M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
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4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
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2 |
- |
- |
- |
- |
- |
- |
- |
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- |
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2 |
- |
- |
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3 |
- |
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- |
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- |
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3 |
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4 |
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4 |
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9 |
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9 |
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A |
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M |
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R |
A |
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A |
R |
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M |
U |
T |
A |
- |
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9 |
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9 |
- |
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4 |
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4 |
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- |
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3 |
- |
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- |
- |
- |
- |
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3 |
- |
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2 |
- |
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- |
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- |
- |
- |
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2 |
- |
1 |
- |
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- |
1 |
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1 |
- |
- |
- |
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1 |
A |
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U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
18 |
1 |
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1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
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9 |
1 |
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2 |
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1 |
9 |
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1 |
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A |
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M |
U |
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A |
- |
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4 |
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4 |
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3 |
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3 |
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2 |
- |
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2 |
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1 |
- |
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- |
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1 |
A |
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M |
- |
M |
U |
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A |
1 |
20 |
21 |
13 |
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13 |
21 |
20 |
1 |
1 |
2 |
3 |
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4 |
3 |
2 |
1 |
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M |
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M |
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A |
1 |
2 |
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4 |
3 |
2 |
1 |
A |
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M |
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M |
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A |
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- |
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1 |
- |
- |
- |
- |
- |
1 |
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occurs |
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= |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
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occurs |
x |
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= |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
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occurs |
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= |
3 |
- |
- |
- |
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4 |
- |
- |
- |
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occurs |
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= |
4 |
- |
- |
- |
- |
- |
- |
9 |
- |
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occurs |
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= |
9 |
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A |
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M |
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R |
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19 |
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- |
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- |
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2+0 |
- |
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Q |
2+0 |
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A |
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M |
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R |
A |
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1 |
2 |
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4 |
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9 |
1 |
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M |
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R |
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1 |
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A |
T |
U |
M |
R |
A |
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- |
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1 |
20 |
21 |
13 |
18 |
1 |
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= |
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1 |
2 |
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4 |
9 |
1 |
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= |
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A |
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U |
M |
R |
A |
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- |
- |
1 |
- |
- |
- |
- |
1 |
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occurs |
x |
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= |
2 |
- |
- |
2 |
- |
- |
- |
- |
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occurs |
x |
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= |
2 |
- |
- |
- |
3 |
- |
- |
- |
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occurs |
x |
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= |
3 |
- |
- |
- |
- |
4 |
- |
- |
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occurs |
x |
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= |
4 |
- |
- |
- |
- |
- |
9 |
- |
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occurs |
x |
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= |
9 |
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A |
T |
U |
M |
R |
A |
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19 |
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- |
- |
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- |
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- |
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2+0 |
- |
- |
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Q |
2+0 |
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A |
T |
U |
M |
R |
A |
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1 |
2 |
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9 |
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M |
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1 |
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6 |
RE ATUM |
- |
- |
- |
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2 |
RE |
- |
- |
- |
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R |
18 |
9 |
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E |
5 |
5 |
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ATUM |
- |
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- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
|
|
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1+0 |
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M |
13 |
4 |
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6 |
RE ATUM |
60 |
24 |
24 |
|
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- |
6+0 |
2+4 |
2+4 |
|
|
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6 |
RE ATUM |
6 |
6 |
6 |
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1+1 |
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6 |
RE ATUM |
6 |
6 |
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- |
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18 |
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21 |
13 |
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9 |
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2 |
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9 |
5 |
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9 |
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9 |
5 |
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1 |
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5 |
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5 |
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7 |
CREATUM |
- |
- |
- |
|
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|
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C |
3 |
3 |
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18 |
9 |
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5 |
5 |
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1 |
1 |
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20 |
2 |
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U |
21 |
3 |
|
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M |
13 |
4 |
|
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|
7 |
CREATUM |
90 |
27 |
27 |
|
|
|
|
- |
- |
9+0 |
2+7 |
2+7 |
|
|
|
|
7 |
CREATUM |
9 |
9 |
9 |
- |
|
|
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20 |
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3 |
18 |
5 |
1 |
2 |
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3 |
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20 |
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|
3 |
18 |
5 |
1 |
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3 |
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myEtymology.com: Latin etymology of creatum www.myetymology.com/latin/creatum.htm
Etymology of the Latin word creatum
the Latin word creatum (things made)
derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about)
derived from the Proto-Indo-European root *ker-
Derivations in Latin
creatura derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) ...
Creatum - Medieval Latin 105 https://coursewikis.fas.harvard.edu/ml105/Creatum
Creatum
From Medieval Latin 105
Jump to: navigation, search
creatum
Root: creo
Dictionary form: creo (adjective, positive)
participle, perfect, passive
accusative, masculine, singular
26 Aug 2009 – From Medieval Latin 105. ... Retrieved from "https:/ /coursewikis.fas.harvard.edu/ml105/Creatum" ...
Latin Word Study Tool www.perseus.tufts.edu/hopper/morph?l=creatum&la=la&prior...
Latin Word Study Tool. ("Agamemnon", "Hom. ... creatum, noun sg supine neut nom. creatum, part pl perf pass masc gen poetic. creatum, part pl perf pass neut ...
EUdict | creatum esse | Latin-Croatian dictionary www.eudict.com/index.php?lang=latcro&word=creatum%20esse
Latin-Croatian translation for creatum esse - online dictionary EUdict.com.
Needlebase - 1000 Common Latin Words - creo, creare, creavi, creatum https://pub.needlebase.com/actions/.../V2Visualizer.do?...latin...
1000 Common Latin Words ... current path creo, creare, creavi, creatum >>.
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|
|
|
|
|
- |
|
3 |
18 |
5 |
1 |
20 |
21 |
13 |
|
|
|
9+0 |
= |
|
= |
|
|
3 |
9 |
5 |
1 |
2 |
3 |
4 |
|
|
|
2+7 |
= |
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
3 |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
|
|
9 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
- |
|
|
- |
2+7 |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
3 |
9 |
5 |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
|
29 |
|
18 |
|
|
|
14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
- |
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
F |
= |
4 |
- |
4 |
FORM |
52 |
25 |
7 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
F |
= |
4 |
- |
4 |
FORM |
52 |
25 |
7 |
|
|
35 |
|
23 |
Add to Reduce |
|
|
34 |
- |
- |
2+5 |
- |
1+8 |
Reduce to Deduce |
2+6+8 |
1+3+3 |
1+4 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
6 |
WITHIN |
83 |
38 |
2 |
F |
= |
4 |
- |
4 |
FORM |
52 |
25 |
7 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
O |
= |
6 |
- |
7 |
OUTSIDE |
93 |
30 |
3 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
F |
= |
4 |
- |
4 |
FORM |
52 |
25 |
7 |
|
|
31 |
|
31 |
Add to Reduce |
|
|
32 |
- |
- |
3+1 |
- |
3+1 |
Reduce to Deduce |
3+6+5 |
1+7+6 |
3+2 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SELF |
42 |
15 |
6 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
F |
= |
6 |
- |
5 |
FEELS |
47 |
20 |
2 |
|
|
42 |
|
13 |
Add to Reduce |
|
|
19 |
- |
- |
4+2 |
- |
1+3 |
Reduce to Deduce |
1+2+7 |
5+5 |
1+9 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
1 2 3 4 5 6 7 8 9
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
- |
5 |
DEATH |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SELF |
42 |
15 |
6 |
|
|
31 |
|
31 |
Add to Reduce |
|
|
23 |
- |
- |
3+1 |
- |
3+1 |
Reduce to Deduce |
3+6+5 |
7+7 |
2+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF.
C |
= |
3 |
- |
3 |
CRUCIFIED |
78 |
51 |
6 |
A |
= |
1 |
- |
6 |
ACROSS |
75 |
21 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
C |
= |
3 |
- |
5 |
CROSS |
74 |
20 |
2 |
A |
= |
1 |
- |
6 |
ACROSS |
75 |
21 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
C |
= |
3 |
- |
5 |
CROSS |
74 |
20 |
2 |
C |
= |
3 |
- |
3 |
CRUCIFIED |
78 |
51 |
6 |
|
|
16 |
|
30 |
Add to Reduce |
|
|
24 |
- |
- |
1+6 |
- |
3+0 |
Reduce to Deduce |
3+6+5 |
1+8+6 |
2+4 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
1+5 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
4 |
THUS |
68 |
14 |
5 |
5 |
SPAKE |
52 |
16 |
7 |
11 |
ZARATHUSTRA |
153 |
45 |
9 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+7+3 |
7+5 |
2+1 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
- |
2 |
Essence of Number |
|
|
|
4 |
THUS |
68 |
14 |
5 |
5 |
SPOKE |
66 |
21 |
3 |
11 |
ZARATHUSTRA |
153 |
45 |
9 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+8+7 |
8+0 |
1+7 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+7 |
- |
- |
2 |
Essence of Number |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
- |
- |
- |
- |
8 |
- |
1 |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
26 |
- |
- |
- |
- |
8 |
- |
19 |
- |
- |
- |
|
|
|
|
|
|
|
8 |
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
1 |
9 |
1 |
2 |
- |
3 |
- |
2 |
9 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
1 |
18 |
1 |
20 |
- |
21 |
- |
20 |
18 |
1 |
|
|
|
|
|
|
|
1 |
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
26 |
1 |
18 |
1 |
20 |
8 |
21 |
19 |
20 |
18 |
1 |
|
|
|
|
|
|
|
9 |
|
|
- |
|
8 |
1 |
9 |
1 |
2 |
8 |
3 |
1 |
2 |
9 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
1 |
- |
1 |
- |
- |
- |
1 |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
2 |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
1+1 |
|
4+5 |
|
2+7 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
- |
- |
- |
- |
8 |
- |
1 |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
26 |
- |
- |
- |
- |
8 |
- |
19 |
- |
- |
- |
|
|
|
|
|
|
|
8 |
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
1 |
9 |
1 |
2 |
- |
3 |
- |
2 |
9 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
1 |
18 |
1 |
20 |
- |
21 |
- |
20 |
18 |
1 |
|
|
|
|
|
|
|
1 |
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
26 |
1 |
18 |
1 |
20 |
8 |
21 |
19 |
20 |
18 |
1 |
|
|
|
|
|
|
|
9 |
|
|
- |
|
8 |
1 |
9 |
1 |
2 |
8 |
3 |
1 |
2 |
9 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
1 |
- |
1 |
- |
- |
- |
1 |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
2 |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
- |
- |
8 |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
1+1 |
|
4+5 |
|
2+7 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THUS
SPOKE
ZARATHUSTRA
Friedrich Nietzsche 1844 - 1900
Translated With An Introduction ByR. J Hollingdale 1961
Page 9
INTRODUCTION
"ONE of the best known passages in Priedrich Nietzsche's
writings is a parable in The Gay Science in which he tells of a madman who went into the market-place in the morning with a burning lantern.
'Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market-place, and cried incessantly: "I am looking for God! I am looking for God!" As many of those who did not believe in God were standing together there, he excited considerable laughter. Have you lost him, then? said one. Did he lose his way like a child? said another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? or emigrated? Thus they shouted and laughed. The madman sprang into their midst and pierced them with his glances.
' "Where has God gone?" he cried. "I shall tell you. We have killed him -you and I. We are all his murderers. But how have we done this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What did we do when we unchained this earth from its sun? Whither is it moving now? Whither are we moving now? Away from all suns? Are we not perpetually falling? Backward, sideward, forward, in all directions? Is there any up or down left? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space? Has it not
become colder? Is not more and more night coming on all the time? Must not lanterns be lit in the morning? Do we not hear anything yet of the noise of the gravediggers who are burying God? Do we not smell anything yet of God's decomposition? Gods too decompose. God is dead. God remains dead. And we have killed him. How shall we, the murderers of all murderers, console ourselves? That which was holiest and mightiest of all that the world has yet possessed / Page 10 /
has bled to death under our knives. Who will wipe this blood off us? With what water could we purify ourselves? What festivals of atonement, what sacred games shall we need to invent? Is not the greatness of this deed too great for us? Must not we ourselves become gods simply to seem worthy of it? There has never been a greater deed; and whoever shall be born after us - for the sake of this deed he shall be part of a higher history than all history hitherto."
'Here the madman fell silent and again regarded his listeners; and they too were silent and stared at him in astonishment. At last he threw his lantern to the ground, and it broke and went out. "I come too early," he said then; "my time has not come yet. This tremendous event is still on its way, still travelling - it has not yet reached the ears of men. Lightning and thunder require time, the light of the stars requires time, deeds require time even after they are done, before they can be seen and heard. This deed is still more distant from them than the most distant stars - and yet they have done it themselves."
'It has been related further that on that same day the madman entered divers churches and there sang a requiem aeternam deo. Led out and quietened, he is said to have retorted each time: "What are these churches now if they are not the tombs and sepulchres of God?" ,
The madman is Nietzsche; the men in the market-place are his contemporaries; and the stpry exposes the very foundations upon which Nietzsche's whole philosophy is built.
God is dead in the hearts of men, science and rationalism have killed him; but without God the universe is without meaning. Yet men do not behave as if the universe were without meaning; they behave as if the disappearance of God left everything where it stood. But the contrary is the case (Nietzsche maintains): the disappearance of God has meant the disappearance of everything for which he was responsible. The basis of all moral judgement, of all notions of right and wrong and of good and evil, has been removed. Modern Europe is falling through a void.
Nietzsche found such a meaningless world intolerable; and / Page11 / his life's work was an attempt to find meaning in a purely
human existence."
Page 26
9
The title Thus Spoke Zarathustra derives from the Sanskrit lti vuttakam"J which means 'Thus Spoke the Holy One'. Zarathustra, better known by the Greek form of his name, Zoroaster, was the founder (perhaps historical) of the Persian religion. But of the 'real' Zarathustra there is virtually nothing in Nietzsche's book. Nietzsche has stated why he adopted the Persian's name for his own hero. 'I have never been asked, as I should have been,' he writes in Ecce Homo, 'what the name of Zarathustra precisely means in my mouth, in the mouth of the first immoralist; for that which distinguishes this Persian from all others in history is the very fact that he was the exact reverse of an immoralist. Zarathustra was the first to see in the struggle between good and evil the essential wheel in the working of things. The translation of morality into the realm of metaphysics, as force, cause, end-in-itself, is his work. But the very question suggests its own answer. Zarathustra created this most portentous of all errors - morality; therefore he must be the first to expose it. Not only because he has had longer and greater experience of the subject than any other thinker - all history is indeed the experimental refutation of the so-called moral order of things - but because of the more important fact that Zarathustra was the most truthful of thinkers. In his teaching alone is truthfulness upheld as the / Page 27 /
highest virtue - that is to say, as the reverse of the cowardice of the 'idealist' who takes flight at the sight of reality. Zarathustra has more pluck in his body than all other thinkers put together. To tell the truth and to aim straight: that was virtue to the Persians. Do you understand me? ... The overcoming of morality by itself, through truthfulness, the moralist's overcoming of himself in his opposite in me - that is what the name Zarathustra means in my mouth.'
The only explicit similarity between Nietzsche's hero and the Persian is found at the very beginning of the prologue. It follows one of Nietzsche's early notes for the book: 'Zarathustra, born at Lake Urmi, left his home in his thirtieth year, went into the province of Aria, and during the ten years of his solitude in the mountains composed the Zend-Avesta.'
But Ernest Newman has pointed out a possible autobiographical significance in the opening sentences. He writes in his life of Wagner: 'The" home" and" lake of his home" seem to me to be symbols for Triebschen - his spiritual home for some years - and the lake on which Triebschen stood' (Triebschen "Was Wagner's home at the time Nietzsche first got to know him).' "Thirty" need not be taken absolutely literally. . . [it is] a poetic symbol covering the period round about 1873, when, as his notebooks reveal, his spirit was already beginning to.reorientate itself vis-a-vis Wagner. Similarly, the" ten years" in which Zarathustra enjoyed his spirit and his solitude is a poetic round number that covers sufficiently well the period that elapsed between the first great
inward change in him and the date of the First Part of Thus Spoke Zarathustra.'
11 |
ZARATHUSTRA |
153 |
45 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ZEND AVESTA |
- |
- |
- |
|
ZEND |
49 |
22 |
|
|
AVESTA |
68 |
14 |
|
10 |
ZEND AVESTA |
117 |
36 |
9 |
- |
- |
1+1+7 |
3+6 |
- |
7 |
ZEND AVESTA |
9 |
9 |
9 |
DIAGNOSIS OF MAN
Kenneth Walker 1943
Page 239
"In no Western philosophy is the difference between man as he is and man as he might become more strongly proclaimed than in that of Nietzsche. This is the theme that underlies the whole of that much misunderstood work Thus Spake Zarathustra, the idea of the Superman.
I teach you the Superman. Man is a thing to be surmounted.
What have you done to surmount him?
All beings hitherto have created something above themselves:
will ye be the ebb of this great tide and rather revert to the beast than surmount man?
What is the ape to man? A jest or a thing of shame. So shall man be to Superman - a jest or a thing of shame.
Ye have trod the way from worm to man, and much in you is yet worm. Once were ye apes, and even yet man is more ape than
any ape.
But he that is wisest amongst you is but a discord, a hybrid of plant and ghost. But do I bid you become either ghosts or plants?
Behold I teach you the Superman!
The Superman is the meaning of the earth. Let your will say: the Superman shall be the meaning of the earth."
11 |
ZARATHUSTRA |
153 |
45 |
9 |
10 |
QUETZALCOATL |
153 |
45 |
9 |
1 |
I |
9 |
9 |
9 |
5 |
TEACH |
37 |
19 |
1 |
3 |
YOU |
61 |
16 |
7 |
3 |
THE |
33 |
15 |
6 |
8 |
SUPERMAN |
107 |
35 |
8 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+4+7 |
9+4 |
3+1 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
1+3 |
- |
2 |
Essence of Number |
|
|
|
10 |
SUPERWOMAN |
145 |
46 |
1 |
8 |
SUPERMAN |
107 |
35 |
8 |
18 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
2+5+2 |
8+1 |
- |
9 |
Essence of Number |
|
|
|
10 |
SUPERWOMEN |
149 |
50 |
5 |
8 |
SUPERMEN |
111 |
39 |
3 |
18 |
First Total |
|
|
|
|
Add to Reduce |
2+6+0 |
8+9 |
- |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+7 |
- |
9 |
Essence of Number |
|
|
|
8 |
SUPERMEN |
111 |
39 |
3 |
8 |
COMPUTER |
111 |
39 |
3 |
3 |
THE |
33 |
15 |
6 |
5 |
TRUTH |
87 |
24 |
6 |
2 |
IS |
28 |
19 |
1 |
4 |
MAAT |
35 |
8 |
8 |
14 |
First Total |
|
|
|
|
Add to Reduce |
1+8+3 |
6+6 |
2+1 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
- |
5 |
Essence of Number |
|
|
|
I
THAT AM AT MAAT AT THAT AM
I
5 |
TRUTH |
87 |
24 |
6 |
2 |
OF |
21 |
12 |
3 |
4 |
MAAT |
35 |
8 |
8 |
2 |
IS |
28 |
19 |
1 |
13 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+7+1 |
6+3 |
1+8 |
4 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
HUMAN |
57 |
21 |
3 |
10 |
CONSCIENCE |
90 |
45 |
9 |
18 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+8+0 |
8+1 |
1+8 |
9 |
Essence of Number |
|
|
|
7 |
LUCIFER |
- |
- |
- |
|
L+U+C |
36 |
9 |
|
|
I |
9 |
9 |
|
|
F+E |
11 |
2 |
|
|
R |
18 |
9 |
|
7 |
|
74 |
29 |
29 |
- |
- |
7+4 |
2+9 |
2+9 |
7 |
|
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
|
2 |
2 |
2 |
HOW THOU ART FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING
FELLED TO THE EARTH WHICH DIDST WEAKEN THE NATIONS
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
P |
= |
7 |
- |
9 |
PARASITES |
108 |
36 |
9 |
- |
- |
17 |
|
16 |
Add to Reduce |
|
|
19 |
- |
- |
1+7 |
- |
1+6 |
Reduce to Deduce |
1+8+1 |
7+3 |
1+9 |
- |
- |
8 |
- |
|
Essence of Number |
10 |
10 |
10 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
8 |
- |
|
Essence of Number |
1 |
1 |
1 |
C |
= |
3 |
- |
3 |
CAPITALISM |
103 |
40 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
A |
= |
1 |
- |
8 |
AP-PROACH |
78 |
42 |
6 |
I |
= |
9 |
- |
4 |
IT |
29 |
11 |
2 |
A |
= |
1 |
- |
3 |
AL-L |
25 |
7 |
7 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
M |
= |
4 |
- |
4 |
M-INE |
41 |
23 |
5 |
- |
- |
24 |
|
22 |
Add to Reduce |
|
|
24 |
- |
- |
2+4 |
- |
2+2 |
Reduce to Deduce |
2+0+4 |
9+6 |
2+4 |
- |
- |
6 |
- |
|
Essence of Number |
6 |
15 |
6 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+5 |
- |
- |
- |
|
- |
|
Essence of Number |
|
6 |
|
THE BLINDNESS BEYOND DREAMING
C |
= |
3 |
- |
10 |
CONGENITAL |
100 |
46 |
1 |
B |
= |
2 |
- |
9 |
BLINDNESS |
98 |
35 |
8 |
- |
- |
5 |
|
19 |
First Total |
|
|
9 |
- |
- |
- |
- |
1+0 |
Add to Reduce |
1+8+1 |
8+1 |
- |
- |
- |
5 |
- |
1 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
7 |
- |
3 |
THE |
33 |
15 |
6 |
B |
= |
2 |
- |
9 |
BLINDNESS |
98 |
35 |
8 |
B |
= |
7 |
- |
6 |
BEYOND |
65 |
29 |
2 |
O |
= |
6 |
- |
8 |
DREAMING |
71 |
44 |
8 |
- |
- |
22 |
|
26 |
First Total |
|
|
|
- |
- |
2+2 |
- |
2+6 |
Add to Reduce |
2+6+7 |
1+2+3 |
2+4 |
- |
- |
4 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
IN
THE COUNTRY OF THE MIND THE
ONE
I'D
MAN IS KING
C |
= |
3 |
- |
10 |
CONGENITAL |
100 |
46 |
1 |
B |
= |
2 |
- |
9 |
BLINDNESS |
98 |
35 |
8 |
- |
- |
5 |
|
19 |
First Total |
|
|
9 |
- |
- |
- |
- |
1+0 |
Add to Reduce |
1+8+1 |
8+1 |
- |
- |
- |
5 |
- |
1 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
B |
= |
2 |
- |
9 |
BLINDNESS |
98 |
35 |
8 |
B |
= |
2 |
- |
6 |
BEYOND |
65 |
29 |
2 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
D |
= |
4 |
- |
8 |
DREAMING |
71 |
44 |
8 |
- |
- |
17 |
|
29 |
First Total |
|
|
|
- |
- |
1+7 |
- |
2+9 |
Add to Reduce |
2+9+3 |
1+4+0 |
3+2 |
- |
- |
8 |
- |
11 |
Second Total |
|
|
|
- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+4 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
I |
= |
6 |
- |
4 |
ISIS |
56 |
20 |
2 |
L |
= |
6 |
- |
5 |
LIGHT |
56 |
29 |
2 |
W |
= |
8 |
- |
5 |
WHITE |
65 |
29 |
2 |
L |
= |
3 |
- |
7 |
LUCIFER |
74 |
38 |
2 |
F |
= |
3 |
- |
4 |
FIRE |
38 |
29 |
2 |
WHITE WITH E WITH WHITE
- |
- |
- |
- |
- |
WHITE |
- |
- |
- |
W |
= |
5 |
- |
4 |
WITH |
60 |
24 |
6 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
|
|
5 |
WHITE |
65 |
29 |
|
- |
- |
- |
- |
- |
- |
6+5 |
2+9 |
1+1 |
- |
- |
- |
- |
5 |
WHITE |
|
|
|
- |
- |
- |
- |
- |
- |
1+1 |
1+1 |
- |
- |
- |
- |
- |
5 |
WHITE |
|
|
|
BLACK B LACK OF LIGHT B
I
ME
LIVING
MAGNETISM
POSITIVE + NEGATIVE
ISISIS MAAT IS IS MAAT ISISIS
I AM THAT EYE THAT EYE THAT AM I
I AM DROWNING ALWAYS DROWNING AM I
HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181
ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE
X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X
ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA
ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
8 |
- |
- |
6 |
- |
6 |
5 |
- |
- |
- |
- |
6 |
- |
- |
8 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
9 |
- |
- |
- |
1 |
9 |
6 |
- |
1 |
- |
- |
- |
5 |
- |
- |
9 |
- |
8 |
- |
- |
5 |
9 |
5 |
- |
|
26 |
- |
- |
15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
- |
19 |
9 |
24 |
- |
19 |
- |
- |
- |
14 |
- |
- |
9 |
- |
8 |
- |
- |
14 |
9 |
14 |
- |
|
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
- |
5 |
9 |
- |
- |
- |
- |
5 |
- |
2 |
5 |
- |
- |
2 |
- |
9 |
5 |
5 |
- |
6 |
- |
3 |
9 |
- |
6 |
- |
4 |
5 |
- |
- |
- |
- |
- |
- |
5 |
4 |
5 |
- |
- |
5 |
- |
7 |
- |
2 |
- |
- |
- |
- |
5 |
|
- |
5 |
18 |
- |
- |
- |
- |
5 |
- |
20 |
23 |
- |
- |
20 |
- |
18 |
5 |
5 |
- |
6 |
- |
21 |
18 |
- |
6 |
- |
22 |
5 |
- |
- |
- |
- |
- |
- |
5 |
22 |
5 |
- |
- |
5 |
- |
7 |
- |
20 |
- |
- |
- |
- |
5 |
|
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
26 |
5 |
18 |
15 |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
- |
19 |
9 |
24 |
- |
19 |
5 |
22 |
5 |
14 |
- |
5 |
9 |
7 |
8 |
20 |
- |
14 |
9 |
14 |
5 |
|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
5 |
|
|
|
|
|
- |
|
|
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4+5 |
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E |
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- |
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E |
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H |
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- |
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E |
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8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
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E |
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E |
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H |
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E |
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occurs |
x |
|
= |
2 |
= |
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occurs |
x |
|
= |
6 |
= |
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occurs |
x |
|
= |
3 |
= |
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occurs |
x |
|
= |
8 |
= |
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occurs |
x |
|
= |
70 |
7+0 |
|
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occurs |
x |
|
= |
42 |
4+2 |
|
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occurs |
x |
|
= |
7 |
= |
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occurs |
x |
|
= |
24 |
2+4 |
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occurs |
x |
|
= |
63 |
6+3 |
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4+5 |
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4+0 |
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2+2+5 |
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5+4 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
DAILY MAIL
Thursday, February 7,2008
By Laura Clark
Education Correspondent
"I think therefore I'm five"
PHILOSOPHY CLASSES FOR YOUNGSTERS
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
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- |
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1+2 |
|
- |
- |
- |
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- |
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NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVEis the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
ONE |
3 |
- |
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
TWO |
3 |
- |
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
THREE |
5 |
- |
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
FOUR |
4 |
- |
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
Add |
15 |
- |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
Reduce |
- |
- |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
Reduce |
6 |
- |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
Deduce |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
Essence |
6 |
- |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
NINE |
4 |
- |
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
EIGHT |
5 |
- |
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
SEVEN |
5 |
- |
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
SIX |
3 |
- |
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
Add |
17 |
- |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
Reduce |
1+7 |
- |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
Reduce |
8 |
- |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
Deduce |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
Essence |
8 |
- |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
ONE |
34 |
16 |
7 |
- |
3 |
SIX |
52 |
16 |
7 |
3 |
TWO |
58 |
13 |
4 |
- |
5 |
SEVEN |
65 |
20 |
2 |
5 |
THREE |
56 |
29 |
2 |
- |
5 |
EIGHT |
49 |
31 |
4 |
4 |
FOUR |
60 |
24 |
6 |
- |
4 |
NINE |
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Reduce |
10 |
10 |
10 |
- |
8 |
Reduce |
10 |
10 |
10 |
- |
Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
Deduce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
5
FIVE
5
ONE + TWO + THREE + FOUR = 208 = SIX + SEVEN + EIGHT + NINE
5
FIVE
5
NINE + EIGHT + SEVEN + SIX = 1 = FOUR + THREE + TWO + ONE
5
FIVE
5
MAGICIANS OF THE GODS
Graham Hancock 2016
Page 425
Chapter 19
The Next Lost Civilization?
Page 425
More than two thousand flood myths that have come down to us from the remote past are eerily consistent on many points, and on one in particular: the cataclysm was not a random accident, we are told; we brought it upon ourselves by our own behaviour.
Our arrogance and our cruelty towards one another, our noise and strife and the wickedness of our hearts, angered the gods. We ceased to nurture spirit. We ceased to love and tend the earth and no longer regarded the universe with reverent awe and wonder. Dazzled by our own success, we forgot how to carry our prosperity with moderation.
So it was, Plato tells us, with the once generous and good citizens of Atlantis, who in former times possessed 'a certain greatness of mind, and treated the vagaries of fortune and one another with wisdom and forbearance', but who became swollen with overweening pride in their own achievements and fell into crass materialism, greed and violence:
To the perceptive eye the depth of their degeneration was clear enough, but to those whose judgement of true happiness is defective they seemed, in their pursuit of unbridled ambition and power, to be at the height of their fame and fortune.'
If ever a society could be said to meet all the mythological criteria of the next lost civilization - a society that ticks all the boxes - is it not obvious that it is our own? Our pollution and neglect of the majestic garden of the earth, our rape of its resources, our abuse of the oceans and the rainforests, our fear, hatred and suspicion of one another multiplied by a hundred bitter regional and sectarian conflicts, our /Page 426/ consistent track record of standing by and doing nothing while millions suffer, our ignorant, narrow-minded racism, our exclusivist religions, our forgetfulness that we are all brothers and sisters, our bellicose chauvinism, the dreadful cruelties that we indulge in, in the name of nation, or faith, or simple greed, our obsessive, competitive, ego-driven production and consumption of material goods and the growing conviction of many, fuelled by the triumphs of materialist science, that matter is all there is - that there is no such thing as spirit, that we are just accidents of chemistry and biology - all these things, and many more, in mythological terms at least, do not look good for us.
Meanwhile, we have made ourselves the possessors of a technology so advanced that it seems almost like magic, even while we use it constantly in our daily lives. Computer science, the internet, aviation, television, telecommunications, space exploration, genetic engineering, nuclear weapons, nanotechnology, transplant surgery . . . The list goes on and on, yet very few of us are able to understand how more than a tiny fraction of it works, and as it proliferates the human spirit withers and we engage in 'all manner of reckless crimes, wars and robberies and frauds, and all things hostile to the nature of the soul :2
Suppose for a moment that a cataclysm besets us, a cataclysm so vast that our complex, networked, highly specialised technological civilization collapses - collapses utterly beyond any hope of redemption. If such a scenario were to unfold it is likely that the meekest and most marginalised of the peoples who inhabit our world today - the hunter-gatherers of the Amazon jungle and the Kalahari desert, for example, who are used to making do with very little and whose survival skills are exemplary - would be the very ones most likely to make it through and therefore carry on the story of humanity in post-cataclysmic times.
How would their descendants remember us a thousand or ten thousand years from now? How, for example, might something that we regard as routine, like our ability to receive 24-hour rolling television news and hear sound and view images from all parts of the world, and even from outer space, be recollected in myth and tradition? Might it not be said wonderingly of us, as it was of 'the Forefathers' recalled in the Popol Vuh, the sacred book of the ancient Quiche Maya:
Page 427
They were endowed with intelligence; they saw and instantly they could see far, they succeeded in seeing, they succeeded in knowing all that there is in the world. When they looked, instantly they saw all around them, and they contemplated in turn the arch of heaven and the round face of the earth. The things hidden in the distance they saw all without first having to move; at once they saw the world, and so, too, from where they were, they saw it. Great was their wisdom; their sight reached to the forests, the lakes, the seas, the mountains and the valleys.3
Yet, in common with so many other memories that seem to hark back to an advanced lost civilization of prehistoric antiquity, we learn that in due course the 'Forefathers' became arrogant and proud and overstepped their bounds so that the gods asked: 'Must they perchance be the equals of ourselves, their Makers? Let us check a little their desires, because it is not well what we see.'4 Punishment swiftly followed:
The Heart of Heaven blew mist into their eyes, which clouded their sight as when a mirror is breathed on. Their eyes were covered and they could see only what was close, only that was clear to them. In this way all the wisdom and all the knowledge of [the Forefathers] were destroyed.3
It is interesting to note the mechanisms used by the gods to keep our ancestors in their place, as described in the Popol Vuh:
A flood was brought about by the Heart of Heaven . . . A heavy resin fell from the sky . . . The face of the earth was darkened and a black rain began to fall by day and by night . . .6 The faces of the sun and the moon were covered . .7 There was much hail, black rain and mist and indescribable cold . . .8
All these phenomena very accurately reflect the complex nature of the cataclysm that afflicted the earth 12,800 years ago at the beginning of the Younger Dryas cold epoch when, as we saw from the mass of evidence presented in Part II, many scientists are now certain that the earth . . ." ?????????
- |
ALL IS NUMBER |
- |
- |
- |
3 |
|
25 |
7 |
|
2 |
|
28 |
10 |
|
6 |
|
73 |
28 |
|
|
ALL IS NUMBER |
|
|
|
|
- |
1+2+6 |
4+5 |
|
|
ALL IS NUMBER |
|
|
|
THE CITY OF REVELATION
John Michell 1972
Gnostic Numbers
Page 118
"Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena."
Page 121 / How it was ever supposed that the Hebrew alphabet of twenty- two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
1 |
I |
9 |
9 |
9 |
3 |
SAY |
45 |
9 |
9 |
7 |
DECODER |
54 |
36 |
9 |
6 |
DECODE |
36 |
27 |
9 |
4 |
CODE |
27 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
CODED |
31 |
22 |
4 |
5 |
CODES |
46 |
19 |
1 |
- |
CODE |
|
|
- |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODE |
|
|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODER |
|
|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
CODE DE CODE
C+O D+E D+E C+O D+E
9+9+9+9+9
C+O D+E D+E C+O D+E
CODE DE CODE
10 |
CODE DE CODE |
67 |
13 |
4 |
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
|
D+E |
9 |
9 |
|
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
10 |
CODE DE CODE |
63 |
36 |
36 |
1+0 |
- |
6+3 |
3+6 |
3+6 |
1 |
CODE DE CODE |
9 |
9 |
9 |
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
TANTALIZE |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
4 |
GODS |
|
9 |
45 |
18 |
9 |
6 |
SPIRIT |
= |
S9999 |
91 |
37 |
1 |
4 |
ISIS |
|
9S9S |
89 |
35 |
8 |
6 |
OSIRIS |
|
OS999S |
89 |
35 |
8 |
6 |
VISHNU |
|
999U |
93 |
30 |
3 |
5 |
SHIVA |
|
99VA |
59 |
59 |
4 |
7 |
KRISHNA |
= |
K999NA |
80 |
35 |
3 |
7 |
SHRISTI |
|
999ST9 |
102 |
39 |
3 |
5 |
RISHI |
|
9999 |
63 |
36 |
9 |
4 |
ISHI |
|
999 |
45 |
27 |
9 |
6 |
CHRIST |
|
C999T |
77 |
32 |
5 |
GNOSIS GODS SON IS
LETTERS AND NUMBERS AND NUMBERS AND LETTERS
4 |
GODS |
|
9 |
45 |
18 |
9 |
6 |
SPIRIT |
= |
S9999 |
91 |
37 |
1 |
4 |
ISIS |
|
9S9S |
89 |
35 |
8 |
6 |
OSIRIS |
|
OS999S |
89 |
35 |
8 |
6 |
VISHNU |
|
999U |
93 |
30 |
3 |
5 |
SHIVA |
|
99VA |
59 |
59 |
4 |
7 |
KRISHNA |
= |
K999NA |
80 |
35 |
3 |
7 |
SHRISTI |
|
999ST9 |
102 |
39 |
3 |
5 |
RISHI |
|
9999 |
63 |
36 |
9 |
4 |
ISHI |
|
999 |
45 |
27 |
9 |
6 |
CHRIST |
|
C999T |
77 |
32 |
5 |
6 |
SAPTARSHI |
|
9TA999 |
77 |
32 |
5 |
SIGNALS WHAT SIGNALS
7 |
SIGNALS |
81 |
27 |
9 |
4 |
WHAT |
52 |
16 |
7 |
7 |
SIGNALS |
81 |
27 |
9 |
- |
SIGNALS |
- |
- |
- |
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
1 |
S |
19 |
10 |
|
7 |
SIGNALS |
81 |
45 |
27 |
- |
-- |
8+1 |
4+5 |
2+7 |
7 |
SIGNALS |
9 |
9 |
9 |
HALO 8136 HALO
AHLO 1836 AHLO
E |
= |
5 |
- |
8 |
EIGHTEEN |
73 |
46 |
1 |
A |
= |
1 |
- |
9 |
THIRTYSIX |
152 |
53 |
8 |
- |
- |
|
|
17 |
First Total |
|
|
|
- |
- |
|
- |
1+7 |
Add to Reduce |
2+2+5 |
9+9 |
|
Q |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
|
- |
1+7 |
Reduce to Deduce |
- |
1+8 |
|
Q |
- |
|
- |
|
Essence of Number |
|
|
|
A QUOTE = 183625 = QUOTE A
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
- |
QUO
VADIS |
- |
- |
|
1 |
Q |
17 |
8 |
|
2 |
UO |
36 |
9 |
|
3 |
VAD |
27 |
9 |
|
1 |
I |
9 |
9 |
|
1 |
S |
19 |
1 |
|
8 |
QUO VADIS |
108 |
36 |
36 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
- |
QUO
VADIS |
- |
- |
|
3 |
QUO |
17 |
8 |
|
5 |
VADIS |
27 |
9 |
|
8 |
QUO VADIS |
108 |
36 |
36 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
7 |
WHITHER |
91 |
46 |
|
5 |
GOEST |
66 |
21 |
|
4 |
THOU |
64 |
19 |
|
16 |
- |
221 |
86 |
5 |
1+6 |
- |
2+2+1 |
8+6 |
- |
7 |
- |
5 |
14 |
5 |
- |
- |
- |
1+4 |
- |
7 |
- |
5 |
5 |
5 |
SALUTATIONS
PEOPLES OF PLANET EARTH
THOUGHTS OF LOVE THOUGHTS OF PEACE THOUGHTS OF LIGHT
UNTO
ALL SENTIENT BEINGS THROUGHOUT THE UNIVERSE OF GODS UNIVERSAL MIND
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
D |
= |
4 |
- |
5 |
DEATH |
38 |
20 |
2 |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
3 |
THY |
53 |
17 |
8 |
S |
= |
1 |
- |
5 |
STING |
69 |
24 |
6 |
- |
- |
27 |
- |
21 |
First Total |
|
|
|
- |
- |
2+7 |
- |
2+1 |
Add to Reduce |
2+6+2 |
1+0+9 |
2+8 |
Q |
- |
9 |
- |
3 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
9 |
5 |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
G |
= |
7 |
- |
5 |
GRAVE |
53 |
26 |
8 |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
3 |
THY |
53 |
17 |
8 |
V |
= |
4 |
- |
7 |
VICTORY |
112 |
40 |
4 |
- |
- |
33 |
|
23 |
Add to Reduce |
|
|
|
- |
- |
3+3 |
- |
2+3 |
Reduce to Deduce |
3+2+0 |
1+3+1 |
3+2 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
Bhagavad-Gita, iv, 5.
SRI KRISHNA’S REMEMBERING
‘Many lives, Arjuna, you and I have lived, I remember them all, but thou dost not.’
Brahma
If the red slayer think he slays,
Or if the slain think he is slain
They know not well the subtle ways
I keep and pass and turn again.
R.W.Emerson
Bhagavad-Gita
Text 19
" ya enam vetti hantaram
yas cainam manyate hatam
ubhau tau na vijanito
nayam hanti na hanyate"
Bhagavad-Gita
As it is.
A. C. Bhaktivedanta Swami Prabhupada
Translation Chapter 2 Page 99/100
"Neither he who thinks the living entity the slayer nor he who thinks it slain is in knowledge, for the self slays not nor is slain."
‘who is the slayer and who is the victim. Speak’,
Sophocles
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
THE TIBETAN BOOK OF THE DEAD
OR
The After-Death Experiences on the Bardo Plane,
according to Lama Kazi Dawa-Samdup's English Rendering
Compiled and edited by
W.Y Evans-Wentz 1960
SRI KRISHNA'S REMEMBERING
"MANY LIVES, ARJUNA, YOU AND I HAVE LIVED, I REMEMBER THEM ALL, BUT THOU DOST NOT"
Bhagavad-Gita, iv, 5.
Page 222 (Addenda)
IV. THE GURU AND SHISHYA (OR CHELA) AND INITIATIONS
"Very frequently the Bardo Thodol directs the dying
or the deceased to concentrate mentally upon, or to visualize, his tutelary deity or else hisspiritual guru, and, at
other times, to recollect the teachings conveyed to him by his human guru, more especially at the time of the mystic initiation. Yogis and Tantrics ordinarily comment upon such ritualistic directions by saying that there exist three lines of gurus to whom reverence and worship are to be paid. The first and highest is purely superhuman, called in Sanskrit divyaugha, meaning . heavenly (or "divine ") line'; the second is of the
most highly developed human beings, possessed of supernormal /
Page 223 / or siddhic powers, and hence called siddhaugha;
the third is of ordinary religious teachers and hence called manavaugha,
'human line'.1
Women as well as men, if qualified, may be gurus. The shihsya is, as a rule, put on probation for one year before receiving
the first initiation. If at the end of that time he proves to
be an unworthy receptacle for the higher teachings, he is rejected.
Otherwise, he is taken in hand by the guru and carefully
prepared for psychical development. A shihsya when on probation
is merely commanded to perform such and such exercises as are
deemed suitable to his or her particular needs. Then, when the
probation ends, the shihsya is told by the guru the why of the exercises, and the final results which are certain
to come from the exercises when successfully carried out. Ordinarily,
once a guru is chosen, the shihsya has no right
to disobey the guru, or to take another guru until
it is proven that the first guru can guide the shihsya no
further. If the shihsya develops rapidly, because of good
karma, and arrives at a stage of development equal to that of
the guru, the guru, if unable to guide the shihsya
further, will probably himself direct theshihsya to a
more advanced guru.
For initiating a shihsya, the guru must first prepare himself, usually during a course of special ritual exercises occupying
several days, whereby the guru, by 'invoking the gift-waves
of the divine line of gurus, sets up direct communication with the spiritual plane on which the divine gurus exist. If the
human guru be possessed of siddhic powers, this communion
is believed to be as real as wireless or telepathic communication between two human beings on the earth-plane.
The actual initiation, which follows, consists of giving to the shishya the secret mantra, or Word of Power, whereby at-one-ment
is brought about between the shihsya, as the new member of the secret brotherhood, and the Supreme Guru / Page
224 /
who stands to all gurus and shishyas under him as
the Divine Father. The vital-force, or vital-airs (prana-vayu),
serve as a psycho-physical link uniting the human with the divine;
and the vital-force, having been centred in the Seventh Psychic-Centre,
or Thousand-petalled Lotus, by exercise of the awakened Serpent-Power,
through that Centre, as through a wireless receiving station,
are received the spiritual gift-waves of the Supreme guru.
Thus is the divine grace received into the human organism and
made to glow, as electricity is made to glow when conducted to
the vacuum of an electric bulb; and the true initiation is thereby
conferred and the shishya Illuminated.
In the occult language of the Indian and Tibetan Mysteries, the communication sits enthroned in the peri carp of the Thousand-petalled Lotus. Thither, by the power of the Serpent Power of the awakened Goddess Kundalini, the shishya, guided by the human guru,
is led, and bows down at the feet of the Divine Father, and receives
the blessing and the bene-diction. The Veil of Maya has
been lifted, and the Clear Light shines into the heart of the shishya unobstructedly. As one Lamp is lit by the Flame of another Lamp, so the Divine Power is communicated from the Divine Father, the communication, to the newly-born one,
the human shishya.
The secret mantra conferred at the initiation, like the
Egyptian Word of Power, is the Password necessary for a conscious
passing from the embodied state into the disembodied state. If
the initiate is sufficiently developed spiritually before the
time comes for the giving up of the gross physical body at death,
and can at the moment of quitting the earth-plane remember the
mystic mantra, or Word of Power, the change will take place
without loss of consciousness; nor will the shishya of
full development suffer any break "in the continuity of consciousness
from incarnation to incarnation."
7 |
|
|
|
|
2 |
S+H |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
2 |
Y+A |
26 |
8 |
8 |
7 |
|
89 |
53 |
35 |
- |
- |
8+9 |
5+3 |
3+5 |
7 |
|
17 |
8 |
8 |
- |
- |
1+7 |
|
|
7 |
|
8 |
8 |
3 |
Guru–shishya tradition - Wikipedia
Guru–shishya_tradition
The guru–shishya tradition, or parampara ("lineage"), denotes a succession of teachers and disciples in traditional Indian culture and religions such as Hinduism, Jainism, Sikhism and Buddhism (Tibetan and Zen tradition).
?Historical background · ?Common characteristics ... · ?Guru–shishya relationship ...
What is Shishya? - Definition from Yogapedia
shishya
Shishya is the concept of a spiritual guide or teacher enlightening a disciple through oral teachings. This is a common idea in religions such as Buddhism and Hinduism
RE SUN GOD SUN RE
RE LIGHT ON LIGHT RE
|
|
|
|
9 |
|
108 |
54 |
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
72 |
27 |
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
2+2 |
|
1+9 |
First Total |
2+3+4 |
1+0+8 |
2+7 |
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
1+0 |
Second Total |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
RELIGIONS RE RELIGIONS
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
108 |
63 |
54 |
|
|
2+7 |
|
|
|
1+0+8 |
6+3 |
5+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GODS RE LIGHT IS ON
|
|
|
|
9 |
|
108 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
42 |
15 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
2+7 |
|
1+1 |
First Total |
2+3+4 |
1+0+8 |
2+7 |
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
RELIGION RE LIGHT IS ON RELIGION
RELIGION 95 LIGHT IS ON RELIGION
RELIGION RE LIGHT IS ON RELIGION
|
|
|
|
3 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
19 |
10 |
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
1 |
|
18 |
9 |
|
O |
= |
6 |
- |
- |
OSIRIS |
- |
- |
- |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
IS |
28 |
19 |
1 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
2 |
1S |
19 |
19 |
1 |
O |
= |
6 |
|
6 |
OSIRIS |
|
|
26 |
- |
- |
- |
- |
- |
- |
8+9 |
5+3 |
2+6 |
O |
= |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
O |
= |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
CHRIST |
- |
- |
- |
|
C |
3 |
3 |
|
|
RISH |
54 |
27 |
|
|
T |
20 |
2 |
|
6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
"There are 333 prophecies all performed in one person, Jesus Christ."
MORE THAN A CARPENTER by Josh McDowell - Secular Web
infidels.org/library/modern/gaunilo2/more.html
The Fool feels that he must look elsewhere for any possible truth about this man that McDowell says is 'More Than a Carpenter.'
Review of More Than a Carpenter by Josh McDowell
reviewed "In Behalf of the Fool" (1980)
The Fool recently had the pleasure of hearing Josh McDowell entertain a packed house, mainly of college students, on the topic of "Maximum Sex." The audience was snuggled together on the rug of a college cafeteria and listened attentively as he did a mildly suggestive stand-up night club type comic routine--interspersed with God talk and gentle admonitions about sex, both minimum and maximum.
Earlier in the day, the Fool had heard McDowell talk in the Free Speech area on the same campus. The main point of the earlier talk seemed to be the statistical improbability of Jesus not being God. McDowell said, "There are 333 prophecies all performed in one person, Jesus Christ." The Fool kept wondering what would happen mathematically if just one of the alleged prophecies turned out to be false.
WALKING ON GLASS
Iain Banks. 1985
Page 3
TU 28. pm. 3:33.
He stood on the steps for a second, smiling at the figures on the face of the watch. Three three three. A good omen. Today was a day things would come together, a day events would coalesce. It was bright outside, even after the painted lightness of the marble-flaked corridor. The air was warm, slightly ...
- |
- |
- |
- |
6 |
THREES |
- |
- |
- |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
S |
= |
1 |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
30 |
|
6 |
THREES |
|
|
|
- |
- |
3+0 |
- |
- |
- |
7+5 |
3+9 |
3+3 |
- |
- |
3 |
- |
6 |
THREES |
|
|
3 |
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
- |
- |
3 |
- |
6 |
THREES |
|
|
3 |
THREES = 3 = THREES
THREE = 2 = THREE
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
3 |
END |
23 |
14 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
4 |
DAYS |
49 |
22 |
4 |
- |
- |
17 |
|
12 |
Add to Reduce |
|
|
18 |
- |
- |
1+7 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
5+4 |
1+8 |
- |
- |
8 |
- |
|
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
|
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
17 |
- |
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
3 |
|
|
|
|
|
9 |
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
9 |
|
|
|
|
|
27 |
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
3 |
|
23 |
14 |
14 |
|
|
|
9 |
|
|
|
|
|
27 |
|
|
|
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
2 |
|
21 |
12 |
12 |
|
|
|
6 |
|
|
|
|
|
18 |
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
4 |
|
49 |
22 |
13 |
|
|
|
12 |
|
|
|
|
|
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
17 |
|
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
|
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
|
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
17 |
- |
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
17 |
|
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
|
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
|
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
17 |
- |
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
17 |
|
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
|
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
E |
= |
5 |
|
3 |
END |
23 |
14 |
5 |
|
|
|
|
|
|
|
|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
D |
= |
4 |
|
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
- |
- |
17 |
- |
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
3 |
END |
23 |
14 |
5 |
|
|
|
|
1+5 |
1+2 |
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
DAYS |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
- |
- |
17 |
|
12 |
Add to Reduce |
|
|
18 |
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
|
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
MORE THAN A CARPENTER
Josh Mc Dowell 1977
Page 58 (number omitted)
Chapter
9
"Will the Real Messiah Please Stand up"
7 |
MESSIAH |
- |
- |
- |
- |
M+E |
18 |
9 |
|
- |
S+S |
38 |
20 |
|
- |
I |
9 |
9 |
|
- |
A+H |
9 |
9 |
|
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
7 |
MESSIAH |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
I
INCA = 9531 = INCA
INCARNATION TO INCARNATION
Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html -
What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 -
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
http://en.wikipedia.org/wiki/Rishi
RISHI
ETYMOLOGY
The word's etymology is unknown. It has an Avestan cognate ərəšiš (Yasna 31.5) "an ecstatic" (see also Yurodivy, Vates). Monier-Williams tentatively suggests derivation from drś "to see"(1) and he also compares Old Irish arsan, "a sage, a man old in wisdom". Manfred Mayrhofer in his Etymological Dictionary prefers a connection to either (omitted) "pour, flow" (PIE) *h1ers), or to ras "yell".
In the Vedas, the word denotes a singer of sacred hymns, an inspired poet or sage, or any person who alone or with others invokes the deities in rhythmical speech or song of a sacred character. In particular, it refers to the authors of the hymns of the Rigveda, e.g. Kutsa, Atri, Rebha, Agastya,Kushika, Vasishtha, Vyashva. Later generations regarded the Rishis as patriarchal sages or saints, occupying the same position in India history as the heroes and patriarchs of other countries, constituting a peculiar class of beings in the early mythical system, as distinct from Asuras, Devas and mere mortal men.
Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas and later works as typical representatives of the character and spirit of the pre-historic or mythical period; in Shatapatha Brahmana 14.5.2.6, their names are Gautama, Bharadvaja, Vishvamitra, Jamadagni, Vasishtha, Kashyapa, and Atri. In Mahabharata 12, on the other hand, Marici, Atri, Angiras, Pulaha, Kratu, Pulastya and Vasishtha. In addition to the Saptarshi, there are other classifications of sages. In descending order of precedence, they are Brahmarshi, Maharshi, Rajarshi.
In Vedic astronomy, the Saptarsh form the constellation of Ursa Major (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarsh may stand for the seven senses or the seven vital airs of the body.
"Seven Rishis (the Saptarsh) are often mentioned in the Brahmanas"
"In Vedic astronomy, the Saptarsh form the constellation of Ursa Major"
"Saptarsh may stand for the seven senses or the seven vital airs of the body"
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISH SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
PAST |
56 |
11 |
|
|
RISH |
54 |
27 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
|
|
|
|
3 |
S+A+P |
36 |
18 |
9 |
2 |
T+A |
21 |
3 |
3 |
4 |
R+S+H+I |
27 |
18 |
9 |
9 |
SAPTARSHI |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
SAPTARSHI |
111 |
39 |
3 |
9 |
A
STARSHIP |
111 |
39 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
9 |
SAPTARSHI |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
SAPTARSHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
A
STARSHIP |
3 |
3 |
3 |
- |
|
|
|
|
1 |
A |
1 |
1 |
1 |
3 |
S+T+A |
40 |
13 |
4 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
P |
16 |
7 |
7 |
9 |
A STARSHIP |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
A STARSHIP |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
SAPTARSHI |
3 |
3 |
3 |
SAPTARSHI A STAR SHIP A STAR
SHIP SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
9 |
SAPTARSHI |
111 |
39 |
12 |
|
|
|
|
|
|
|
|
|
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
|
IS |
19 |
10 |
|
13 |
Add to Reduce |
162 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+6+2 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI
SAPTARISHI
Saptarishi
From Wikipedia, the free encyclopedia
Matsya (fish) rescues the Saptarishi and Manu from the great Deluge
The Saptarishi (seven great yogis) (from Sanskrit:(saptarshi), a Sanskrit dvigu meaning "seven sages") are the seven rishis in ancient India, who are extolled at many places in the Vedas and Jivan literature. The Vedic Samhitas never enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion.
The earliest list of the Seven Rishis is given by Jaiminiya Brahmana 2.218-221: Agastya, Atri, Bhardwaja, Gautam, Jamadagni, Vashistha and Vishvamitra followed by Brihadaranyaka Upanisad 2.2.6 with a slightly different list: Gautama and Bharadvaja, Vishvamitra and Jamadagni, Vashistha and Kashyapa and Atri, Bhrigu. The late Gopatha Brahmana 1.2.8 has Vashistha, Vishvamitra, Jamadagni, Gautama, Bharadvaja, Gungu, Agastya, Bhrigu and Kashyapa.
In post-Vedic texts, different lists appear; some of these rishis were recognized as the 'mind-born sons' (Sanskrit: ??? ?????, manasputra) of Brahma, the representation of the Supreme Being as Creator. Other representations are Mahesh or Shiva as the Destroyer and Vishnu as the Preserver. Since these seven rishis were also among the primary seven rishis, who were considered to be the ancestors of the Gotras of Brahmins, the birth of these rishis was mythicized.
In ancient Indian astronomy, the constellation of the Big Dipper (Ursa Major) is called saptarishi, with the seven stars representing seven rishis, namely "Vashistha", "Marichi", "Pulastya", "Pulaha", "Atri", "Angiras" and "Kratu". There is another star slightly visible within it, known as "Arundhati". Arundhati is the wife of Vashistha. Vashishtha and Arundhati together form the Mizar double.[1]
Stars of Saptarishi (Ursa Major) with their Indian astronomical names
As per legend, the seven Rishis in the next Manvantara will be Diptimat, Galava, Parashurama, Kripa, Drauni or Ashwatthama, Vyasa and Rishyasringa.
- |
|
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
P |
16 |
7 |
7 |
1 |
T |
20 |
2 |
2 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
1 |
H |
8 |
8 |
8 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+2+0 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
- |
|
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
S |
19 |
10 |
1 |
1 |
T |
20 |
2 |
2 |
1 |
P |
16 |
7 |
7 |
1 |
H |
8 |
8 |
8 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+2+0 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+1+1 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
THIS IS THE SEEN OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SEEN |
43 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
- |
- |
26 |
|
29 |
First Total |
|
|
|
- |
- |
2+6 |
- |
2+9 |
Add to Reduce |
3+3+8 |
1+6+7 |
3+2 |
- |
- |
8 |
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
1+2 |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THIS IS THE SEEN OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
T |
= |
2 |
- |
4 |
THIS |
56 |
29 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SEEN |
43 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
S |
= |
1 |
- |
4 |
SEEN |
43 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
T |
= |
2 |
- |
4 |
THIS |
56 |
29 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
- |
- |
58 |
|
72 |
First Total |
|
|
|
- |
- |
5+8 |
- |
7+2 |
Add to Reduce |
8+3+3 |
4+2+8 |
7+7 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
SAPTARISHI
Saptarishi
From Wikipedia, the free encyclopedia
Matsya (fish) rescues the Saptarishi and Manu from the great Deluge
The Saptarishi (seven great yogis) (from Sanskrit:(saptarshi), a Sanskrit dvigu meaning "seven sages") are the seven rishis in ancient India, who are extolled at many places in the Vedas and Jivan literature. The Vedic Samhitas never enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion.
CHRIST = 77 = CHRIST
CHRIST = 41 = CHRIST
CHRIST = 5 = CHRIST
CHRIST C RISH T CHRIST
C RISH THE RISH C
SEE THE RISH SEE
- |
RISH |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
4 |
RISH |
54 |
36 |
27 |
- |
- |
5+4 |
3+6 |
2+7 |
4 |
RISH |
9 |
9 |
9 |
Rish Name Meaning, Origin, Personality Traits and Horoscopehttps://angelsname.com › boy › rish › meaning-origin-...
Based on numerology value 9, Rish is Kind, Wise, Experienced, Spiritual, Sacrificial, Compassionate, Accepting, Humanitarian, Aware. Rish is original and ...
Rish | Definition of Rish at Definifyhttps://www.definify.com › word › rish
Rish. ,. Noun. A rush (the plant). [Obs.] Chaucer. Definition 2022. Rish. Rish. See also: rish ... Pronoun. rish. 3rd person singular of rish.
- |
RISH |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
1 |
H |
8 |
8 |
8 |
4 |
RISH |
54 |
36 |
27 |
- |
- |
5+4 |
3+6 |
2+7 |
4 |
RISH |
9 |
9 |
9 |
http://www.funscience.in/study-zone/Physics/Universe/StarConstellations.php#sthash.tebFfNXy.dpbs
STAR CONSTELLATIONS
Constellations are small groups of stars which appear in sky in specific shapes. There are about 88 constellations known to us. The names of these constellations have been derived from the names of animals or objects to which they appear to resemble. Some of the important and easily recognizable constellations are:
Ursa Constellation or Great Bear Constellation
The great bear constellation is also called ursa major, big bear and saptarishi (in Hindi). This constellation consists of seven stars making up a pattern resembling with a big bear. This constellation can be seen easily in the north sky in the month of July.
With the help of great bear constellation, the position of pole star can be easily located. Pole star is also called Dhruv tara in Hindi. It is situated immediately above the north pole of the earth. Pole star remains stationary at its position, and all the other stars appear to revolve around the pole star from east to west direction. To locate the position of pole star with the help of great bear constellation, imagine a line between the star 1 and star 2. Now, extend this imaginary line in north direction. This extended imaginary line always leads to the pole star.
SAPTARISHI
|
SHAPESHIFTERS |
|
|
- |
|
SHAPE |
49 |
22 |
|
|
SHIFTERS |
104 |
41 |
|
13 |
SHAPESHIFTERS |
153 |
63 |
|
1+3 |
|
1+5+3 |
6+3 |
|
4 |
|
9 |
9 |
|
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
19 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
IRIS |
55 |
28 |
1 |
6 |
SIRIUS |
95 |
32 |
5 |
6 |
SOTHIS |
90 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
ISHI |
45 |
27 |
9 |
5 |
RISHI |
63 |
36 |
9 |
5 |
IRISH |
63 |
36 |
9 |
THE
CHRISTOS
SEE HERE IS THE CHRISTOS
SO C HERE IS THE CHRIST
SO SEE HERE IS THE RISH
SO C HERE IS THE RISH
SO C HERE IS THE 999
RE IS IS RE
95 IS IS 95
CHRIST C RISH T CHRIST
OSIRIS 619991 OSIRIS
IRIS ISIS ISIS IRIS
KRISHNA 2991851 KRISHNA
RISH N KA KA N RISH
RISH 5 KA KA 5 RISH
- |
RISHI |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
5 |
RISHI |
63 |
45 |
27 |
- |
- |
6+3 |
4+5 |
2+7 |
5 |
RISHI |
9 |
9 |
9 |
SPIRIT I TRIPS I SPIRIT
Maharishi - definition of maharishi by The Free Dictionary
www.thefreedictionary.com/maharishi
Define maharishi. maharishisynonyms, maharishi pronunciation, maharishi translation, English dictionary definition of maharishi. n. pl. ma·ha·ri·shis Hinduism 1.
maharishi
Also found in: Encyclopedia, Wikipedia.
ma·ha·ri·shi
(mä′hə-rē′shē, mə-här′ə-shē)
n. pl. ma·ha·ri·shis Hinduism
1. A teacher of mysticism and spiritual knowledge.
2. Used as a title for such a person.
[Sanskrit mahārṣiḥ : mahā-, great; see meg- in Indo-European roots + ṛṣiḥ, seer, sage, saint; see ers- in Indo-European roots.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2011 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
maharishi
(ˌmɑːhɑːˈriːʃɪ; məˈhɑːriːʃɪ)
n
1. (Hinduism) Hinduism a Hindu teacher of religious and mystical knowledge
[from Hindi, from mahā great + rishi sage, saint]
Collins English Dictionary – Complete and Unabridged © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003
ma•ha•ri•shi
(mɑ həˈri ʃi, məˈhɑr ə-)
n., pl. -shis.
a Hindu religious sage.
[< Skt, =maha- great + -rṣi, comb. form of ṛṣi saint]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved
maharishi
A Hindi word meaning great sage, used to mean a teacher of spiritual knowledge.
maharishi: meaning and definitions - Dictionary - Infoplease
dictionary.infoplease.com/maharishi
maharishi: Definition and Pronunciation.
ma•ha•ri•shi
Pronunciation: (mä-hu-rē'shē, mu-här'u-), [key]
—n. Hinduism.
1. a teacher of spiritual and mystical knowledge; religious sage: often used as an honorary title.
2. any of the seven great mythological seers of the Vedic and post-Vedic writings: identified with the seven stars of Ursa Major.
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
14 |
5 |
|
|
|
|
|
2 |
|
9 |
9 |
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
27 |
18 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+6 |
5+9 |
5+0 |
|
|
|
|
|
MA HA RI SHI |
|
|
|
|
|
|
|
|
|
1+4 |
1+4 |
|
|
|
|
|
|
MA HA RI SHI |
|
|
|
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
THE LOST LANGUAGE OF SYMBOLISM
Harold Bayley 1912
Page 278
""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
Page 278
"ONE-EYE, TWO-EYES, THREE-EYES"
"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,
THE HOLY BIBLE
Scofield References
Hosea Chapter 2
Page 922/923
16
And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL ME
ISHI
4 |
|
45 |
36 |
9 |
3 |
999 |
27 |
27 |
9 |
4 |
|
45 |
36 |
9 |
THE WHITE GODDESS
Robert Graves 1948
Page 337
Chapter Eighteen
THE BULL FOOTED GOD
"Isis is an onomatopoeic Asiatic word, Ish-ish, meaning 'she who weeps', because the Moon was held to scatter dew and because Isis, the pre-Christian original of the Mater Dolrosa, mourned for Osiris when Set killed him."
ISH ISH = 99 99 = ISH ISH
THE WHITE GODDESS
Robert Graves 1948
Page 149
Chapter Nine
GWIONS HERESY
"The Essene initiates, according to Josephus, were sworn to keep secret the names of the powers who ruled their universe under God. Were these powers the letters of the Boibel-Loth which together, composed the life and death story of their demi-god Moses? 'David' may seem to belong to a later context than the others, but it is found as a royal title in a sixteenth century B.C inscription; and the Pentateuch was not composed until long /Page 150/ after King David's day Moreover, David for the Essenes was the name of the promised messiah."
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
BHAGAVAD GITA
ARUJNA KRISHNA VISHNU SHIVA BRAHMA
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY VISHNU SHIVA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
Let us honor the unity of Divine Spirit
that pervades all realms of existance:
the earth, the atmosphere and the heavens.
May That most brilliant Divine Light
protect us, sustain us
and illuminate our consciousness
that we might realize
our inherent goodness,
our inborn divinity
and our unity with All That Is.
The Gayatri Mantra Om Bhur Bhuvaha Swaha
OM BHUR BHUVAHA SWAHA OM TAT SAVITUR VARENYAM BHARGHO DEVASYA DHIMAHI DHIYO YONAHA PRACHODAYAT * The Gayatri Mantra is revered by both Buddhists and Hindus ...
www.gayatrimantra.net/
* OM BHUR, OM BHUVAHA, OM SWAHA, OM MAHAHA, OM JANAHA, OM TAPAHA, OM SATYAM, OM TAT SAVITUR VARENYAM BHARGHO DEVASYA DHIMAHI DHIYO YONAHA PRACHODAYAT *
The Entire Mantra says, "I invoke the Earth Plane, The Astral Plane, The Celestial Plane, The Plane of Spiritual Balance, The Plane of Human Spiritual Knowledge, The Plane of Spiritual Austerites, and The Plane of Ultimate Truth. Oh, great Spiritual Light which is the brilliance of all Divinity, we meditate upon You. Please illumine our minds."
By chanting this mantra, Divine spiritual light and power is infused in each of the seven chakras and connects them to the Spiritual Realms. The last part infuses our minds, hearts and souls with the power of the spiritual light that created the Universe.
WORDS OF POWER OF WORDS
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
|
E |
= |
5 |
- |
5 |
EARTH |
52 |
25 |
7 |
M |
= |
4 |
- |
4 |
MOON |
57 |
21 |
3 |
- |
- |
10 |
- |
12 |
First Total |
163 |
55 |
19 |
- |
- |
1+0 |
- |
1+2 |
Add to Reduce |
1+6+3 |
5+5 |
1+9 |
|
|
1 |
|
3 |
Second Total |
10 |
10 |
10 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
1 |
- |
3 |
Essence of Number |
1 |
1 |
1 |
3 |
SUN |
54 |
18 |
|
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
First Total |
163 |
64 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
1+9 |
3 |
Second Total |
10 |
10 |
10 |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
1 |
1 |
1 |
|
|
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|
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|
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3 |
SUN |
54 |
9 |
|
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5 |
EARTH |
52 |
25 |
7 |
|
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|
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4 |
MOON |
57 |
21 |
3 |
|
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|
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|
|
12 |
SUN EARTH MOON |
163 |
55 |
19 |
|
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1 |
1 |
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19 |
10 |
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2 |
1 |
|
21 |
3 |
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3 |
1 |
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14 |
5 |
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4 |
1 |
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5 |
5 |
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5 |
1 |
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1 |
1 |
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6 |
1 |
|
18 |
9 |
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7 |
1 |
|
20 |
2 |
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8 |
1 |
|
8 |
8 |
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9 |
1 |
|
13 |
4 |
|
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10 |
1 |
|
15 |
6 |
|
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|
11 |
1 |
|
15 |
6 |
|
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|
12 |
1 |
|
14 |
5 |
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|
|
3 |
SUN |
54 |
18 |
|
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
SUN EARTH MOON |
163 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+2 |
|
1+6+3 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SUN EARTH MOON |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
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|
|
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|
|
|
SUN EARTH MOON |
1 |
1 |
1 |
|
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3 |
SUN |
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
SUN EARTH MOON |
163 |
55 |
19 |
|
|
|
|
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1 |
1 |
|
19 |
10 |
|
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2 |
1 |
|
21 |
3 |
|
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3 |
1 |
|
14 |
5 |
|
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4 |
1 |
|
5 |
5 |
|
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5 |
1 |
|
1 |
1 |
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6 |
1 |
|
18 |
9 |
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7 |
1 |
|
20 |
2 |
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8 |
1 |
|
8 |
8 |
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9 |
1 |
|
13 |
4 |
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10 |
1 |
|
15 |
6 |
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11 |
1 |
|
15 |
6 |
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12 |
1 |
|
14 |
5 |
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3 |
SUN |
54 |
18 |
|
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
SUN EARTH MOON |
163 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+2 |
|
1+6+3 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
SUN EARTH MOON |
10 |
10 |
10 |
|
|
|
|
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|
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|
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|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
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|
|
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|
|
|
|
|
|
SUN EARTH MOON |
1 |
1 |
1 |
|
|
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|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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3 |
SUN |
54 |
9 |
|
|
|
|
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|
|
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|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
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|
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|
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
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|
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|
|
|
|
12 |
SUN EARTH MOON |
163 |
55 |
19 |
|
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1 |
1 |
|
19 |
10 |
|
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5 |
1 |
|
1 |
1 |
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7 |
1 |
|
20 |
2 |
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2 |
1 |
|
21 |
3 |
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9 |
1 |
|
13 |
4 |
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|
3 |
1 |
|
14 |
5 |
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4 |
1 |
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5 |
5 |
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12 |
1 |
|
14 |
5 |
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|
10 |
1 |
|
15 |
6 |
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11 |
1 |
|
15 |
6 |
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8 |
1 |
|
8 |
8 |
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6 |
1 |
|
18 |
9 |
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3 |
SUN |
54 |
18 |
|
|
|
|
|
|
1+5 |
1+2 |
|
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|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
|
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4 |
MOON |
57 |
21 |
3 |
|
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|
|
|
12 |
SUN EARTH MOON |
163 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+2 |
|
1+6+3 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SUN EARTH MOON |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
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|
|
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|
|
SUN EARTH MOON |
1 |
1 |
1 |
|
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|
THE SO EVEN SEVEN
THE MISSING NUMBER
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3 |
SUN |
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
SUN EARTH MOON |
163 |
55 |
19 |
|
|
|
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1 |
1 |
|
19 |
10 |
|
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|
5 |
1 |
|
1 |
1 |
|
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|
7 |
1 |
|
20 |
2 |
|
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|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
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|
9 |
1 |
|
13 |
4 |
|
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|
3 |
1 |
|
14 |
5 |
|
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|
4 |
1 |
|
5 |
5 |
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12 |
1 |
|
14 |
5 |
|
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|
10 |
1 |
|
15 |
6 |
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11 |
1 |
|
15 |
6 |
|
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8 |
1 |
|
8 |
8 |
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6 |
1 |
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18 |
9 |
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3 |
SUN |
54 |
18 |
|
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
SUN EARTH MOON |
163 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+2 |
|
1+6+3 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SUN EARTH MOON |
10 |
10 |
10 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
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|
|
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|
|
|
SUN EARTH MOON |
1 |
1 |
1 |
|
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T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
|
7 |
|
3 |
GOD |
26 |
17 |
8 |
M |
|
4 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
13 |
|
10 |
First Total |
|
|
|
|
|
1+3 |
|
1+0 |
Add to Reduce |
9+9 |
5+4 |
1+8 |
|
|
4 |
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
4 |
|
|
Essence of Number |
|
|
|
JUST SIX NUMBERS
The Deep Forces that Shape the Universe
Martin Rees
1
999
OUR COSMIC HABITAT 1 PLANETS STARS AND LIFE
A COMMON CULTURE WITH ALIENS
Page 21
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 21 / 22
"...A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"
Page 21
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
" the number 1,836 would have the same connotations"
"A remarkable use of the number 3168 occurs"
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
I
ME
SALUTATIONS
PEOPLES OF PLANET EARTH
THOUGHTS OF LOVE THOUGHTS OF PEACE THOUGHTS OF LIGHT
UNTO
ALL SENTIENT BEINGS THROUGHOUT THE UNIVERSE OF GODS UNIVERSAL MIND
THE SCULPTURE OF VIBRATIONS 1971