-
-
-
..
26 |
|
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I |
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R |
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8 |
9 |
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5 |
6 |
|
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1 |
|
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|
6 |
|
8 |
+ |
= |
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4+3 |
= |
|
= |
|
= |
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|
8 |
9 |
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14 |
15 |
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19 |
|
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24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+8 |
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7 |
|
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
|
2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
|
2+4 |
|
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
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I |
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R |
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4+5 |
|
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2+6 |
|
1+2+6 |
|
5+4 |
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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I |
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R |
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A
|
B
|
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
Q
|
R
|
S
|
T
|
U
|
V
|
W
|
X
|
Y
|
Z
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
11
|
12
|
13
|
14
|
15
|
16
|
17
|
18
|
19
|
20
|
21
|
22
|
23
|
24
|
25
|
26
|
Again, the far yonder scribe watched in some amaze the Zed Ali Zed, in swift repeat scatter the nine numbers amongst the letters of their progress.
At the throw of the ninth number when in conjunction set, the far yonder scribe made record of the fall.
A
|
B
|
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
Q
|
R
|
S
|
T
|
U
|
V
|
W
|
X
|
Y
|
Z
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
A |
+B |
+C |
+D |
+E |
+F |
+G |
+H |
+I |
+J |
+K |
+L |
+M |
+N |
+O |
+P |
+Q |
+R |
+S |
+T |
+U |
+V |
+W |
+X |
+Y |
+Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
1
A J S
1 10 19
30
3 + 0
3
3
3 |
2
B K T
2 11 20
33
3 + 3
6
6
6 |
3
C L U
3 12 21
36
3 + 6
9
9
9 |
4
D M V
4 13 22
39
3 + 9
12
1 + 2
3 |
5
E N W
5 14 23
42
4 + 2
6
6
6 |
6
F O X
6 15 24
45
4 + 5
9
9
9 |
7
G P Y
7 16 25
48
4 + 8
12
1 + 2
3 |
8
H Q Z
8 17 26
51
5 + 1
6
6
6 |
9
I R
9 18
27
2 + 7
9
9
9 |
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
ZERO = 1 ONE = 7 SEVEN = 2 TWO = 4 FOUR = 6 SIX = 7 SEVEN
1 ONE = 7 SEVEN = 2 TWO = 4 FOUR = 6 SIX = 7 SEVEN
2 TWO = 4 FOUR = 6 SIX = 7 SEVEN = 2 TWO
3 THREE = 2 TWO = 4 FOUR = 6 SIX = 7 SEVEN = 2 TWO
4 FOUR = 6 SIX = 7 SEVEN = 2 TWO = 4 FOUR
5 FIVE = 6 SIX = 7 SEVEN = 2 TWO = 4 FOUR = 6 SIX
6 SIX = 7 SEVEN = 2 TWO = 4 FOUR = 6 SIX
7 SEVEN = 2 TWO = 4 FOUR = 6 SIX = 7 SEVEN
8 EIGHT = 4 FOUR = 6 SIX = 7 SEVEN = 2 TWO = 4 FOUR
9 NINE = 6 SIX = 7 SEVEN = 2 TWO = 4 FOUR = 6 SIX
4 |
|
0 |
- |
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
3 |
|
1 |
- |
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
3 |
|
2 |
- |
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
5 |
|
3 |
- |
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
|
4 |
- |
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
4 |
|
5 |
- |
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
3 |
|
6 |
- |
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
5 |
|
7 |
- |
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
5 |
|
8 |
- |
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
4 |
|
9 |
- |
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
40 |
Add |
45 |
- |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+0 |
- |
4+5 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
4 |
Reduce |
9 |
- |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
Deduce |
9 |
- |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
1 |
|
|
1 |
1 |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
2 |
|
|
2 |
2 |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
2 |
|
|
2 |
2 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
|
4 |
|
|
4 |
4 |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
4 |
|
|
4 |
4 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
6 |
|
|
6 |
6 |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
6 |
|
|
6 |
6 |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
6 |
|
|
6 |
6 |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
7 |
|
|
7 |
7 |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
7 |
|
|
7 |
7 |
- |
- |
42 |
- |
40 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
4+0 |
- |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
|
|
|
|
4 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE LIGHT IS RISING NOW RISING IS THE LIGHT
NUMBER = 534259 = 1 = 534259 NUMBER
NUMBER = 234559 NUMBER
NUMBER = 534259 = 1 = 534259 NUMBER
NUMBERS = 5342591 = 2 = 5342591 NUMBERS
SBUMNER = 1234559 = SBUMNER
NUMBERS = 5342591 = 2 = 5342591 NUMBERS
- |
- |
- |
- |
Q |
NUMBERS |
- |
Q |
Q |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
8 |
|
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
8 |
|
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
6 |
7 |
8 |
|
B |
= |
2 |
- |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
6 |
7 |
8 |
|
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
8 |
|
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
6 |
7 |
8 |
|
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
8 |
|
- |
- |
|
|
7 |
|
|
|
|
|
|
|
|
|
10 |
|
7 |
8 |
|
- |
- |
2+9 |
Q |
- |
Q |
9+2 |
2+9 |
2+9 |
|
|
|
|
|
1+0 |
|
|
|
|
Q |
- |
|
- |
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
7 |
8 |
|
- |
- |
1+1 |
Q |
- |
Q |
1+1 |
1+1 |
1+1 |
|
|
|
|
|
|
|
|
|
|
Q |
- |
|
- |
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
7 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
Q |
NUMBERS |
- |
Q |
Q |
|
|
|
|
|
|
|
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
B |
= |
2 |
- |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
7 |
|
|
|
|
|
|
|
|
|
10 |
|
- |
- |
2+9 |
Q |
- |
Q |
9+2 |
2+9 |
2+9 |
|
|
|
|
|
1+0 |
|
Q |
- |
|
- |
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
- |
- |
1+1 |
Q |
- |
Q |
1+1 |
1+1 |
1+1 |
|
|
|
|
|
|
|
Q |
- |
|
- |
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
Q |
NUMBERS |
- |
Q |
Q |
|
|
|
|
|
|
|
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
|
|
|
|
|
|
|
B |
= |
2 |
- |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
- |
- |
|
|
7 |
|
|
|
|
|
|
|
|
|
10 |
|
- |
- |
2+9 |
Q |
- |
Q |
9+2 |
2+9 |
2+9 |
|
|
|
|
|
1+0 |
|
Q |
- |
|
- |
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
- |
- |
1+1 |
Q |
- |
Q |
1+1 |
1+1 |
1+1 |
|
|
|
|
|
|
|
Q |
- |
|
- |
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
I = 9 9 = I
ME = 9 9 = ME
BRAIN + BODY = 9 9 = BODY + BRAIN
LIGHT + DARK = 9 9 = DARK + LIGHT
ENERGY + MASS = 9 9 = MASS +ENERGY
MIND + MATTER = 9 9 = MATTER + MIND
MAGNETIC + FIELD = 9 9 = FIELD + MAGNETIC
POSITIVE + NEGATIVE = 9 9 = NEGATIVE + POSITIVE
973 OM AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAOM 973
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY ISHI SAY ISHI SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY SAPTARSHI I SAY I SAPTARSHI SAY I
I SAY VISHNU SHIVA BRAHMA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
THE LIGHT IS RISING NOW RISING IS THE LIGHT
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
IN OUR TIME
Last broadcast on Thu, 18 Dec 2003, 21:30 on BBC Radio 4
"Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.
Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?"
AMEN
From Wikipedia, the free encyclopedia
This article is about the Hebrew word; for other meanings see Amen (disambiguation).
The word Amen (Tiberian Hebrew (Sign omitted) Amen "So be it truly", Standard Hebrew (Sign omitted) Amen, Arabic (Sign omitted) Amin, Ge'ez' Amen) is a declaration of affirmation found in the Hebrew Bible, the New Testament, and in the Qur'an. It has always been in use within Judaism and Islam. It has been generally adopted in Christian worship as a concluding formula for prayers and hymns. In Islam, it is the standard ending to suras. Common English translations of the word amen include: "Verily", "Truly", "So be it", and "Let it be".
AMEN THE NAME THE NAME AMEN
BIBLE USEAGE
Three distinct Biblical usages may be noted
1. Initial Amen, referring back to words of another speaker, e.g. 1 Kings 1: 36; Revelation 22;20
2 Detached Amen, the complementary sentence being suppressed, e.g. Neh. v.13; Revelation v. 14 (of Corinthians xiv. 16)
3. Final Amen, with no change of speaker, as in the subscription to the first three divisions of the psalter and in the frequent doxologies of the New testament Epistles
The word 'amen' is the value 99 in Greek numerals and appears in the Bible (Old and New testament) 99 times.
AMEN NAME MEAN
MAN
E
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
6 |
WONDER |
79 |
34 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
I |
= |
9 |
- |
2 |
IT |
29 |
11 |
2 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
- |
- |
23 |
|
16 |
First Total |
|
|
|
- |
- |
2+3 |
- |
1+6 |
Add to Reduce |
1+8+7 |
7+9 |
2+5 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Produce |
1+6 |
1+6 |
- |
- |
- |
5 |
- |
|
Essence of Number |
|
|
|
Daily Mail
Friday, September 18, 2009
JONATHAN CAINER
Page 46
HI JONATHAN, You recently suggested that the seven days of the week coincide with each 'quarter' of the Moon. I once read that rainbows were believed to be pathways through which the gods could reach Earth. There are seven colours in every rainbow and seven notes in the musical scale. Perhaps there are many reasons
why seven is a magical number and the cycle of the Moon is just one of these.Hazel
Dear Hazel, Indeed. And when we add the Sun and Moon to the five visible planets - Mercury, Venus, Mars, Jupiter and Saturn - we also get seven!
1 |
|
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
|
2 |
|
M |
= |
4 |
|
4 |
MOON |
57 |
21 |
3 |
3 |
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
4 |
|
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
5 |
|
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
6 |
|
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
7 |
|
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
28 |
|
|
|
19 |
|
36 |
First Total |
538 |
160 |
43 |
2+8 |
|
|
|
1+9 |
|
3+6 |
Add to Reduce |
5+3+8 |
1+6+0 |
6+2 |
10 |
|
|
|
10 |
|
9 |
Second Total |
16 |
7 |
7 |
1+0 |
|
|
|
1+0 |
|
- |
Reduce to Deduce |
1+6 |
- |
- |
1 |
|
|
|
1 |
|
9 |
Essence of Number |
7 |
7 |
7 |
1 |
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
2 |
|
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
3 |
|
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
4 |
|
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
5 |
|
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
15 |
|
|
|
19 |
|
29 |
First Total |
427 |
130 |
31 |
1+5 |
|
|
|
1+9 |
|
2+9 |
Add to Reduce |
4+2+7 |
1+3+0 |
3+1 |
6 |
|
|
|
10 |
|
11 |
Second Total |
13 |
4 |
4 |
|
|
|
|
1+0 |
|
1+1 |
Reduce to Deduce |
1+3 |
- |
- |
6 |
|
|
|
1 |
|
2 |
Essence of Number |
4 |
4 |
4 |
- |
29 |
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
19 |
|
|
|
|
1 |
|
|
|
|
9 |
|
|
|
|
1 |
- |
- |
- |
- |
5 |
+ |
= |
|
2+2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
|
|
|
19 |
|
|
|
|
9 |
|
|
|
|
19 |
- |
- |
- |
- |
14 |
+ |
= |
|
9+4 |
= |
|
|
|
|
|
- |
29 |
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
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|
|
|
|
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|
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|
|
|
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|
|
13 |
5 |
18 |
3 |
21 |
18 |
25 |
|
4 |
5 |
|
3 |
|
|
4 |
1 |
9 |
|
|
1 |
3 |
7 |
|
2 |
5 |
9 |
|
|
1 |
2 |
3 |
9 |
|
+ |
= |
|
1+0+8 |
= |
|
= |
|
|
|
|
|
4 |
5 |
9 |
3 |
3 |
9 |
7 |
|
22 |
5 |
|
21 |
|
|
13 |
1 |
18 |
|
|
10 |
21 |
16 |
|
20 |
5 |
18 |
|
|
1 |
20 |
21 |
18 |
|
+ |
= |
|
3+3+3 |
= |
|
= |
|
|
|
- |
29 |
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
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|
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|
|
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|
|
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|
|
|
|
|
13 |
5 |
18 |
3 |
21 |
18 |
25 |
|
22 |
5 |
14 |
21 |
19 |
|
13 |
1 |
18 |
19 |
|
10 |
21 |
16 |
9 |
20 |
5 |
18 |
|
19 |
1 |
20 |
21 |
18 |
14 |
+ |
= |
|
4+2+7 |
= |
|
|
|
|
|
|
|
4 |
5 |
9 |
3 |
3 |
9 |
7 |
|
4 |
5 |
5 |
3 |
1 |
|
4 |
1 |
9 |
1 |
|
1 |
3 |
7 |
9 |
2 |
5 |
9 |
|
1 |
1 |
2 |
3 |
9 |
5 |
+ |
= |
|
1+3+0 |
= |
|
|
|
|
|
- |
29 |
|
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- |
|
- |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
6 |
= |
|
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|
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|
2 |
|
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|
|
|
+ |
= |
|
occurs |
x |
2 |
= |
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3 |
|
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|
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+ |
= |
|
occurs |
x |
5 |
= |
|
1+5 |
|
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|
4 |
|
- |
|
|
|
|
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|
- |
|
|
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|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
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|
5 |
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- |
|
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
5 |
= |
|
2+5 |
|
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- |
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- |
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+ |
= |
|
- |
- |
- |
- |
|
- |
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+ |
= |
|
occurs |
x |
2 |
= |
|
1+4 |
|
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- |
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- |
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+ |
= |
|
- |
- |
- |
- |
|
- |
|
|
|
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|
|
|
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|
|
- |
- |
- |
- |
- |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
6 |
= |
|
5+4 |
|
14 |
29 |
|
|
|
|
|
|
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J |
U |
P |
I |
T |
E |
R |
|
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|
1+4 |
2+9 |
|
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|
9 |
|
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|
9 |
|
|
|
3+1 |
|
|
2+9 |
|
1+3+0 |
|
4+0 |
|
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Y |
|
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|
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|
- |
1+1 |
4 |
5 |
9 |
3 |
3 |
9 |
7 |
|
4 |
5 |
5 |
3 |
1 |
|
4 |
1 |
9 |
1 |
|
1 |
3 |
7 |
9 |
2 |
5 |
9 |
|
1 |
1 |
2 |
3 |
9 |
5 |
|
|
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Y |
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|
|
|
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
|
E |
= |
5 |
|
5 |
EARTH |
52 |
25 |
7 |
M |
= |
4 |
|
4 |
MOON |
57 |
21 |
3 |
U |
= |
3 |
- |
6 |
URANUS |
94 |
22 |
4 |
N |
= |
5 |
|
7 |
NEPTUNE |
95 |
32 |
5 |
P |
= |
7 |
|
5 |
PLUTO |
84 |
21 |
3 |
|
|
39 |
|
59 |
First Total |
863 |
260 |
62 |
|
|
3+9 |
|
5+9 |
Add to Reduce |
8+6+3 |
2+6 |
6+2 |
|
|
12 |
|
14 |
Second Total |
17 |
8 |
8 |
|
|
1+2 |
|
1+4 |
Reduce to Deduce |
1+7 |
- |
- |
|
|
3 |
|
5 |
Essence of Number |
8 |
8 |
8 |
3 |
SUN |
54 |
9 |
9 |
5 |
|
52 |
25 |
7 |
4 |
|
57 |
21 |
3 |
12 |
First Total |
163 |
55 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
5+5 |
1+9 |
|
Second Total |
10 |
10 |
10 |
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
|
- |
1 |
- |
5 |
- |
- |
- |
- |
- |
8 |
- |
- |
6 |
6 |
5 |
+ |
= |
31 |
3+1 |
= |
4 |
- |
4 |
= |
4 |
|
- |
19 |
- |
14 |
- |
- |
- |
- |
- |
8 |
- |
- |
15 |
15 |
14 |
+ |
= |
85 |
8+5 |
= |
13 |
1+3 |
4 |
= |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
3 |
- |
|
5 |
1 |
9 |
2 |
- |
|
4 |
- |
- |
- |
|
|
|
2+4 |
|
|
- |
|
|
|
|
|
- |
21 |
- |
|
5 |
1 |
18 |
20 |
- |
|
13 |
- |
- |
- |
|
|
|
7+8 |
|
|
1+5 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
- |
|
|
- |
|
19 |
21 |
14 |
|
5 |
1 |
18 |
20 |
8 |
|
13 |
15 |
15 |
14 |
|
|
|
1+6+3 |
|
|
1+0 |
1 |
|
|
|
|
1 |
3 |
5 |
|
5 |
1 |
9 |
2 |
8 |
|
4 |
6 |
6 |
5 |
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
7 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
3+8 |
|
|
1+2 |
|
5+5 |
|
3+7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
|
3 |
|
10 |
|
10 |
|
|
1 |
3 |
5 |
|
5 |
1 |
9 |
2 |
8 |
|
4 |
6 |
6 |
5 |
|
|
1+1 |
|
|
|
|
1+0 |
- |
1+0 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
3 |
|
1 |
|
1 |
3 |
SUN |
54 |
9 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
|
|
|
|
|
SUN |
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
U |
= |
3 |
|
1 |
U |
21 |
3 |
3 |
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
9 |
|
3 |
SUN |
54 |
18 |
|
|
|
- |
|
- |
- |
5+4 |
1+8 |
- |
|
|
9 |
|
3 |
SUN |
9 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
- |
5 |
+ |
= |
6 |
- |
|
6 |
= |
6 |
- |
- |
19 |
- |
14 |
+ |
= |
33 |
3+3 |
|
6 |
= |
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
- |
|
|
|
- |
|
|
= |
3 |
- |
|
- |
21 |
- |
|
|
|
2+1 |
|
|
= |
3 |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
19 |
21 |
14 |
|
|
|
5+4 |
|
|
= |
|
- |
|
1 |
3 |
5 |
|
|
|
- |
|
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
2 |
|
|
|
|
|
- |
2 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
4 |
|
|
|
|
|
- |
4 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
6 |
|
|
|
|
|
- |
6 |
|
|
|
|
- |
7 |
|
|
|
|
|
- |
7 |
|
|
|
|
- |
8 |
|
|
|
|
|
- |
8 |
|
|
|
|
- |
9 |
|
|
|
|
|
- |
9 |
|
|
|
|
- |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
|
|
- |
|
|
- |
|
|
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
3 |
5 |
|
|
- |
|
|
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
- |
5 |
+ |
= |
6 |
- |
= |
6 |
= |
6 |
- |
19 |
- |
14 |
+ |
= |
33 |
3+3 |
= |
6 |
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
= |
3 |
- |
|
|
|
- |
|
|
= |
3 |
|
- |
21 |
- |
|
|
|
2+1 |
|
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
19 |
21 |
14 |
|
|
|
5+4 |
|
|
= |
|
|
1 |
3 |
5 |
|
|
|
- |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
5 |
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EARTH |
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
|
1 |
A |
1 |
1 |
1 |
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
T |
= |
2 |
|
1 |
T |
20 |
2 |
2 |
H |
= |
8 |
|
1 |
H |
8 |
8 |
8 |
|
|
25 |
|
7 |
EARTH |
52 |
25 |
25 |
|
|
2+5 |
|
- |
- |
5+2 |
2+5 |
2+5 |
|
|
7 |
|
7 |
EARTH |
7 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
8 |
+ |
= |
8 |
- |
= |
8 |
= |
8 |
- |
- |
- |
- |
- |
- |
8 |
+ |
= |
8 |
- |
= |
8 |
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
1 |
9 |
2 |
- |
|
|
|
1+7 |
|
|
= |
|
- |
|
5 |
1 |
18 |
20 |
- |
|
|
|
4+4 |
|
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
1 |
18 |
20 |
8 |
|
|
|
5+2 |
|
|
= |
7 |
- |
|
5 |
1 |
9 |
2 |
8 |
|
|
|
2+5 |
|
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
3 |
|
|
|
|
|
|
|
- |
3 |
|
|
|
|
- |
4 |
|
|
|
|
|
|
|
- |
4 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
6 |
|
|
|
|
|
|
|
- |
6 |
|
|
|
|
- |
7 |
|
|
|
|
|
|
|
- |
7 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
9 |
|
|
|
|
2+5 |
|
|
- |
|
2+5 |
2 |
|
|
|
|
|
|
|
|
7 |
|
|
5 |
|
7 |
- |
|
5 |
1 |
9 |
2 |
8 |
|
|
|
|
|
|
|
- |
2 |
|
|
|
|
|
|
|
|
7 |
|
|
5 |
|
7 |
EARTH HEART THERA TERAH
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
8 |
+ |
= |
8 |
- |
= |
8 |
= |
8 |
- |
- |
- |
- |
- |
8 |
+ |
= |
8 |
- |
= |
8 |
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
1 |
9 |
2 |
- |
|
|
|
1+7 |
|
|
= |
|
|
5 |
1 |
18 |
20 |
- |
|
|
|
4+4 |
|
|
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
1 |
18 |
20 |
8 |
|
|
|
5+2 |
|
|
= |
7 |
|
5 |
1 |
9 |
2 |
8 |
|
|
|
2+5 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
2+5 |
|
|
- |
|
2+5 |
|
|
|
|
|
|
|
|
7 |
|
|
5 |
|
7 |
|
5 |
1 |
9 |
2 |
8 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
7 |
|
|
5 |
|
7 |
- |
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
6 |
6 |
5 |
+ |
= |
17 |
1+7 |
= |
8 |
- |
8 |
= |
8 |
- |
- |
- |
15 |
15 |
14 |
+ |
= |
44 |
4+4 |
= |
8 |
= |
8 |
= |
8 |
- |
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
- |
|
4 |
- |
- |
- |
|
|
|
- |
|
|
= |
|
|
|
- |
|
13 |
- |
- |
- |
|
|
|
1+3 |
|
|
= |
4 |
|
|
- |
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
- |
|
13 |
15 |
15 |
14 |
|
|
|
5+7 |
|
|
1+2 |
3 |
|
|
- |
|
4 |
6 |
6 |
5 |
|
|
|
2+1 |
|
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
|
|
|
|
|
|
- |
|
ONE |
1 |
|
|
- |
- |
|
2 |
|
|
|
|
|
|
- |
2 |
|
|
|
|
- |
- |
|
3 |
|
|
|
|
|
|
- |
3 |
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
7 |
|
|
|
|
|
|
- |
7 |
|
|
|
|
- |
- |
|
8 |
|
|
|
|
|
|
- |
8 |
|
|
|
|
- |
- |
|
9 |
|
|
|
|
|
|
- |
9 |
|
|
|
|
- |
- |
|
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+0 |
- |
4 |
6 |
6 |
5 |
|
|
1+5 |
|
|
- |
|
2+1 |
|
1+2 |
3 |
|
|
|
|
|
|
|
6 |
|
|
4 |
|
3 |
|
3 |
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
6 |
5 |
+ |
= |
17 |
1+7 |
= |
8 |
- |
8 |
= |
8 |
- |
- |
15 |
15 |
14 |
+ |
= |
44 |
4+4 |
= |
8 |
= |
8 |
= |
8 |
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
|
4 |
- |
- |
- |
|
|
|
- |
|
|
= |
|
|
|
|
13 |
- |
- |
- |
|
|
|
1+3 |
|
|
= |
4 |
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
- |
- |
|
|
13 |
15 |
15 |
14 |
|
|
|
5+7 |
|
|
1+2 |
3 |
|
|
|
4 |
6 |
6 |
5 |
|
|
|
2+1 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
6 |
6 |
5 |
|
|
1+5 |
|
|
- |
|
2+1 |
|
1+2 |
|
|
|
|
|
|
|
6 |
|
|
4 |
|
3 |
|
3 |
3 |
SUN |
54 |
18 |
9 |
5 |
|
52 |
25 |
7 |
4 |
|
57 |
21 |
3 |
12 |
First Total |
163 |
64 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
1+9 |
|
Second Total |
10 |
10 |
10 |
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
2 |
|
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
3 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
3 |
- |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
|
5 |
|
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
- |
52 |
25 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
12 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
4 |
- |
57 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
First Total |
163 |
64 |
55 |
|
|
|
|
|
|
|
|
|
|
|
|
5+5 |
|
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
|
Second Total |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
2 |
|
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
3 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
|
5 |
|
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
12 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
First Total |
163 |
64 |
55 |
|
|
|
|
|
|
|
|
|
|
|
|
5+5 |
|
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
|
Second Total |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
|
5 |
|
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
2 |
|
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
3 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
12 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
First Total |
163 |
64 |
55 |
|
|
|
|
|
|
|
|
|
|
|
|
5+5 |
|
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
|
Second Total |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
A |
= |
|
5 |
|
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
2 |
|
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
3 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
|
12 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
First Total |
163 |
64 |
55 |
|
|
|
|
|
|
|
|
|
|
|
5+5 |
|
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
1+2 |
|
|
|
|
|
|
|
Second Total |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
3 |
SUN |
54 |
9 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
TAO |
36 |
9 |
9 |
4 |
GAIA |
18 |
9 |
9 |
5 |
WORLD |
72 |
27 |
9 |
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
9 |
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
|
|
6 |
|
15 |
Add to Reduce |
234 |
63 |
27 |
|
|
- |
|
1+5 |
Reduce to Deduce |
2+3+4 |
6+3 |
2+7 |
|
|
6 |
|
6 |
Essence of Number |
8 |
9 |
9 |
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
E |
= |
5 |
|
5 |
EARTH |
52 |
25 |
7 |
M |
= |
4 |
|
4 |
MOON |
57 |
21 |
3 |
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
U |
= |
3 |
- |
6 |
URANUS |
94 |
22 |
4 |
N |
= |
5 |
|
7 |
NEPTUNE |
95 |
32 |
5 |
P |
= |
7 |
|
5 |
PLUTO |
84 |
21 |
3 |
|
|
39 |
|
59 |
First Total |
863 |
260 |
62 |
|
|
3+9 |
|
5+9 |
Add to Reduce |
8+6+3 |
2+6 |
6+2 |
|
|
12 |
|
14 |
Second Total |
17 |
8 |
8 |
|
|
1+2 |
|
1+4 |
Reduce to Deduce |
1+7 |
- |
- |
|
|
3 |
|
5 |
Essence of Number |
8 |
8 |
8 |
1 |
|
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
|
2 |
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
3 |
|
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
4 |
|
E |
= |
5 |
|
5 |
EARTH |
52 |
25 |
7 |
5 |
|
M |
= |
4 |
|
4 |
MOON |
57 |
21 |
3 |
6 |
|
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
7 |
|
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
8 |
|
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
9 |
- |
U |
= |
3 |
- |
6 |
URANUS |
94 |
22 |
4 |
10 |
|
N |
= |
5 |
|
7 |
NEPTUNE |
95 |
32 |
5 |
11 |
|
P |
= |
7 |
|
5 |
PLUTO |
84 |
21 |
3 |
66 |
|
|
|
39 |
|
59 |
First Total |
863 |
260 |
62 |
6+6 |
|
|
|
3+9 |
|
5+9 |
Add to Reduce |
8+6+3 |
2+6 |
6+2 |
12 |
|
|
|
12 |
|
14 |
Second Total |
17 |
8 |
8 |
1+2 |
|
|
|
1+2 |
|
1+4 |
Reduce to Deduce |
1+7 |
- |
- |
3 |
|
|
|
3 |
|
5 |
Essence of Number |
8 |
8 |
8 |
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
E |
= |
5 |
|
5 |
EARTH |
52 |
25 |
7 |
M |
= |
4 |
|
4 |
MOON |
57 |
21 |
3 |
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
U |
= |
3 |
- |
6 |
URANUS |
94 |
22 |
4 |
N |
= |
5 |
|
7 |
NEPTUNE |
95 |
32 |
5 |
P |
= |
7 |
|
5 |
PLUTO |
84 |
21 |
3 |
N |
= |
5 |
|
6 |
NIBIRU |
73 |
37 |
1 |
|
|
44 |
|
65 |
First Total |
936 |
297 |
63 |
|
|
4+4 |
|
6+5 |
Add to Reduce |
9+3+6 |
2+9+7 |
6+3 |
|
|
8 |
|
11 |
Second Total |
18 |
18 |
9 |
|
|
|
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
- |
|
|
8 |
|
2 |
Essence of Number |
9 |
9 |
9 |
1 |
|
S |
= |
1 |
|
3 |
SUN |
54 |
9 |
|
2 |
|
M |
= |
4 |
|
7 |
MERCURY |
103 |
40 |
4 |
3 |
|
V |
= |
4 |
|
5 |
VENUS |
81 |
18 |
9 |
4 |
|
E |
= |
5 |
|
5 |
EARTH |
52 |
25 |
7 |
5 |
|
M |
= |
4 |
|
4 |
MOON |
57 |
21 |
3 |
6 |
|
M |
= |
4 |
|
4 |
MARS |
51 |
15 |
6 |
7 |
|
J |
= |
1 |
|
7 |
JUPITER |
99 |
36 |
9 |
8 |
|
S |
= |
1 |
|
6 |
SATURN |
93 |
21 |
3 |
9 |
- |
U |
= |
3 |
- |
6 |
URANUS |
94 |
22 |
4 |
10 |
|
N |
= |
5 |
|
7 |
NEPTUNE |
95 |
32 |
5 |
11 |
|
P |
= |
7 |
|
5 |
PLUTO |
84 |
21 |
3 |
12 |
|
N |
= |
5 |
|
6 |
NIBIRU |
73 |
37 |
1 |
78 |
|
|
|
44 |
|
65 |
First Total |
936 |
297 |
63 |
7+8 |
|
|
|
4+4 |
|
6+5 |
Add to Reduce |
9+3+6 |
2+9+7 |
6+3 |
15 |
|
|
|
8 |
|
11 |
Second Total |
18 |
18 |
9 |
1+5 |
|
|
|
|
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
- |
6 |
|
|
|
8 |
|
2 |
Essence of Number |
9 |
9 |
9 |
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 417
"I preach mathematics."
JOSEPH AND HIS BROTHERS
Thomas Mann 1875-1955
Page 935
"Come nearer, my friend," he said, as the bee studded curtain closed behind them, "pray come close to me, dear Khabiru from the Retenu, fear not, nor startle in your step, come quite close to me! This is the mother of god, Tiy, who lives a million years. And I am Pharaoh. But think no more of that, lest it make you fearful. Pharaoh is God and Man, but sets as much store by the second as the first, yes he rejoices, sometimes his rejoicing amounts to defiance and scorn that he is a man like all men, seen from one side; he rejoices to snap his fingers at those sour faces who would have him bear himself uniformly as God."
Page 968
"But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching. And still it has been said to me: 'Call me not Aton, for that is in need of improvement. Call me the Lord of the Aton!' But I, through keeping silent, forgot. See now what the Father does for his beloved son! He sends him a messenger and dream-interpreter, who shows him his dreams, dreams from below and dreams from above, dreams important for the realm and for heaven; that he should awake in him what he already knows, and interpret what was already said to him. Yes, how loveth the Father his child the King who came forth out of him, that he sends down a soothsayer to him, to whom from long ages has been handed down the teaching that it profits man to press on towards the last and highest!"
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
2 |
- |
- |
|
occurs |
x |
|
= |
2 |
= |
|
|
|
- |
|
|
|
|
|
|
3 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
- |
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
|
|
- |
|
|
|
|
|
|
6 |
|
|
|
|
- |
- |
|
- |
- |
- |
7 |
7 |
7 |
- |
- |
- |
|
occurs |
x |
|
= |
21 |
2+1 |
|
|
|
- |
|
|
|
|
|
|
8 |
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
9 |
|
|
|
|
- |
- |
|
31 |
5 |
E |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
3+1 |
- |
- |
7 |
7 |
7 |
|
|
|
1+4 |
|
|
- |
|
2+8 |
|
1+0 |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
|
|
|
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
2 |
- |
- |
|
occurs |
x |
|
= |
2 |
= |
|
- |
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
- |
- |
7 |
7 |
7 |
- |
- |
- |
|
occurs |
x |
|
= |
21 |
2+1 |
|
5 |
E |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
7 |
7 |
7 |
|
|
|
1+4 |
|
|
- |
|
2+8 |
|
1+0 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
|
|
|
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
AEGYPTIACA |
88 |
43 |
7 |
5 |
EGYPT |
73 |
28 |
1 |
15 |
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+6+1 |
7+1 |
- |
|
Essence of Number |
|
|
|
The Numbers in the Gospel of St. John
by Lynn Quirolo
God has arranged all things by measure and number and weight.
Book of Wisdom, Ch. 11. v. 20
Every man, in respect of his mind, is intimately related to the divine Logos, being an imprint or fragment or effulgence of that blessed nature.
Philo of Alexandria[1]
The belief that number is the language of reality is the bedrock of Western Civilization. Time and Space, the Many and the One, the Great Chain of Being, As Above So Below -- the idea that the pattern of Creation is determined by number is embedded in Western conceptions of God. Biblical numbers were symbols for its authors and early audience, expressing correspondences between nature, human experience, and the pattern of creation. That Biblical numbers have been interpreted different ways in different contexts for centuries is evidence of the flexibility of number as symbols. Determining what these numbers meant to their authors and original audience remains an interesting problem, especially in light of recent research regarding the astronomical significance of megalithic structures.
The Gospel of St. John ends with a number - the disciples cast their net according to the instructions of the Risen Christ and catch one hundred and fifty-three fish. The number one hundred and fifty-three is written elsewhere, in rock, at Stonehenge and the Great Pyramid of Cheops. One hundred and fifty-three is a scientific number; its square root is the exact number of lunations in a year. Did the author of the Gospel of St. John use this number because of its scientific significance?
The Gospel of St. John begins, “In the beginning was the logos.” Logos is a philosophic term used by Philo of Alexandria (30 B.C. – 50 A.D) to reconcile Hebrew scripture and Greek philosophy. Logos meant pattern and implied mathematical relationship. When the Gospel of St. John was translated from Greek, logos became “word.” The author of St. John’s Gospel identifies Jesus as the “logos made flesh” and ends his gospel with a story that does not appear in the Matthew, Mark, or Luke - the disciples, recognizing the Risen Christ for the third time, catch one hundred and fifty-three large fish, “and though there were so many, the net was not torn.” Placed in the powerful setting of a teaching of Jesus after his resurrection, certainly this number was intended symbolically. I have previously written on the symbolic interpretations of one hundred and fifty-three by early Christians.[2] Evagrius Ponticus (345-399) interpreted it several ways, one of which was as an Enneagram-like symbolism of the ordered laws of creation suffused with grace. St. Augustine (354-430) also interpreted 153 several ways including as a trinity.[3] St. Jerome (died 420), taking a turn toward modernity, interpreted 153 as the exact number of species of fish in the sea and therefore symbolic of the universality of the church.[4] Whether interpreted neoplatonically (Evagrius and Augustine), or as an analogy (Jerome), the number one hundred and fifty-three appearing in an act of the Risen Christ was highly symbolic to the early audience of St. John’s gospel.
In 1996, Tony Blake, aware of my interest in this number, gave me a copy of A Key to Stonehenge by Robin Heath.[5] In this book, Mr. Heath explains the scientific meaning of the number one hundred and fifty-three: its square root is 12.369, the exact number of lunar cycles in a year. One hundred and fifty-three represents the relationship between the sun and moon as witnessed on earth. One hundred and fifty-three is a number “which integrates symbolic, material, and astronomical realities, numerology, astrology and musical science.”[6]
What follows is an explanation of Mr. Heath’s discovery of the astronomical significance of one hundred and fifty-three within the context of the Gospel of St. John where it can be interpreted as part of a proof of the identity of Jesus as logos. Throughout, I will refer to the author of St. John’s Gospel as “the author” and not as “St. John.” The Fourth Gospel was written about 100 A.D., too late for the author to have been John, the disciple of Jesus.
The Gospel of St. John can be read as a proof. The gospel begins with the idea of logos and ends with a story about catching fish in a net. In between, the numbers two, five, twelve, and one hundred and fifty-three are used in a step-by-step proof that Jesus is the logos.
John Chapter 3 v. 12 states,
“If I have spoken of earthly things to you and you do not believe, how will you believe if I speak to you of heavenly things?”
In Chapter 6, the author of John repeats the story told in Matthew, Mark, and Luke of Jesus feeding a multitude with two fish and five loaves. The story ends with Jesus instructing his disciples to collect the remaining fragments in twelve baskets. The numbers in this story, repeated in all four gospels, are two, five, and twelve. Two is the number of the large celestial bodies, the sun and moon. Five is the number of visible planets. Twelve is the number of divisions in the heavens, the zodiac, the “baskets” into which the stars are collected. Jesus fed a multitude, more than 5,000, on two fish and five loaves. The two, symbolic of the sun and moon, and the five, symbolic of the visible planets, indicate that Jesus is recapitulating the life-sustaining pattern of the heavens to enact a miracle on earth. The pattern of Jesus’ miracle, as symbolized by two, five, and twelve, is identical to the pattern of heaven. Jesus’ miracle is a mirror image of the Father’s great miracle enacted from heaven, the creation and sustenance of life on earth. The dimensions of the miracle of the Father and the miracle of the Son are the same (two, five, and twelve); the difference is scale. This story of feeding the multitude is an analogy in which number symbolizes correspondence between Father and Son. Just as the Father’s miracle contains starry fragments distributed among the twelve divisions of heaven, so Jesus directs his disciples to collect the remaining fragments of his miraculous meal. After the multitude has been fed, Jesus instructs his disciples,
“’Gather the fragments that are left over, least they be wasted.’ They therefore gathered them up; and they filled twelve baskets with the fragments of the five barley loaves left over by those who had eaten.”[7]
The story of Jesus feeding the multitude is a microcosm/macrocosm analogy. On earth as it is in heaven. As the Father, so the Son. As above, so below.
Two, five, and twelve describe universal observed phenomena and the symbolism inherent in these numbers is simple. No education is needed to find meaning in these numbers. In using the numbers of the heavens, a universal phenomenon, the meaning is also universal. In St. John’s Gospel, the similarity between the miracles of the Father and Son – as symbolized by the numbers two, five, and twelve – become part of the author’s proof of Jesus’ identity as logos, mediator between God and man, a proof that can be understood independent of educational, religious, or philosophic background.
The story of feeding the 5,000 was addressed to a Greco-Roman audience steeped in astrology. Within a culture that projected religion and mythology onto the planets, a miracle worked with the numbers of the sky would symbolize power over, or harmonic resonance with, the forces of the cosmos. In the fourth century when Christianity became the state religion of Rome, the Church began purging itself of paganism and the gospels, which were written for a pagan audience, were reinterpreted. Former meanings, including the astrological and neoplatonic symbolisms, were lost.
The author of John reiterates the theme of the correspondence between heaven and earth with Jesus as intermediary many times. In Chapter 6 v. 51 Jesus says, “I am the living bread that has come down from heaven.” In Chapter 8 v. 32, Jesus says to the Jews, “You are from below, I am from above.” In John Chapter 16, v. 25, Jesus prepares his disciples for his death and resurrection saying,
“The hour is coming when I will no longer speak to you in parables, but will speak to you plainly of the father.”
During Jesus’ life, the disciples are uncertain about his identity. After Jesus’ death, they have difficulty recognizing him resurrected. The Gospel of St. John ends with a story similar to the miracle of feeding the multitude. In this story, the Risen Jesus instructs the disciples how to work a miracle for themselves. As in the story of feeding the multitude, symbolic number establishes correspondence between Father and Son.
The story in John Chapter 21 is abbreviated here:
(v. 5) Then Jesus said to them, “Young men, have you any fish?” They answered him, “No.” (v. 6) He said to them, “Cast the net to the right of the boat and you will find them.” They cast therefore, and now they were unable to draw it up for the great number of fishes. (v. 10) Jesus said to them, “Bring here some of the fishes that you caught just now.” (v. 11) Simon Peter went aboard and hauled the net onto the land full of large fishes, one hundred and fifty-three in number. And though there were so many, the net was not torn. (v. 13) And Jesus came and took the bread, and gave it to them, and likewise the fish. (v. 14) This is now the third time that Jesus appeared to the disciples after he had risen from the dead.
The square root of one hundred and fifty-three, 12.369, is the number of lunar cycles in a solar year,[8] and therefore symbolizes the relationship between the sun and moon as witnessed from the earth. This relationship, as important in antiquity as it is today, determines the day/night cycle, the seasons, the weather, and the tides. One hundred and fifty-three is also a Pythagorean number -- it is the result of creating a right triangle from the harmonic point (3:2) between twelve, symbol of the sun, and thirteen, symbol of the moon.
The story of the catch of one hundred and fifty-three fish describes the creation of the lunation triangle within a Pythagorean 5:12:13 triangle. Twelve is the number of divisions of the heavens, the number of Jesus’ disciples, and in ancient cultures, the solar number. Thirteen is the number of disciples plus one, Jesus. It was also the lunar number in ancient times since the moon moves thirteen degrees a day and orbits the earth about thirteen times a year. Five is the number of visible planets. Five, which is three plus two, and can be broken into the ratio of the perfect harmonic, the fifth: 3:2.
The exact length of the year and the exact length of the moon’s cycle (365.2422 days and 29.5306 days, respectively) make finding the relationship between the sun and moon a very difficult problem. However, this problem appears to have been solved in ancient times as its solution, one hundred and fifty-three, is built into the structure of both Stonehenge and the Great Pyramid.
The number describing the relationship of the sun, moon, and earth may have been known also by the author of the Gospel of St. John since he describes Jesus instructing the disciples how to find it. In this symbolic paradigm, Jesus is the harmonic mean between heaven and earth, indicating where to look for the solution. From within a symbolic 5:12:13 right triangle, if another right triangle is formed at the harmonic mean, by casting the net from the “right side” of the boat, the result is a hypotenuse measuring the square root of one hundred and fifty-three, the exact number of lunations in a year. In making this number explicit, Jesus demonstrates knowledge of hidden things, further proof of his identity as logos.
After the disciples caught one hundred and fifty-three fish, “None of the disciples dared ask him, ‘Who are thou?’ knowing that is was the Lord.” (John, Chapter 21, v.12).
As above, so below.
The numbers in the Gospel of St. John, now interpreted as fact, were intended as symbols. The gospels were written for a pre-Christian audience within a culture saturated with astrological belief. In this setting, numbers descriptive of the heavens used in describing events on earth established a macrocosmic/microcosmic analogy of correspondence between heaven and earth. The Gospel of John ends with “one hundred and fifty-three,” a number with multiple neoplatonic symbolic meanings but also a number accurately describing the ratio, or logos, between sun, moon, and earth. I am not certain that the author of the Gospel of St. John knew the scientific implications of one hundred and fifty-three. He could have chosen this number for its substantial neoplatonic symbolic meaning. What is certain is that in using one hundred and fifty-three in his proof of the identity of Jesus as logos, the author of St. John’s Gospel made an excellent choice.
What fascinates me about this number is that it has powerful meaning in two systems of reasoning that would not be expected to have common ground, neoplatonic number symbolism and scientific measurement.
Many things have changed since the time of Jesus -- the earth is in many ways smaller, footprints of men mark the moon, and the process by which the sun creates energy has been replicated on earth – but the numbers two, five, twelve, and one hundred and fifty-three are the same, continuously symbolizing the miraculous interrelatedness of all things. And the net is not torn.
Footnotes:
1. Winston, David, translator, Philo of Alexandria, Paulist Press, New York, 1981, p. 143.
2. Quirolo, Lynn, “The Enneagram in the Gospel of St. John,” Stopinder, No. 6, Fall 2001, p. 73.
3. Augustine of Hippo, Letter LV to Januarius, Chapter XVII 31.
4. Bamberger, John Eudes, The Praktikos and Chapters on Prayer, Cistercian Publications, Spencer, Massachusetts, 1970, p. 54, footnote 11.
5. Heath, Robin, A Key to Stonehenge, Bluestone Press, High Trenhouse, England, 1993. A simplified version of Mr. Heath’s archeoastronomical research into the purpose and meaning of megalithic structures can be found in his book, Sun, Moon, and Earth, Walker and Company, New York, 1999.
6. Ibid, p. 37.
7. St. John, Chapter 6, v. 12-13.
8. This meaning of one hundred and fifty-three was discovered by Robin Heath during his research on megalithic structures. See A Key to Stonehenge.
And behold, the number is one hundred and fifty and three. Now what can this number mean? The number of all the elect is surely signified well by the number ... gottesblog.blogspot.com/2006/04/one-hundred-and-fifty-and-three.html
Sunday, April 30, 2002
One Hundred and Fifty and Three
The number of fish the disciples caught (St. John 21) was an exact number, even as the number of the elect, counted after the resurrection, is exact. They were found on the right side of the ship because the elect are at the right hand of Christ. The nets were not broken because there will be no schism in the perfect Day. And behold, the number is one hundred and fifty and three.
Now what can this number mean? The number of all the elect is surely signified well by the number of twelve (Old Testament tribes) times twelve (New Testament apostles at the heads of the new tribes), which totals 144. Is not this number also spoken of in the Apocalypse, for the same reason? And in all of these elect, the almighty Triune God is active, both of old and in the times of the Church. Thus we signify God's presence throughout all of history by 3 x 3, which equals 9. So all of the elect, who have ever been with the thrice holy One, are signified by 144 + 9, which equals 153.
God be praised, who hides His secrets so well, and then so graciously opens them up for us, in our holy musings on Sacred Scripture.
Hallelujah!
Posted by Rev.Fr.Burnell F Eckardt
HOLY BIBLE
Scofield References
Page 1145
John 21:11
Simon Peter went up, and drew the net to land, full of great fishes,
an
hundred and
fifty and three:
and for all there were so many, yet was not the net broken
SIMON PETER WENT UP AND DREW THE NET TO LAND FULL OF GREAT FISHES
AN
HUNDRED AND FIFTY AND THREE
THE SCULPTURE OF VIBRATIONS 1971
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THE NUMBER SEVEN IN THE HOLY BIBLE
The number SEVEN is one of the most significant numbers in the Holy Bible.
This is a chapter from the book, Biblical Mathematics, written by Evangelist, Ed F. Vallowe.
When man began to analyze and combine numbers, he developed other interesting symbols. He took the perfect world number FOUR and added to it the perfect divine number, THREE, and got SEVEN, the most sacred number to the Hebrews. It was earth crowned with heaven -- the four-square earth plus the divine COMPLETENESS OF GOD. So we have SEVEN expressing COMPLETENESS through union of earth with heaven. This number is used more than all other numbers in the Word of God, save the number ONE.
In the Book of Revelation the number SEVEN is used throughout. There are SEVEN churches, SEVEN Spirits, SEVEN stars, SEVEN seals, SEVEN trumpets, SEVEN vials, SEVEN personages, SEVEN dooms, and SEVEN new things. SEVEN symbolizes Spiritual Perfection. All of life revolves around this number. SEVEN is used over 700 times in the Bible. It is used 54 times in the Book of Revelation.
The whole Word of God is founded upon the number SEVEN. It stands for the SEVENTH day of the Creation Week, and speaks of the Millennial Rest day. It denotes COMPLETENESS or PERFECTION.
In Leviticus 23:15-16, the number SEVEN and the Sabbath, which was the SEVENTH day, is connected with the word COMPLETE. The word COMPLETE follows after the words “SEVEN SABBATH” (Seventh day). The day following the SEVENTH sabbath there was something NEW that took place.
The word FINISHED is also connected with the number SEVEN. In Revelation 10:7 we read,
“In the days of the voice of the SEVENTH angel, when he shall begin to sound the mystery of God should be FINISHED.”
“It is DONE” is another expression found in connection with the number Seven.
“And the SEVENTH angel poured out his vial into the air; and there came a great voice out of the temple of heaven, from the throne saying, It is DONE.” (Revelation 16:17)
The word CREATED is used SEVEN times in connection with God’s creative work. (Genesis 1:1; Genesis 1:21; 1:27 (three times); 2:3; and 2:4). God created all things in the beginning and then took six days of restoring His creation and then rested on the SEVENTH day. (Genesis 2:1-3). He appointed SEVEN days for the week, and most, if not all advanced nations reckon time in that way: SEVEN days to the week. Few ever stop to think of why there are SEVEN days in a week. Do atheists and infidels give God and the Bible credit for it?
There are SEVEN notes in the musical scale. All other pitches are only variations of these. When the musician uses the eighth note he goes back to “do” and starts over. Man named the notes but God fixed the sounds, even as God fixed the days of the week, and man named them.
Noah took the clean beasts into the ark by SEVENS (Genesis 7:2) SEVEN days after Noah went into the ark the flood came. (Genesis 7:-10) Peter tells about the long-suffering of God waiting in the days of Noah. (I Peter 3:21) Those SEVEN days COMPLETED God’s time of waiting.
Before Aaron and his sons entered their priestly work they were consecrated SEVEN days. (Leviticus 8:31-36) Here is a picture of a life COMPLETELY or WHOLLY consecrated or dedicated to the Lord for service.
On the day of atonement the high priest sprinkled the blood upon the mercy seat SEVEN times. (Leviticus 16:14) This is a picture of the COMPLETENESS of the redemptive work of Christ.
“By his own blood he entered in once into the holy place, having obtained eternal redemption for us." (Hebrews 9:12)
When Christ offered Himself that FINISHED the sacrificial offerings. They were ended. No longer must we place sacrifices upon an altar.
THE NUMBER SEVEN IN THE HOLY BIBLE - Angelfire
www.angelfire.com/az/rainbowbridge/seven.html
The number SEVEN is one of the most significant numbers in the Holy Bible. This is a chapter .... SEVEN times the Book of Life is mentioned in the Bible. The Book of ... The SEVENTH time Noah's name occurs is where it is said,. “Noah was a ...
When Israel took the city of Jericho God told them to march around the city SEVEN times. Thus, on the SEVENTH day, when they marched around the city SEVEN times, they COMPLETED their marching. (Joshua 6:1-16)
There were SEVEN FEAST days of our Lord. (Passover, Unleavened, First-fruits, Pentecost, Atonement, Trumpets and Tabernacle). (Leviticus 23:1-44)
There were SEVEN branches on the CANDLESTICK in the Holy Place in the Tabernacle and this pictures the COMPLETE light of God for the souls of man.
Solomon was SEVEN years in building the Temple and kept the Feast for SEVEN days. Job had SEVEN sons. When his friends came to visit him they sat SEVEN days and SEVEN nights in silence, and afterward they were required to offer a Burnt Offering of SEVEN bullocks and SEVEN rams. Naaaman washed SEVEN times in the Jordan. The Saviour spoke SEVEN words from the Cross. SEVEN men of honest report were chosen to administer the alms of the church in Acts 6:1-7. There were SEVEN years of plenty and SEVEN years of famine in Egypt during the days of Joseph.
SEVEN times in the Book of Revelation blessing of the Lord are promised to His people. These are called the “BEATITUDES” of Revelation. These are found in Chapters 1:3; 14:13; 16:15; 19:9; 20:6; 22:7, 14.
There are SEVEN Dispensations -- Innocence, Conscience, Government, Patriarchal, Law, Grace, and Milleniah (sic) Age.
SEVEN times the Book of Life is mentioned in the Bible. The Book of Revelation is a Book of SEVENS. We have SEVEN churches, SEVEN seals, SEVEN Trumpets, SEVEN Personages, SEVEN veils (sic), SEVEN dooms, SEVEN new things. SEVEN SEVENS make up this Book . It is the COMPLETENESS of all things.
Jesus said to “forgive SEVENTY times SEVEN“ In other words, He is saying, “Keep on forgiving until you are complete.” Even the duration of Israel’s great punishments was based upon this law of SEVENS. Their captivity in Babylon was for SEVENTY years, ten periods of SEVENS. (Jeremiah 25:11-12; Daniel l9:2)
Life operates in a cycle of SEVENS. Changes take place in the body every SEVEN years. There are SEVEN bones in the neck, SEVEN bones in the face, SEVEN bones in the ankle, and SEVEN holes in the head. Most births are multiple of SEVENS. The hen sits three weeks (21 days); the pigeon two weeks (14 days); after having laid eggs for two weeks. Of 129 species of Mammalia (sic) the majority have a period from conception to birth of an exact number of weeks, a multiple of SEVEN.
Human physiology is constructed on a law of SEVENS. Children are born to mothers in a certain number of weeks usually 280 days, a multiple of SEVENS. Fevers and intermittent attacks of gout, ague, and similar complaints have a period of operation of SEVEN, FOURTEEN or TWENTY-ONE days knows as critical days.
All departments of nature are marked all over with mathematics. In this realm practically everything is in SEVENS. Notice next time the shape of frost when it crystallizes on the window. Notice the small snow flakes. It is wonderful how God formed everything in a pattern of SEVENS.
It would be well for the reader to always remember the SEVEN means COMPLETENESS or SPIRITUAL PERFECTION. Whenever you come to a SEVEN in the Word of God read the meaning and the message is plain.
SEVEN is found 735 times in the Bible. SEVENFOLD is mentioned 6 times and SEVENTH is found 119 times.
The SEVENTH time Noah’s name occurs is where it is said,
“Noah was a just man, and PERFECT in his generations.” (Genesis 6:9)
In the second chapter of Daniel, Nebuchadnezzar had a dream of a great image whose head was of gold, arms and breasts of silver, his belly and things of brass, legs of iron, and feet of iron and clay. (Daniel 2:31-33) Daniel told him that he was the head of gold (vs 37-38) In the next chapter Nebuchadnezzar made an image of gold to be worshipped. At that time he called together SEVEN kinds of officials to the dedication of the image: (1) princes, (2) governors, (3) captains, (4) judges, (5) treasurers (6) counselors, (7) sheriffs. The penalty for refusing to worship that image was death by being cast into the burning fiery furnace. THREE Hebrew children refused to worship the image and were cast into that furnace of death, and brought forth alive, thus picturing the resurrection, signified by the number THREE That furnace was heated SEVEN times hotter than it had ever been. Here is a COMPLETE DELIVERANCE FOR GOD’S PEOPLE from the power of death. (Daniel 3:1-27) When those Hebrew children came out of that furnace of fire, or death, there was not a trace of fire upon their bodies or their clothing. When Christ brings His people out of death there will not be a trace of death left on them. The will be COMPLETELY delivered from its power.
NATURE = 79 = NATURE
NATURE = 25 = NATURE
NATURE = 7 = NATURE
The 7 Heaven's and Earth's Below - David Icke's Official Forums 2 posts - 2 authors - Last post: 10 Feb
The 7 Heaven's and Earth's Below Meditation / Human Consciousness / Spirituality / Ascension / 2012 Mayan Calendar.
www.davidicke.com/forum/showthread.php?p=1058301618 - Similar
The 7 Heaven's and Earth's Below
This section of the angels story has been given different names by different theologians. It has been called:
- The seven heavens and the 7 hells
- The 7 celestial mansions and the 7 palaces
of darkness
- The 7 heavens and the seven earths.
These would be similar to the lowlands and highlands of our world. The seven heavens stack one over the top of each other in a straight line.
I am presenting this information by combining in order both 7 Heavens & 7 Earths.
The portrayal of the synthesis for - The 7 Heavens - was made by me using as much as possible the information in hand. Steli :-)
Seven is the maximum number of eclipses of the Sun and Moon that can occur in any one year.
Luicifer is responsible for bringing all below to above.
__________________
Going around the merry go around is revolution
Been aware of your journey, is evolution
The Seventh Heaven
Araboth
The 7th heaven is the holiest of the holy heavens. Araboth is ruled by Archangel Cassiel and is home to God and his Divine Throne it is also the abode of human souls waiting to be born. It is also home to the highest orders of angels - the Seraphim, Cherubim, and Thrones. It is in the 7th Heaven that Isaiah has a glimpse of God and the Christ and "hears the Most high dictating the program on his (Christs) earthly manifestation and return."
The Seventh Earth
This world's form is very much like that of Earth's, having hills, mountains, valleys and flatlands. Here lies 365 different types of bizarre creatures. These creatures range from having two heads, to having multiple bodies, but are considered to be righteous. They are considered quite superior and live off the aquatic life found there. They have the unique ability to prolong life or bring the dead back to life.
More References
In Enoch 2,8, the Garden of Eden and the Tree of Life are both found in the 3rd Heaven.
The Zohar mentions 390 Heavens and 70,000 worlds.
The gnostic Basilides vouched for 365 Heavens.
Jellenek (in Beth Ha-Midrasch) recalls a legend which tells of 955 Heavens.
In Enoch 2 the Heavens number 10. Here the 8th Heaven is called Muzaloth. The 9th Heaven, home of the 12 signs of the zodiac, is called Kukhavim. The 10th, where Enoch saw the "vision of the face of the Lord", is called Aravoth (Hebrew term for the 12 signs of the Zodiac).
The confusion of the Heavens is clear here from the fact that the signs of the zodiac do not lodge in the Heavens named after them.
The notion of the 7 Heavens appears in The Testament of the Twelve Patriarchs and other Jewish apocrypha, and was familiar to the ancient Persians and Babylonians.
The Persians pictured the Almighty in the highest of the 7 Heavens, "seated on a great white throne, surrounded by winged cherubim."
The Koran also speaks of 7 Heavens.
namaste
The 7 Deadly Sins
* Gula (gluttony)
* Fornicatio (fornication, lust)
* Avaritia (avarice/greed)
* Tristitia (sorrow)
* Ira (wrath)
* Acedia (acedia)
* Vanagloria (vainglory)
* Superbia (Pride)
7 colours of light
7 steps from creation to divine
7 steps to heaven
7 realities of existense
7 states of being
The 7 Tetragonal crystal classes.
Topologists have been able to prove that 7 colors may be needed on a donut shaped map to ensure that no adjacent areas are the same.
There are seven different ways of linking four hexagons together.
7 is the smallest number of integer-sided rectangles that tile a rectangle so that no 2 rectangles share a common length.
The Chemical Element Nitrogen has an atomic number of 7.
The 7 directions: north, south, east, west, up, down and the center.
In Humans: the 7 Endocrine glands.
The 7 colors of the rainbow.
The 7 double letters of the Hebrew Alphabet.
The 7 classical planets.
The 7 bodies of the Human microcosm.
In Humans: the 7 chakras.
Seventh heaven is the farthest of the concentric spheres containing the stars in the Moslem and cabalist systems.
movie1.search.biglobe.ne.jp/video/watch/af38f248523e931f - Cached - Similar -lightgiver and the Book of Revelations: - Page 26 - David Icke's ... 10 posts - 2 authors - Last post: 8 Jun
'I'm not telling you up to seven times, I'm telling you up to seventy seven times!' " http://www.973-eht-namuh-973.com/col...s_1_cont_6.htm ...
www.davidicke.com/forum/showthread.php?
Seven
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Seven generation sustainability is an ecological concept that urges the current generation of humans to live sustainably and work for the benefit of the seventh generation into the future.
Our generation, the seventh generation since the Alter Rebbe . . . and this generation (the last generation of the exile) immediately becomes the generation of the Geula .
"In every deliberation, we must consider the impact on the seventh generation... even if it requires having skin as thick as the bark of a pine."
—Great Law of the Iroquois
“Adah and Zillah, hear my voice;
Wives of Lamech, listen to my speech!
For I have killed a man for wounding me,
Even a young man for hurting me.
If Cain shall be avenged sevenfold,
Then Lamech seventy-sevenfold.”
—Genesis 4:19-24 (NKJV)
. Read Genesis 4 and 5 carefully and you'll discover that the full flowering of wickedness or righteousness becomes apparent in the seventh generation from Adam in each respective line.
7th pineal/crown crown Saturn Rosslyn (King of the Grail)
The word chakra is Sanskrit for wheel or disk and signifies one of seven basic energy centers in the body that correspond to nerve ganglia branching out from the spinal column, as well as states of consciousness, developmental stages of life, archetypal elements, body functions, colors, sounds, and much, much more.
7 seals, 7 trumpets, 7 bowls
Seven churches, seven seals, seven trumpets, seven bowls ordered in a big picture. Three great earthquakes and 14 judgments from God.
the seventh "trumpet" is an announcement that the "king" and his kingdom have arrived.
7. The Seventh Bowl
This next judgement is the last and final judgement.
THE SEVENTH SEAL
“And when he had opened the seventh seal, there was silence in heaven about the space of half an hour.” Revelation 8:1.
The 7th seal, remember, has still to be opened. Chapter seven was inserted between the 6th and 7th seals simply because that is when the sealing work will occur in the stream of time. But once the 144,000 are sealed, the four angels standing at the four corners of the earth are allowed to release the four winds which will hurt the earth, the sea and the trees. The hurting of the earth, the sea and the trees is in fact the beginning of the 7th seal.
7 candles of the Menorah
There are seven planets, namely: Saturn, Jupiter, Mars, the Sun, Venus, Mercury and the Moon.
The Seventh Sign is a 1988 film written by Clifford and Ellen Green and directed by Carl Schultz.( The seals have been broken. The prophecies have begun.)
Seven (also marketed as Se7en) is a 1995 American crime film ,(remember the head in the box at the end)could this have represented John the baptist?)
Chapter 7: 144,000 Sealed on Earth and a Throne Scene of Delivered Saints
7th Chakra of the earth, Great Pyramid & Mt Sinai & Mt of Olives Throat Chakra & air Spinner Wheel Egypt Middle East.http://www.earthchakras.org/
"Each of the major cathedrals along the pilgrimage were on ancient sites representing the seven major chakras of Europe.
The sites were:
Cathedral of St. James at Compostela (Moon Oracle) - base chakra
Notre-Dame de Dalbade Tolouse (Mercury Oracle) - sacral chakra
Orleans Cathedral (Venus Oracle) - solar pelxus chakra
Chartres Cathedral ( Sun Oracle) - heart chakra
Notre Dame de Paris (Mars Oracle) - throat chakra
Amiens Cathedral (Jupiter Oracle) - brow chakra
Rosslyn Chapel (Saturn Oracle) - crown chakra" (7,10)
THE SEVEN CHURCHES
Moving to the book of Revelation, we find letters to seven churches in Asia Minor. These seven churches, while they were literal congregations, they are also understood to be a description of a spectrum of seven conditions any church can find itself in. They are also considered symbolic for seven consecutive periods of time, from the Apostolic church to the time of the second coming as follows:
Ephesus ("desirable"), Rev. 2:1-7 — The Apostolic church of the 1st century.
Smyrna ("sweet smelling"), Rev. 2:8-11 — Persecuted by Ancient Pagan Rome.
Pergamos ("elevated by marriage"), Rev. 2:12-17 — Apostate church-state union.
Thyatira ("sacrifice of contrition"), Rev. 2:18-29 — The church of the middle ages.
Sardis ("escape of the remnant"), Rev. 3:1-6 — The Reformation era.
Philadelphia ("brotherly love"), Rev. 3:7-13 — The early 19th century to 1844.
Laodicea ("a people judged"), Rev. 3:14-19 — From 1844 to the second coming.
Knight of the Eagle and Pelican is one of the titles applied to a Rose-Croix ...... The number 7 is the sacred number in all theogo- nies and in all symbolisms. ..... the keystone of the Temple, the symbol of occult Ma- sonry ; — the cross, that central .... Mithra, it was said in the ancient Sabean Mysteries,
7/7 ripple effect
7 days in a week
More to come,there is a lot more to it.
_____________
"Ye shall know them by their fruits"
~ Matthew 7:16
"Believe nothing. No matter where you read it, or who said it, even if I have said it, unless it agrees with your own reason and your own common sense."
~ Buddha
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Last edited by lightgiver; 25-07-2009 at 09:45 PM.
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26-07-2009, 05:06 PM #252
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In astronomy, the Pleiades, or seven sisters, (Messier object 45) are an open star cluster in the constellation of Taurus. It is among the nearest star clusters to Earth and is the cluster most obvious to the naked eye in the night sky. Pleiades has several meanings in different cultures and traditions.
The cluster is dominated by hot blue stars that have formed within the last 100 million years. Dust that forms a faint reflection nebulosity around the brightest stars was thought at first to be left over from the formation of the cluster (hence the alternate name Maia Nebula after the star Maia), but is now known to be an unrelated dust cloud in the interstellar medium that the stars are currently passing through. Astronomers estimate that the cluster will survive for about another 250 million years, after which it will disperse due to gravitational interactions with its galactic neighbourhood.
The Babylonian star catalogues name them MUL.MUL or "star of stars", and they head the list of stars along the ecliptic, reflecting the fact that they were close to the point of vernal equinox around the 23rd century BC. Some Greek astronomers considered them to be a distinct constellation, and they are mentioned by Hesiod, and in Homer's Iliad and Odyssey. They are also mentioned three times in the Bible (Job 9:9 and 38:31, as well as Amos 5:8). The Pleiades (Krittika) are particularly revered in Hindu mythology as the six mothers of the war god Skanda, who developed six faces, one for each of them. Some scholars of Islam suggested that the Pleiades (Al thuraiya) are the Star in Najm which is mentioned in the Quran.
I sometimes wish someone else had started this thread,I am getting an aversion to the term Grand secretary,it should be petite secretary.
The Stargate Conspiracy: The Truth about Extraterrestrial life and the Mysteries of Ancient Egypt
In recent years, alternative historians have gained remarkable insight into the mysteries of ancient Egypt-but according to Lynn Picknett and Clive Prince, their discoveries tie into a dangerous conspiracy nearly fifty years in the making.
At the centre of this conspiracy is a group of respected, powerful individuals who believe that the ancient Egyptian gods are real extraterrestrials who will soon return to earth. The conspirators have intimate and exclusive knowledge of this momentous second coming-but they insist on keeping it to themselves. In this riveting, well-researched book, Picknett and Price reveal what this conspiracy means for the rest of mankind-and expose the insidious motivations of the individuals and organizations behind it...
The Greys were bugging me this morning while I slept,yeah 3 to 4 foot with their little probes and Needles.
The notion of an intellectual elite as a distinguished social stratum can be traced far back in history. Examples are the philosopher-kings and guardians of Plato's Republic and monks in medieval Europe, who are now seen as custodians of history and culture.
Their well-conceived United Religions Initiative will become a powerful tool to influence the masses toward their desired globalist agenda through a syncretic theology, which rabidly opposes religions, which do not conform to their syncretic doctrines, labelling them as intransigent and intolerant, narrow-minded bigots.
and on the 7 th day God took a break.
The Sirius Mystery - Robert Temple
Our own planet Earth is, significantly, 'the place where Ogo's umbilical cord was ..... When the seventh year comes round, a kind of trident is drawn on the outside ...... And near Knossos is a site called Omphalos which is one degree of ...... which is called 'path of the Nommo'.18 He is guardian of the 'spiritual
http://www.scribd.com/doc/2045191/Th...-Robert-Temple
'I'm not telling you up to seven times, I'm telling you up to seventy seven times!' "
http://www.973-eht-namuh-973.com/col...s_1_cont_6.htm
The Illuminati and the Masonic "G":
7 = 3+4 = C+T = G
http://illuminatusobservor.blogspot....masonic-g.html
In Morals and Dogma, Albert Pike writes that Sirius was "the inventor of language, grammar, ... to the second degree in Masonry, whilst the seventh initiation makes the Adept a Master Mason of the Brotherhood of Sirius. ...
http://www.whale.to/b/melanson.html
seventh degree Melchizedek Ambassador of Light. http://www.waking-up.com/issue001/service.html
Noble Realms / The Matrix built by Sirians ? Sirius Serious ?:
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Essence of Number |
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DAILY MAIL
Friday, July 6, 2007
Colin Wilson
Page 15
ALL THE SEVENS
Just why is tomorrow's date (7-7-07 said to be so special ?
OR THOSE of the marrying disposition, tomorrow is the most auspicious day to wed for decades. Gamblers should also find their luck is in.
Anyone with a birthday can hope to be kissed by good chance. And the rest of us? Well, fortune should be smiling on us too.
The reason for all this bounty lies in the fact that tomorrow, Saturday, happens to fall on the seventh day of the seventh month of the seventh year of the millennium.
Throughout history, seven has been regarded as a perfect number. So what date could be more special than 7/07/07 - except perhaps the seventh of July 1977?
Modern man long ago forgot why seven has always been so blessed. But he still evokes that ancient knowledge when he uses the phrase 'being in the seventh heaven'. The number seven runs throughout world mythology, magic and religion and symbolises completeness and perfection.
There are seven seas, seven virtues, Seven Wonders of the World. Seven colours of the rainbow as well as repeated references in the Bible - the seven days of Creation, the seven deadly sins, and the blessing- of the seventh day which makes Sunday a day
of rest.
Of course, July 7, 2005 is i remembered as one the most tragic events in recent British history - the London tube and bus bombings.
But it cannot be denied that the notion of seven being a special number goes way back beyond Biblical times, extending to our remotest ancestors. The proof lies in the group of stars known as the Pleiades, or Seven Sisters.
The acclaimed British anthropologist Stan Gooch discovered
that they are the only constellation named by every culture on Earth, past and present, and going back at least 40,000 years.
The Greek legend of the Pleiades says they are six maidens and their mother, who were pursued through the forest by Orion the Hunter, until
Zeus took pity on them and changed them into stars.
The Australian Aborigines call them the hunter Wurunna. The Wyoming Indians have the seven maidens pursued by a bear
And they also play an important part in the legends of the Aztecs, the Incas, the Polynesians, the Chinese, the Masai and the Kikuyu of Kenya, the Hindus and the ancient Egyptians. They are important to all these ancient peoples because they symbolise the number seven.
THE REASON is hinted at by the phrase 'the seventh heaven'. Since pre-history, witch doctors - or shamans - of
every society have held the same belief: that above our earthly level there are seven heavens, the uppermost of which is the home of spirits.
The shaman was a person chosen-by the spirits to act as the intermediary between their world and the Earth. Once chosen, he had to go through a horrifically cruel and harsh training.
He (or sometimes she) may have been starved to the point of death, or lain out in the cold until frozen. It was like a long illness, and if he recovered, he would have gained magical healing powers, and would often have to ascend to the seventh heaven to consult the spirits.
It sounds like absurd superstition. Yet what makes this so extraordinary is that shamans all over the world, from the Arctic to the Amazon, from Siberia to Japan, have for eons held exactly the same beliefs, even when separated by thousands of miles of space or thousands of years in time.
The belief in seven heavens can be found all over the Near East, from India to Iran. It is echoed in the Koran, in Jewish religious belief, and in the ancient Mesopotamian priest climbing the seven steps of his ziggurat.
This is the root cause of the number seven being considered lucky - because throughout
human history, mythology and
religion, the secret of good fortune /has involved the shamans passing through the concentric seven layers of he avens to progressively deeper forms of knowledge.
Shamans insist that attaining such knowledge demands that we learn to focus the mind.
And isn't it striking that things seem to go right when we focus on them - and wrong when we don't. How, by focusing our minds, we can make our own luck.
The playwright George
Bernard Shaw expressed this the very same insight in Heartbreak
House, when he makes the aged
Captain Shotover explain that
his basic aim in life has been to
achieve the Seventh Degree of
Concentration. In my younger days-I will, by coincidence, be 77 next June - co I spent a great deal of time trying to put Shotover's recommendation into practice.
I would try to hone my powers of of concentration by fixing on certain subjects and consciously to applying as much brain power
to them as I possibly could.
The trouble was that I never ac felt anything other than rather of furrow-browed - I could never ne succeed beyond a certain point th before I lost my focus. Then one at day I stumbled on the solution
by accident.
On New Year's Day, 1979, I was
trapped by snow in a remote Devon farmhouse where, as an author, I had gone to lecture to some extra-mural students.
After 24 hours we decided we
'had to try to escape. It so happened that my car was the only one that would climb the slope out of the farmyard.
After several hours' hard work with shovels, we finally made it up and onto a narrow country
road. Although the snow had
been churned up by traffic, it was still treacherous. And in places where the snow lay untouched, it was hard to see where the road ended and the ditch began.
SO AS I began to make my way home, I was forced to drive with total, obsessive attention in case I ended up
in aditch. It took two hours to reach the main Exeter road, where I was finally able to relax. Then I noticed a fascinating thing: that everything I looked
at seemed curiously real and interesting.
The two hours of concentrated effort had somehow 'fixed' my consciousness in a higher state of awareness.
There was also a tremendous feeling of optimism, a conviction that most of our problems are due to vagueness, slackness, inattention, and that they are all perfectly easy to overcome with determined effort.
This state lasted throughout the rest of the drive home. Even now, merely thinking about the experience is enough to bring back the insight and renew the certainty.
What seemed to have happened was that total attention had allowed my level of consciousness to build up a pressure far beyond its normal level.
This, I saw, was the closest I had come to Shaw's seventh degree of concentration.
Afterwards, I tried many times to re-create it, initially without success. But before long, after practice, I found that I could achieve this heightened degree of concentration and conscious
ness in just about one hour, and that, I could then maintain it for at least a further hour.
And now that I have learned the trick, I shall make sure I do it tomorrow. Just to make sure it's my lucky day.
17 May 2014 · Throughout the Bible (from Genesis to Revelation), the number seven appears many times. Seven is used 735 times in the Holy Bible. In the Book ...
What Is the Biblical Significance of the Number 7? - Christianity
www.christianity.com › Wiki › Bible
number seven is especially prominent in Scripture, appearing over 700 times. From the seven days of Creation to the many “sevens” in Revelation, the number ...
Meaning of the Number 7 in the Bible
www.biblestudy.org › Unique Studies
The number 7 is the foundation of God's word. It derives much of its meaning from being tied directly to creation. Used 735 times (54 times in Revelation ...
Why Is Number 7 So Important in the Bible? - Crosswalk.com
www.crosswalk.com › Faith › Bible Study
23 Oct 2021 · Of the numbers we see in the Bible, seven appears to show up far more frequently than most others. God creates the world in seven days, ...
The Significance Of 7 In The Bible And 3 Key Themes - Woman Of ...
www.womanofnoblecharacter.com › 7-in-the-bible
8 Aug 2021 · The number 7 is the foundation of God's word, and in Revelation alone it appears 54 times. Add to this how many times sevenfold (6) or seventh ( ...
What is the biblical significance of the number seven/7?
www.gotquestions.org › Content Index › Bible › Studying the Bible
4 Jan 2022 · In all, the number 7 is used in the Bible more than seven hundred times. If we also include the words related to seven (terms like sevenfold or ...
We have also to say that the ordinal number 7th is used 119 times in the Bible, while the word “sevenfold“ is used 6 times. If we take all this into account, we ...
Significance of the number 7 (seven) in the Bible? - JesusAlive.cc
jesusalive.cc › number-seven-significance-in-bible
Of these 6 numbers we are looking at, the number 7 is the most prominent, and also most important number in the Bible. It is used 465 times in the Bible, and if ...
Why do the numbers “3”, “7”, and “40” appear frequently in the Bible ...
www.quora.com › Why-do-the-numbers-3-7-and-40-appear-frequently-in-...
The number seven is the most sacred number to the Hebrews. In biblical numerics, seven stands for spiritual completeness and spiritual perfection. Seven ...
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JESUS CHRIST = 151 = CHRIST JESUS
JESUS CHRIST = 25 = CHRIST JESUS
JESUS CHRIST = 7 = CHRIST JESUS
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ODDS |
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CHRIST = 77 = CHRIST
CHRIST = 14 = CHRIST
CHRIST = 5 = CHRIST
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JESUS = 74 = JESUS
JESUS = 11 = JESUS
JESUS = 2 = JESUS
AMEN THE NAME THE NAME AMEN
THE KORAN
Everyman
Translated from the Arabic by
J. M. Rodwell
1909
INTRODUCTION
Page xxiii
"In addition Sura 18 includes two stories from the Christian periphery to the north of Arabia; the so-called legend of the
Seven Sleepers"
Page 189 (omitted)
SURA 18 - THE CAVE
MECCA - 110 VERSES
In the Name of God, the Compassionate, the Merciful
"Praise be to God, who hath sent down the Book to his servant, and hath not made it tortuous1
But direct; that it may warn of a grievous woe from him, and announce to the faithful who do the things that are right, that a goodly reward, wherein they shall abide for ever, awaiteth them;
And that it may warn those who say, 'God hath begotten a Son.'
No knowledge of this have either they or their fathers! A grievous saying to come out of their mouths! They speak no other than a lie!
And haply, if they believe not in this new revelation, thou wilt slay thyself, on their very footsteps, out of vexation.
Verily, we have made all that is on earth as its adornment, that we might make trial who among mankind would excel in works:
But we are surely about to reduce all that is thereon to dust! Hast thou reflected that the Inmates of THE CAVE and of Al
Rakim2 were one of our wondrous signs?
When the youths betook them to the cave they said, 'O our Lord! grant us mercy from before thee, and order for us our affair aright.'
10 Then struck we upon their ears with deafness in the cave for many a year:
Then we awaked them that we might know which of the two parties could best reckon the space of their abiding.
We will relate to thee their tale with truth. They were youths who had believed in their Lord, and in guidance had we increased them;
And we had made them stout of heart, when they stood up and said, 'Our Lord is Lord of the Heavens and of the Earth: we will call on no other God than him; for in that case we had said a thing outrageous.
These our people have taken other gods beside Him, though / Page 190 / they bring no clear proof for them; but, who more iniquitous than he who forgeth a lie of God?
So when ye shall have separated you from them and from that which they worship beside God, then betake you to the cave: Your Lord will unfold his mercy to you, and will order your affairs for you for the best.'
And thou mightest have seen the sun when it arose, pass on the right of their cave, and when it set, leave them on the left, while they were in its spacious chamber. This is one of the signs of God. Guided indeed is he whom God guideth; but for him whom He misleadeth, thou shalt by no means find a patron, director.
And thou wouldst have deemed them awake,3 though they were sleeping: and we turned them to the right and to the left. And in the entry lay their dog with paws outstretched.4 Hadst thou come suddenly upon them, thou wouldst surely have turned thy back on them in flight, and have been filled with fear at them.
So we awaked them that they might question one another. Said one of them, 'How long have ye tarried here?' They said, 'We have tarried a day or part of a day.' They said, 'Your Lord knoweth best how long ye have tarried: Send now one of you with this your coin into the city, and let his mark who therein hath purest food, and from him let him bring you a supply: and let him be courteous, and not discover you to anyone.
For they, if they find you out, will stone you or turn you back to their faith, and in that case it will fare ill with you for ever.'
20 And thus made we their adventure known to their fellow citizens, that they might learn that the promise of God is true, and that as to 'the Hour' there is no doubt of its coming. When they disputed among themselves concerning what had befallen them, some said, 'Build a building over them; their Lord knoweth best about them.' Those who prevailed in the matter said, 'A place of worship will we surely raise over them.'
Some say, 'They were three; their dog the fourth:' others say, 'Five; their dog the sixth,' guessing at the secret: others say, 'Seven; and their dog the eighth.' SAY: My Lord best knoweth the number: none, save a few, shall know them.
Therefore be clear in thy discussions about them,5 and ask not any Christian concerning them.
Say not thou of a thing, 'I will surely do it to-morrow;' / Page 191 / without, 'If God will.,6 And when thou hast forgotten, call thy Lord to mind; and say, 'Haply my Lord will guide me, that I may come near to the truth of this story with correctness.'
And they tarried in their cave 300 years, and 9 years over.7"
King James (KJV) Bible Complete Word List
www.apostolic-churches.net/bible/allwords/
Click on a letter in the alphabet above to view a page with every word that is found in the ... to the exact number of times that each word occurs in the KJV Bible. ... a particular word occurs in each verse only one time, which is often the case.
KJV Bible Word List - Main Index & Help
Click on a letter in the alphabet above to view a page with every word that is found in the KJV Bible for the letter that you choose. You can then use that page to search for verses in the Bible that contain a particular (complete, whole) word. The numbers next to each word correspond to the exact number of times that each word occurs in the KJV Bible.
A B C D E F G H I J K L M N O P Q R S T U V W Y Z
KJV Bible Word List - Entries For J
Jesus (973)
973eht-namuh-973
SEVEN IS EVENS IS EVENS IS SEVEN
HEAVEN 55 HEAVEN
HEAVEN HA EVEN HA HEAVEN
6 6 6 AZIN 6 6 6
IS
SIX SIX SIX AND SIX SIX SIX
IS
777
RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
J |
= |
1 |
6 |
JOSEPH |
73 |
37 |
1 |
J |
= |
1 |
5 |
JESUS |
74 |
29 |
2 |
M |
= |
4 |
4 |
MARY |
57 |
21 |
3 |
6 |
JOSEPH |
73 |
37 |
1 |
11 |
JESUS CHRIST |
151 |
70 |
7 |
4 |
MARY |
57 |
21 |
3 |
|
- |
|
|
|
1+1 |
- |
2+8+1 |
1+2+8 |
1+1 |
|
- |
|
|
|
|
- |
1+1 |
1+1 |
- |
|
- |
|
|
|
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
C |
= |
3 |
- |
6 |
CHRIST |
77 |
41 |
5 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
8 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+6 |
- |
2+0+7 |
9+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
6 |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
SEVENS EVENS SEVEN
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
THE MAGIC MOUNTAIN
Thomas Mann
1875 1955
MOUNTING MISGIVINGS
Page 147 Quoted in full
"other he mentally summoned up various people, the thought of whom might serve him as some sort of mental support.
There was the good, the upright Joachim, firm as a rock-yet whose eyes in these past months had come to hold such a tragic Shadow, and who had never used to shrug his shoulders, as he did so often now. Joachim, with the "Blue Peter" in his pocket, as Frau Stohr called the receptacle. When Hans Castorp thought of her hard, crabbed face it made him shiver. Yes, there was Joa-chim - who kept constandy at Hofrat Behrens to let him get away and go down to the longed-for service in the " plain "- the " flat-land," as the healthy, normal world was called up here, with a faint yet perceptible nuance of contempt. Joachim served the cure single-mindedly, to the end that he might arrive sooner at his goal and save some of the time which "those up here " so wantonly flung away; served it unquestioningly for the sake of speedy re-covery - but also, Hans Castorp detected, for the sake of the cure'
itself, which, after all, was a service, like another; and was not duty duty, wherever performed? Joachim invatiably went upstairs after only a quarter-hour in the drawing-rooms; and this military precision of his was a crop to the civilian laxity of his cousin, who would otherwise be likely to loiter unprofitably below, with his eye on the company in the small salon. But Hans Castorp was convinced there was another and private reason why Joachim with-drew so early; he had known it since the time he saw his cousin's face take on the mottleled pallor, and his mouth assume the pathetic twist. He perfectly understood. For Marusja was almost always there in the evening -laughter-loving Marusja, with the little ruby on her charming hand, the handkerchief with the orange scent, and the swelling bosom, tainted within - Hans Castorp com-prehended that it. was her presence which drove Joachim away, precisely because it so strongly, so fearfully drew him toward her.
Was Joachim too "immured " - and even worse off than him-self, in that, he had five times a day to sit at the same table with Marusja and her orange-scented handkerchief? However that might be, it was clear that Joachim was preoccupied with his own troubles; the thought of him could afford his cousin no mental support. That he took refuge in daily flight was a credit to him; but that he had to flee was anything but reassuring to Hans Castorp, who even began to feel that Joachim's good example of faithful service of the cure and the initiation which he owed to his cousin's experience might have also their bad side.
Hans Castorp had not been up here three weeks. But it seemed longer; and the daily routine which Joachim so piously observed"
SEVEN LETTERED NAMES
Page 147
Page 147 containing seven lettered names of characters
Page 147 Penguin edition 1979 contains 43 lines
Joachim occurs x 10
Joachim's occurs x1
J |
= |
1 |
|
JOACHIM |
7 |
occurs |
x |
|
= |
|
7+7 |
|
1+4 |
|
B |
= |
2 |
|
BEHRENS |
7 |
occurs |
x |
|
= |
|
|
|
= |
|
C |
= |
3 |
|
CASTORP |
7 |
occurs |
x |
6 |
= |
42 |
4+2 |
6 |
= |
6 |
M |
= |
4 |
|
MARUSJA |
7 |
occurs |
x |
3 |
= |
21 |
2+1 |
|
= |
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1+0 |
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2+8 |
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2+1 |
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1+4+7 |
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2+1 |
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2+1 |
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1+0 |
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1+0 |
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1+2 |
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|
147
21 x 7 = 147 = 7 x 21
147
J |
= |
1 |
|
7 |
JOACHIM |
59 |
32 |
5 |
B |
= |
2 |
|
7 |
BEHRENS |
71 |
35 |
8 |
C |
= |
3 |
|
7 |
CASTORP |
92 |
29 |
2 |
M |
= |
4 |
|
7 |
MARUSJA |
83 |
20 |
2 |
|
|
|
|
28 |
|
305 |
116 |
17 |
|
|
1+0 |
|
2+8 |
|
3+0+5 |
1+1+6 |
1+7 |
|
|
|
|
10 |
|
8 |
8 |
8 |
|
|
1+0 |
|
1+0 |
|
- |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
8 |
305 + 1 = 306
JOACHIM'S
APOSTROPHE'S
?
THE MAGIC MOUNTAIN
Thomas Mann
1875 1955
FOREWORD
"THE STORY of Hans Castorp, which we would here set forth, ..."
We shall tell it at length, thoroughly, in detail-for when did a narrative seem too long or too short by reason of the actual time or space it took up? We do not fear being called meticulous, in-clining as we do to the view that only the exhaustive can be truly interesting.
Not all in a minute, then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!
And now we begin"
THE MAGIC MOUNTAIN
Thomas Mann
1875 1955
Page 711
"These were the moments when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass, before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment -not of his own motion; he was fain to confess, but by the operation of exterior powers' of whose activities his own liberation was a minor incident Indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would Life receive again her erring and "delicate" child-not by a cheap and easy slipping back to her arms, but sternly, solemnly, penentially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank on his knees, raising face and hands to a heaven that howsoever dark and sulphurous was no longer the gloomy grotto of his state of sin."
THE MAGIC MOUNTAIN
Thomas Mann 1824-1955
HIGHLY QUESTIONABLE
Page 659
" It was learned, further, that from her childhood up Ellen had had visions, though at widely separated intervals of time; visions, visible and invisible. What sort of thing were they, now - invisible visions? Well, for example: when she was a girl of sixteen, she had been sitting one day alone in the living-room of her parents' house, sewing at a round table, with her father's dog Freia lying near her on the carpet. The table was covered with a Turkish shawl, of the kind old women wear three-cornered across their shoulders. It covered the table diagonally, with the corners somewhat hanging over. Suddenly Ellen had seen the corner nearest her roll slowly up. Soundlessly, carefully, and evenly it turned itself up, a good distance toward the centre of the table, so that the resultant roll was rather long; and while this was happening, the dog Freia started up wildly, bracing her forefeet, the hair rising on her body. She had stood on her hind legs, then run howling into the next room and taken refuge under a sofa. For a whole year thereafter she could not be persuaded to set foot in the living-room.
Was it Holger, Friiulein Kleefeld asked, who had rolled up the cloth? Little Brand did not know. And what had she thought about the affair? But since it was absolutely impossible to think anything about it, little Elly had thought nothing at all. Had she told her parents? No. That was odd. Though so sure she had thought nothing about it, Elly had had a distinct impression, in this and similar cases, that she must keep it to herself, make a profound and shamefaced secret of it. Had she taken it much to heart? No, not particularly. What was there about the rolling up of a cloth to take to heart? But other things she had - for example, the following:
A year before, in her parent's house at Odense, she had risen, as was her custom, in the cool of the early morning and left her room on the ground-floor, to go up to the breakfast-room, in order to brew the moming coffee before her parents rose. She had almost reached the landing, where the stairs turned, when she saw standing there close by the steps her elder sister Sophie, who had married and gone to America to live. There she was, her physical presence, in a white gown, with, curiously enough, a garland of moist water-lilies on her head, her hands folded against one shoulder, and nodded to her sister. Ellen, rooted to the spot, half joyful, half terrified, cried out: "Oh, Sophie, is that you? " Sophie had nodded once again, and dissolved. She became gradually transparent, soon she was only visible as an ascending current of warm air, then not visible at all. so that Ellen's
/ Page 660 /
path was clear. Later, it transpired that Sister Sophie had died of heart trouble in New Jersey, at that very hour.
Hans Castorp, when Fraulein Kleefeld related this to him, expressed the view that there was some sort of sense in it: the apparition here, the death there - after all, they did hang together. And he consented to be present at a spiritualistic sitting, a table-tipping, glass-moving game which they had determined to undertake with Ellen Brand, behind Dr. Krokowski's back, and in defiance of his jealous prohibition.
A small and select group assembled for the purpose, their theatre being Fraulein Kleefeld's room. Besides the hostess, Fraulein Brand, and Hans Castorp, there were only Frau Stohr, Fraulein Levi, Herr Albin, the Czech Wenzel, and Dr. Ting-Fu. In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the appartus Hermine had provided, consisting of a mediumsized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink. Friiulein Kleefeld served tea, which was gracefully received, as Frau Stohr and Fraulein Levi, despite the harmlessness of the undertaking, complained of cold feet and palpitations. Cheered by the tea, they took their places about the table, in the rosy twilight dispensed by the pink-shaded tablelamp, as Fraulein Kleefeld, in concession to the mood of the gathering, had put out the ceiling light; and each of them laid a finger of his right hand lightly on the foot of the wineglass. This was the prescribed technique. They waited for the glass to move.
That should happen with ease. The top of the table was smooth, the rim of the grass well ground, the pressure of the tremulous fingers, however lightly laid on, certainly unequal, some of it being exerted vertically, some rather sidewise, and probably in sufficient strength to cause the glass finally to move from its position in the centre of the table. On the periphery of its field it would come in contact with the marked counters; and if the letters on these, when put together, made words that conveyed any sort of sense, the resultant phenomenon would be complex and contaminate, a mixed product of conscious, half-conscious,
and unconscious elements; the actual desire and pressure of some, to whom the wish was father to the act, whether or not they were aware of what they did; and the secret acquiescence of some dark
stratum in the soul of the generality, a common if subterranean effort toward seemingly strange experiences, in which the sup / Page 661 /
pressed self of the individual was more or less involved, most strongly, of course, that of little Elly. This they all knew beforehand - Hans Castorp even blurted out something of the sort, after his fashion, as they sat and waited. The ladies' palpitation and cold extremities, the forced hilarity of the men, arose from their knowledge that they were come together in the night to embark on an unclean traffic with their own natures, a fearsome prying into unfamiliar regions of themselves, and that they were awaiting the appearance of those illusory or half-realities which we call magic. It was almost entirely for form's sake, and came about quite conventionally, that they asked the spirits of the departed to speak to them through the movement of the glass. Herr Albin offered to be spokesman and deal with such spirits as manifested themselves - he had already had a little experience at seances.
Twenty minutes or more went by. The whisperings had run dry, the first tension relaxed. They supported their right arms at the elbow with their left hands. The Czech Wenzel was almost dropping off. Ellen Brand rested her finger lightly on the glass and directed her pure, childlike gaze away into the rosy light from the table-lamp.
Suddenly the glass tipped, knocked, and ran away from under their hands. They had difficulty in keeping their fingers on it. It pushed over to the very edge of the table, ran along it for a space, then slanted back nearly to the middle; tapped again, and remained quiet.
They were all startled; favourably, yet with some alarm. Frau Stohr whimpered that she would like to stop, but they told her she should have thought of that before, she must just keep quiet now. Things seemed in train. They stipulated that, in order to answer yes or no, the glass need not run to the letters, but might give one or two knocks instead.
"Is there an Intelligence present? " Herr Albin asked, severely
directing his gaze over their heads into vacancy. Ater some hesitation, the glass tipped and said yes.
" What is your name? " Herr Albin asked, almost gruffly, and emphasized his energetic speech by shaking his head.
The glass pushed off. It ran with resolution from one point to another, executing a zigzag by returning each time a little distance toward the centre of the table. It visited H, O, and L, then seemed exhausted; but pulled itself together again and sought out the G, and E, and the R. Just as they thought. It was Holger in person, the spirit Holger, who understood such matters as the / Page 661 /
pinch of salt and that, but knew better than to mix into lessons at school. He was there, floating in the air, above the heads of the little circle. What should they do with him? A certain diffidence possessed them; they took counsel behind their hands, what they were to ask him. Herr Albin decided to question him about his position and occupation in life, and did so, as before, severely, with frowning brows; as though he were a cross-examining counsel.
The glass was silent awhile. Then it staggered over to the P, zigzagged and returned to O. Great suspense. Dr. Ting-Fu giggled and said Holger must be a poet. Frau Stohr began to laugh hysterically; which the glass appeared to resent, for after indicating the E it stuck and went no further. However, it seemed fairly clear that Dr. Ting-Fu was right.
What the deuce, so Holger was a poet? The glass revived, and superfluously, in apparent pridefulness, rapped yes. A lyric poet, Fraulein Kleefeld asked? She said lyric, as Hans Castorp involuntarily noted. Holger was disinclined to specify. He gave no new answer, merely spelled out again, this time quickly and unhesitatingly, the word poet, adding the T he had left off before.
Good, then, a poet. The constraint increased. It was a constraint that in reality had to do with manifestations on the part of uncharted regions of their own inner, their subjective selves, but which, because of the illusory, half-actual conditions of these manifestations, referred itself to the objective and external. Did Holger feel at home, and content, in his present state? Dreamily, the glass spelled out the word tranquil. Ah, tranquil It was not a word one would have hit upon oneself, but after the glass spelled it out, they found it well chosen and probable. And how long had Holger been in this tranquil state? The answer to this was again something one would never have thought of, and dreamily answered; it was "A hastening while." Very good. As a piece of ventriloquistic poesy from the Beyond, Hans Castorp, in particular, found it capital. A "hastening while" was the time-element Holger lived in: and of course he had to answer as it were in parables, having very likely forgotten how to use earthly terminofogy and standards of exact measurement. Fraulein Levi confessed her curiosity to know how he looked, or had looked, more or less. Had he been a handsome youth? Here Albin said she might ask him herself, he found the request beneath his dignity. So she asked if the spirit had fair hair.
"Beautiful, brown, brown curls," the glass responded, deliberately spelling out the word brown twice. There was much merri / Page 663 / ment over this. The ladies said they were in love with him. They kissed their hands at the ceiling. Dr. Ting-Fu, giggling, said Mister Holger must be rather vain.
Ah, what a fury the glass fell into! It ran like mad about the table, quite at random, rocked with rage, fell over and rolled into Frau Stohr's lap, who stretched out her anns and looked down at it pallid with fear. They apologetically conveyed it back to its station, and rebuked the Chinaman. How had he dared to say such a thing - did he see what his indiscretion had led to? Suppose Holger was up and off in his wrath, and refused to say another word!
They addressed themselves to the glass with the extreme of courtesy. Would Holger not make up some poetry for them? He had said he was a poet, before he went to hover in the hastening while. Ah, how they all yearned to hear him versify! They would love it so!
And lo, the good glass yielded and said yes! Truly there was something placable and good-humoured about the way it tapped. And then Holger the spirit began to poetize, and kept it up, copiously, circumstantially, without pausing for thought, for dear knows how long. It seemed impossible to stop him. And what a surprising poem it was, this ventriloquistic effort, delivered to the admiration of the circle - stuff of magic, and shoreless as the sea of which it largely dealt. Sea-wrack in heaps and bands along the narrow strand of the broad-flung bay; an islanded coast, girt by steep, cllify dunes. Ah, see the dim green distance faint and die into eternity, while beneath broad veils of mist in dull cannine and milky radiance the sununer sun delays to sink! No word can utter how and when the watery mirror turned from silver into untold changeful colour-play, to bright or pale, to spreading, opaline and moonstone gleams - or how, mysteriously as it came, the voiceless magic died away. The sea slumbered. Yet the last traces of the sunset linger above and beyond. Until deep in the night it has not grown dark: a ghostly twilight reigns in the pine forests on the downs, bleaching the sand until it looks like snow- A simulated winter forest all in silence, save where an owl wings rustling flight. Let us stray here at this hour - so soft the sand beneath our tread, so sublime, so mild the night! Far beneath us the sea respires slowly, and murmurs a long whispering in its dream. Does it crave thee to see it again? Step forth to the sallow, glacierlike cliffs of the dunes, and climb quite up into the softness, that runs coolly into thy shoes. The land falls harsh and bushy steeply down to the pebbly shore,
and still the last parting remnants of the day haunt the edge of the
vanishing sky. Lie down here in the sand! How cool as death it is, /
Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty little mound beside thee. Dost thou recognize it, this tiny flowing? It is the soundless, tiny stream through the hour-glass, that solemn, fragile toy that adorns the hermit's hut. An open book, a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here, as time, its troubling, solemn, mysterious essence. . . .
Thus Holger the spirit and his lyric improvisation, ranging with weird flights of thought from the familiar sea-shore to the cell of a hermit and the tools of his mystic contemplation. And there waf more; more, human and divine, involved in daring and dreamlike terminology - over which the members of the little circle puzzled endlessly as they spelled it out; scarcely finding time for hurried though rapturous applause, so swiftly did the glass zigzag back and forth, so swiftly the words roll on and on. There was no distant prospect of a period, even at the end of an hour. The glass improvised inexhaustibly of the pangs of birth and the first kiss of lovers; the crown of sorrows, the fatherly goodness of God; plunged into the mysteries of creation, lost itself in other times and lands, in interstellar space; even mentioned the Chaldeans and the zodiac; and would "most, certainly have gone on all night, if the conspirators had not finally taken their fingers from the glass, and expressing their gratitude to Holger, told him that must suffice them for the time, it had been wonderful beyond their wildest dreams, it was an everlasting pity there had been no one at hand to take it down, for now it must inevitably be forgotten, yes, alas, they had already forgotten most of it, thanks to its quality, which made it hard to retain, as dreams are. Next time they must appoint an amanuensis to take it down, and see how it would look
m black and white, and read connectedly. For the moment, however, and before Holger withdrew to the tranquillity of his hastening while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability?
The answer was yes. But now they discovered a great perplexity - what should they ask? It was as in the fairy-story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world, much of the future, that seemed worth knowing, yet it was so difficult to choose. At length, as no one else seemed able
to settle, Hans Castorp, with his finger on the glass, supporting his cheek on his fist, said he would like to know what was to be / Page 665 /
the actual length of his stay up here, instead of the three weeks originally fixed.
Very well, since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated, then pushed off. It spelled out something very queer, which none of them succeeded In fathoming, it made the word, or the syllable Go, and then the word Slanting and then something about Hans Castorp's room. The whole seemed to be a direction to go slanting through Hans Castorp's room, that was to say, through number thirty-four. What was the sense of that? As they sat puzzling and shaking their heads, suddenly there came the heavy thump of a fist on the door."
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
IR |
27 |
18 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OUR |
54 |
18 |
|
10 |
|
160 |
61 |
34 |
1+0 |
|
1+6+0 |
6+1 |
3+4 |
1 |
|
7 |
7 |
7 |
"The whole seemed to be a direction to go slanting through Hans Castorp's room, that was to say, through number thirty-four.
What was the sense of that?"
3+4 = 7 = 3+4
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
IR |
27 |
18 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OUR |
54 |
18 |
|
10 |
|
160 |
61 |
34 |
1+0 |
|
1+6+0 |
6+1 |
3+4 |
1 |
|
7 |
7 |
7 |
- |
THIRTY FOUR |
- |
- |
- |
|
T |
20 |
2 |
|
|
H |
8 |
8 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
T |
20 |
2 |
|
|
Y |
25 |
7 |
|
|
F |
6 |
6 |
|
|
O |
15 |
6 |
|
|
U |
21 |
3 |
|
|
R |
18 |
9 |
|
10 |
THIRTY FOUR |
160 |
61 |
61 |
1+0 |
|
1+6+0 |
6+1 |
6+1 |
1 |
THIRTY FOUR |
7 |
7 |
7 |
- |
THIRTY FOUR |
- |
- |
- |
|
TH |
28 |
10 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OU |
36 |
24 |
|
|
R |
18 |
9 |
|
10 |
THIRTY FOUR |
160 |
61 |
43 |
1+0 |
|
1+6+0 |
6+1 |
4+3 |
1 |
THIRTY FOUR |
7 |
7 |
7 |
|
THIRTY FOUR |
|
|
|
|
THIRTY |
100 |
37 |
|
|
FOUR |
60 |
24 |
|
10 |
THIRTY FOUR |
160 |
61 |
9 |
1+0 |
|
1+6+0 |
6+1 |
- |
1 |
THIRTY FOUR |
7 |
7 |
7 |
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Number 34
Page 95
"Room 34"
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
IR |
27 |
18 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OUR |
54 |
18 |
|
10 |
|
160 |
61 |
34 |
1+0 |
|
1+6+0 |
6+1 |
3+4 |
1 |
|
7 |
7 |
7 |
10 |
|
|
|
|
- |
TH |
28 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
T+Y |
45 |
9 |
9 |
- |
F |
6 |
6 |
6 |
- |
O+U |
36 |
9 |
9 |
- |
R |
18 |
18 |
9 |
10 |
|
160 |
70 |
52 |
1+0 |
|
1+6+0 |
7+0 |
5+2 |
1 |
|
7 |
7 |
7 |
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Chapter 1
"Number 34"
"But come and see your room now"
"What a nice room! I can spend a couple of weeks here with pleasure."
Page 663
"Lie down here in the sand! How cool as death it is, / Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty mound beside thee. Dost thou recognize it, this tiny flowing? It is the soundless, tiny stream through the hour glass, that solemn, fragile toy that adorns the hermit's hut. An open book a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here, as time, its troubling, solemn mysterious essence. . ."
"For the moment, how-ever, and before Holger withdrew to the tranquillity of his hastening while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability?
The answer was yes. But now they discovered a great perplexity - what should they ask? It was as in the fairy story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world, much of the future, that seemed worth knowing, yet it was difficult to choose. At length, as no one else seemed able to settle, Hans Castorp, with his finger on the glass supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed.
Very well, since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated, then pushed off. It spelled out something very queer which none of them succeeded in fathoming, it made the word, or the syllable Go, and then the word Slanting and then something about Hans Castorp's room, that was to say, through number thirty-four.What was the sense of that."
ROOM = 7 = ROOM
- |
|
- |
- |
- |
|
|
18 |
9 |
|
|
O |
15 |
6 |
|
|
O |
15 |
6 |
|
|
M |
13 |
4 |
|
|
|
|
|
|
- |
- |
6+1 |
2+5 |
2+5 |
|
|
|
|
|
NUMBER THIRTY- FOUR
"WHAT WAS THE SENSE OF THAT"
?
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
IR |
27 |
18 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OUR |
54 |
18 |
|
10 |
|
160 |
61 |
34 |
1+0 |
|
1+6+0 |
6+1 |
3+4 |
1 |
|
7 |
7 |
7 |
- |
|
- |
- |
- |
|
THIRTY |
100 |
37 |
|
|
FOUR |
60 |
24 |
|
10 |
|
160 |
61 |
9 |
1+0 |
|
1+6+0 |
6+1 |
- |
1 |
|
7 |
7 |
7 |
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OU |
36 |
24 |
|
|
R |
18 |
9 |
|
10 |
|
160 |
61 |
43 |
1+0 |
|
1+6+0 |
6+1 |
4+3 |
1 |
|
7 |
7 |
7 |
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
F |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6+0 |
6+1 |
3+4 |
|
|
|
|
|
THE MAGIC MOUNTAIN
Thomas Mann 1924
Penguin Modern Classics
The cover of this edition shows a detail from 'Dent du Midi' by Oskar Kokoschka.
There are seven chapters contained in the story of The Magic Mountain.
Forward. Page XII. Counting from the front cover to the back. On the seventh page the following quote.
"Not all in a minute then, will the narrator be finished with the story of our Hans.
The seven days of a week will not suffice, no, nor seven months either.
Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell.
Heaven forbid it should be seven years!"
JOSEPH AND HIS BROTHERS
THE TALES OF JACOB
Thomas Mann 1933
Page 174
OF THE LONG WAITING
"...This man had said to that man: Give me thy daughter to wife, and the other man had answered: What wilt thou give for her? And the other man had had nothing. Then the above mentioned man had said: Seeing that thou canst pay no dowry nor any presents to hang at the bride's girdle at the betrothal, thou shalt serve me for as many years as the week hath days."
"...Then said the other man: So be it. In the name of the king, so be it. Each side took one of the contracts."
"...The agreement was sensible, the judge found it fair, and from the business side, Jacob himself had not much to complain of. If he owed his uncle a mina of silver at sixty shekels, seven years' labour would not suffice to pay the debt, for the average wage for a labourer was seven shekels a year, and seven of them would not make up the sum. He felt profoundly that the economic point of view was a very deceptive one; that if there were a just scale, a God's scale, as it were, the side with the seven years would have made the side with the / Page 175 / shekels fly up into the air. But after all, he would spend these years in Rachel's company and thus love's sacrifice would be mingled with much joy."
Page 175
"...Seven years! Seven years they must wait for each other."
"...As for the seven years, they were even now in the process of being lived down."
"...Jacob suppressed the thought in his mind. This he did and so too should the narrator, and not imagine that he can pass over and obliterate the time with a little sentence like "Seven years went by." It is the story-tellers way to say things like that."
"...And even pass as though they had been seven days. For such is the tradition: that the seven years before which Jacob had at first quailed with fear, passed by like days."
"...What we have here is certainly no "seven-sleeper" enchantment, nor, indeed, any other kind, save that of time itself, whose larger units pass as do the smaller ones, neither slow nor fast, but simply pass."
Page 176
"...Jacob did not say that seven years went as fast as days"
"...Thus it was Jacob said that seven years, to him, like days."
"...Seven days may under some circumstances be harder to swallow, a more daring adventure in time than seven years."
"...And if we look back, lo, the point where we stepped in is "far back" it is, for instance seven years away, years that have passed like days."
"...No one says that Jacob undertook and entered upon his seven years with joy, for only after they had passed might he beget children with Rachel."
"...And thus seven years to him, while not so little as seven years in the sight of God, were yet not nearly so much to him as to one who should live but fifty or sixty years."
Page 176 / 7
"...Pure waiting is torture; no one could bear to sit seven years, or seven days."
JOSEPH AND HIS BROTHERS
THE TALES OF JACOB
Thomas Mann 1933
Page 980
THE TIME OF ENFRANCHISEMENT
SEVEN OR FIVE
"...What would have become of us, for instance when Jacob was serving with the Devil Laban, seven and thirteen and five - in short, twenty-five years."
"...And what would become of us now without that reasonable principle, when our little bark, driven by the measuredly moving stream of narration, hovers again on the brink of a time-cataract of seven and seven prophesied years? Well, to begin with, and just amongst ourselves: in these fourteen years things were neither quite so definitely good nor so definitely bad as the prophecy would have them."
"...For the sake of the prophecy they are willing to agree that two and two make five - if the phrase may be used in a context where not five but an even higher odd number, namely seven, is in question. Probably this would constitute no great difficulty, five being almost as respectable a number as seven; and surely no reasonable man would insist that five instead of seven could constitute and inexactitude. In fact and in reality the prophesied seven looked rather more like five."
"...Among the fat ones were one or two which might have been described as certainly not lean, but to a critical eye as certainly no more than very moderately fat. The lean ones were all lean enough, at least five of them, if not seven;"
THE
SO EVEN SEVEN IS
EVENS SEVEN
SEVEN EVENS
Hebdomad
From Wikipedia, the free encyclopedia
Hebdomad (Ancient Greek: ἑβδομάς) may refer to:
On Hebdomads, a work of the Hippocratic Corpus
Hebdomad, a term used by Neoplatonist philosophers such as Iamblichus and Proclus in reference to the intellect
The Hebdomad, the seven world-creating archons in most Gnostic systems: see Archon (Gnosticism)#Hebdomad
On Hebdomads (De hebdomadibus), a work of the Neoplatonist Boethius commented upon by Thomas Aquinas, in which the hebdomads are common mental conceptions or axioms
The Celestial Hebdomad, the archons who make up the ruling council of Mount Celestia in Dungeons & Dragons
Hebdomad - definition of hebdomad by The Free Dictionary
www.thefreedictionary.com/hebdomad
[Latin hebdomas, hebdomad-, the number seven, from Greek, from hebdomos, seventh, from hepta, seven; see septm̥ in Indo-European roots.] American ...
hebdomad - Wiktionary
https://en.wiktionary.org/wiki/hebdomad
Noun[edit]. hebdomad (plural hebdomads). A group of seven. A period of seven days, a week. (Gnosticism) A group of seven superhuman beings.
- |
|
- |
- |
- |
|
HEBDO |
34 |
25 |
|
|
|
|
|
|
|
HEBDOMAD |
|
|
|
- |
|
5+2 |
3+4 |
1+6 |
|
HEBDOMAD |
|
|
|
- |
HEBDOMAD |
- |
- |
- |
|
H |
8 |
8 |
|
|
E+B |
7 |
7 |
|
- |
D+O |
19 |
10 |
|
|
M+A+D |
18 |
9 |
|
8 |
HEBDOMAD |
52 |
34 |
25 |
- |
- |
5+2 |
3+4 |
2+5 |
8 |
HEBDOMAD |
7 |
7 |
7 |
hebdomad - Wiktionary
https://en.wiktionary.org/wiki/hebdomad
Noun[edit]. hebdomad (plural hebdomads). A group of seven. A period of seven days, a week. (Gnosticism) A group of seven superhuman beings.
8 |
HEBDOMAD |
52 |
34 |
16 |
- |
- |
|
- |
|
- |
- |
|
- |
|
- |
HEBDOMAD |
|
- |
|
5 |
HEBDO |
34 |
25 |
7 |
3 |
MAD |
18 |
9 |
9 |
8 |
HEBDOMAD |
52 |
34 |
16 |
- |
- |
5+2 |
3+4 |
1+6 |
8 |
- |
7 |
7 |
7 |
- |
- |
|
- |
|
- |
- |
|
- |
|
5 |
EARTH |
52 |
25 |
7 |
5 |
HEART |
52 |
25 |
7 |
5 |
THERA |
52 |
25 |
7 |
5 |
TERAH |
52 |
25 |
7 |
O |
= |
6 |
- |
7 |
OPENING |
80 |
44 |
8 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
7 |
SEVENTH |
93 |
30 |
3 |
S |
= |
1 |
- |
4 |
SEAL |
37 |
10 |
1 |
- |
- |
10 |
- |
21 |
First Total |
|
|
|
- |
- |
1+0 |
- |
2+1 |
Add to Reduce |
2+4+3 |
9+9 |
1+8 |
- |
- |
1 |
- |
3 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
1 |
5 |
|
Essence of Number |
|
|
|
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Number 34
Page 95
"Room 34"
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Chapter 1
"Number 34"
"But come and see your room now"
"What a nice room! I can spend a couple of weeks here with pleasure."
Page 663
"Lie down here in the sand! How cool as death it is, / Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty mound beside thee. Dost thou recognize it, this tiny flowing? It is the soundless, tiny stream through the hour glass, that solemn, fragile toy that adorns the hermit's hut. An open book a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here, as time, its troubling, solemn mysterious essence. . ."
"For the moment, how-ever, and before Holger withdrew to the tranquillity of his hastening while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability?
The answer was yes. But now they discovered a great perplexity - what should they ask? It was as in the fairy story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world, much of the future, that seemed worth knowing, yet it was difficult to choose. At length, as no one else seemed able to settle, Hans Castorp, with his finger on the glass supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed.
Very well, since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated, then pushed off. It spelled out something very queer which none of them succeeded in fathoming, it made the word, or the syllable Go, and then the word Slanting and then something about Hans Castorp's room, that was to say, through number thirty-four.What was the sense of that."
ROOM = 7 = ROOM
NUMBER THIRTY- FOUR
"WHAT WAS THE SENSE OF THAT"
?
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
IR |
27 |
18 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OUR |
54 |
18 |
|
10 |
|
160 |
61 |
34 |
1+0 |
|
1+6+0 |
6+1 |
3+4 |
1 |
|
7 |
7 |
7 |
EARTH = 7 = 7 EARTH
DAILY MAIL
Friday, July 6, 2007
Colin Wilson
Page 15
ALL THE SEVENS
Just why is tomorrow's date (7-7-07 said to be so special ?
OR THOSE of the marrying disposition, tomorrow is the most auspicious day to wed for decades. Gamblers should also find their luck is in.
Anyone with a birthday can hope to be kissed by good chance. And the rest of us? Well, fortune should be smiling on us too.
The reason for all this bounty lies in the fact that tomorrow, Saturday, happens to fall on the seventh day of the seventh month of the seventh year of the millennium.
Throughout history, seven has been regarded as a perfect number. So what date could be more special than 7/07/07 - except perhaps the seventh of July 1977?
Modern man long ago forgot why seven has always been so blessed. But he still evokes that ancient knowledge when he uses the phrase 'being in the seventh heaven'. The number seven runs throughout world mythology, magic and religion and symbolises completeness and perfection.
There are seven seas, seven virtues, Seven Wonders of the World. seven colours of the rainbow as well as repeated references in the Bible - the seven days of Creation, the seven deadly sins, and the blessing- of the seventh day which makes Sunday a day of rest.
Of course, July 7, 2005 is i remembered as one the most tragic events in recent British history - the London tube and bus bombings.
But it cannot be denied that the notion of seven being a special number goes way back beyond Biblical times, extending to our remotest ancestors. The proof lies in the group of stars known as the Pleiades, or seven Sisters.
The acclaimed British anthropologist Stan Gooch discovered that they are the only constellation named by every culture on Earth, past and present, and going back at least 40,000 years.
The Greek legend of the Pleiades says they are six maidens and their mother, who were pursued through the forest by Orion the Hunter, until
Zeus took pity on them and changed them into stars.
The Australian Aborigines call them the hunter Wurunna. The Wyoming Indians have the seven maidens pursued by a bear
And they also play an important part in the legends of the Aztecs, the Incas, the Polynesians, the Chinese, the Masai and the Kikuyu of Kenya, the Hindus and the ancient Egyptians. They are important to all these ancient peoples because they symbolise the number seven.
THE REASON is hinted at by the phrase 'the seventh heaven'. Since pre-history, witch doctors - or shamans - of
every society have held the same belief: that above our earthly level there are seven heavens, the uppermost of which is the home of spirits.
The shaman was a person chosen-by the spirits to act as the intermediary between their world and the Earth. Once chosen, he had to go through a horrifically cruel and harsh training.
He (or sometimes she) may have been starved to the point of death, or lain out in the cold until frozen. It was like a long illness, and if he recovered, he would have gained magical healing powers, and would often have to ascend to the seven heaven to consult the spirits.
It sounds like absurd superstition. Yet what makes this so extraordinary is that shamans all over the world, from the Arctic to the Amazon, from Siberia to Japan, have for eons held exactly the same beliefs, even when separated by thousands of miles of space or thousands of years in time.
The belief in seven heavens can be found all over the Near East, from India to Iran. It is echoed in the Koran, in Jewish religious belief, and in the ancient Mesopotamian priest climbing the seven steps of his ziggurat.
This is the root cause of the number seven being considered lucky - because throughout human history, mythology and
religion, the secret of good fortune /has involved the shamans passing through the concentric seven layers of heavens to progressively deeper forms of knowledge.
Shamans insist that attaining such knowledge demands that we learn to focus the mind.
And isn't it striking that things seem to go right when we focus on them - and wrong when we don't. How, by focusing our minds, we can make our own luck.
The playwright George Bernard Shaw expressed this the very same insight in Heartbreak House, when he makes the aged Captain Shotover explain that his basic aim in life has been to achieve the Seventh Degree of Concentration.
In my younger days-I will, by coincidence, be 77 next June - so I spent a great deal of time in trying to put Shotover's recommendation into practice.
I would try to hone my powers of of concentration by fixing on certain subjects and consciously to applying as much brain power
to them as I possibly could.
The trouble was that I never ac felt anything other than rather of furrow-browed - I could never ne succeed beyond a certain point th before I lost my focus. Then one at day I stumbled on the solution by accident.
On New Year's Day, 1979, I was trapped by snow in a remote Devon farmhouse where, as an author, I had gone to lecture to some extra-mural students.
After 24 hours we decided we 'had to try to escape. It so happened that my car was the only one that would climb the slope out of the farmyard.
After several hours' hard work with shovels, we finally made it up and onto a narrow country road. Although the snow had
been churned up by traffic, it was still treacherous. And in places where the snow lay untouched, it was hard to see where the road ended and the ditch began.
SO AS I began to make my way home, I was forced to drive with total, obsessive attention in case I ended up in aditch. It took two hours to reach the main Exeter road, where I was finally able to relax. Then I noticed a fascinating thing: that everything I looked at seemed curiously real and interesting.
The two hours of concentrated effort had somehow 'fixed' my consciousness in a higher state of awareness.
There was also a tremendous feeling of optimism, a conviction that most of our problems are due to vagueness, slackness, inattention, and that they are all perfectly easy to overcome with determined effort.
This state lasted throughout the rest of the drive home. Even now, merely thinking about the experience is enough to bring back the insight and renew the certainty.
What seemed to have happened was that total attention had allowed my level of consciousness to build up a pressure far beyond its normal level.
This, I saw, was the closest I had come to Shaw's seventh degree of concentration.
Afterwards, I tried many times to re-create it, initially without success. But before long, after practice, I found that I could achieve this heightened degree of concentration and conscious ness in just about one hour, and that, I could then maintain it for at least a further hour.
And now that I have learned the trick, I shall make sure I do it tomorrow. Just to make sure it's my lucky day.
S - EV - EN
1 - 9 - 1
S - EV - EN
3 |
ODDS |
42 |
16 |
7 |
3 |
AND |
19 |
10 |
1 |
5 |
EVENS |
65 |
20 |
2 |
|
Add to Reduce |
|
|
|
1+1 |
Reduce to Deduce |
1+2+6 |
4+5 |
- |
|
Essence of Number |
|
|
|
The number seven forms a widespread typological pattern within Hebrew scripture, including: Seven days of Creation, leading to the seventh day or Sabbath (Genesis 1) Seven-fold vengeance visited on upon Cain for the killing of Abel (Genesis 4:15) ... Seven days of the Passover feast (Exodus 13:3–10)
Symbolism of the number 7 - Wikipedia
en.wikipedia.org › wiki › Symbolism_of_the_number_7
As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. Pythagoras[edit]
The Pythagoreans invested particular numbers with unique spiritual properties. The number seven was considered to be particularly interesting because it consisted of the union of the physical (number 4) with the spiritual (number 3).[1] In Pythagorean numerology the number 7 means spirituality.
References from classical antiquity to the number seven include:
##Seven Classical planets and the derivative Seven Heavens
##Seven Wonders of the ancient world
##Seven metals of antiquity
##Seven days in the week
##Seven Seas
##Seven Sages
##Seven champions that fought Thebes
##Seven hills of Rome and Seven Kings of Rome
##Seven Sisters, the daughters of Atlas also known as the Pleiades
Judaism[edit]
Main article: Significance_of_numbers_in_Judaism
The number seven forms a widespread typological pattern within Hebrew scripture, including:
##Seven days of Creation, leading to the seventh day or Sabbath (Genesis 1)
##Seven-fold vengeance visited on upon Cain for the killing of Abel (Genesis 4:15)
##Seven pairs of every clean animal loaded onto the ark by Noah (Genesis 7:2)
##Seven years of plenty and seven years of famine in Pharaoh's dream (Genesis 41)
##Seventh son of Jacob, Gad, whose name means good luck (Genesis 46:16)
##Seven times bullock's blood is sprinkled before God (Leviticus 4:6)
##Seven nations God told the Israelites they would displace when they entered the land of Israel (Deuteronomy 7:1)
##Seven days of the Passover feast (Exodus 13:3–10)
##Seven-branched candelabrum or Menorah (Exodus 25)
##Seven trumpets played by seven priests for seven days to bring down the walls of Jericho (Joshua 6:8)
##Seven things that are detestable to God (Proverbs 6:16–19)
##Seven Pillars of the House of Wisdom (Proverbs 9:1)
##Seven archangels in the deuterocanonical Book of Tobit (12:15)
References to the number seven in Jewish knowledge and practice include:
##Seven divisions of the weekly readings or aliyah of the Torah
##Seven Jewish men (over the age of 13) called to read aliyahs in Shabbat morning services
##Seven blessings recited under the chuppah during a Jewish wedding ceremony
##Seven days of festive meals for a Jewish bride and groom after their wedding, known as Sheva Berachot or Seven Blessings
##Seven Ushpizzin prayers to the Jewish patriarchs at during the holiday of Sukkot
Christianity[edit]
Following the traditional of the Hebrew Bible, the New Testament likewise uses the number seven as part of a typological pattern:
##Seven loaves multiplied into seven basketfuls of surplus (Matthew 15:32–37)
##Seven demons were driven out of Mary Magdalene (Luke 8:2)
##Seven last sayings of Jesus on the cross
##Seven men of honest report, full of the Holy Ghost and wisdom (Acts 6:3)
##Seven Spirits of God, Seven Churches and Seven Seals in the Book of Revelation
References to the number seven in Christian knowledge and practice include:
##Seven Gifts of the Holy Spirit
##Seven Corporal Acts of Mercy and Seven Spiritual Acts of Mercy
##Seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride, and seven terraces of Mount Purgatory
##Seven Virtues: chastity, temperance, charity, diligence, kindness, patience, and humility
##Seven Joys and Seven Sorrows of the Virgin Mary
##Seven Sleepers of Christian myth
##Seven Sacraments in the Catholic Church (though some traditions assign a different number)
Islam[edit]
References to the number seven in Islamic knowledge and practice include:
##Seven ayat in surat al-Fatiha, the first book of the holy Qur'an
##Seven circumambulations of Muslim pilgrims around the Kaaba in Mecca during the Hajj and the Umrah
##Seven walks between Al-Safa and Al-Marwah performed Muslim pilgrims during the Hajj and the Umrah
##Seven doors to hell (for heaven the number of doors is eight)
##Seventh day naming ceremony held for babies
##Seven enunciators of divine revelation (na?iqs) according to the celebrated Fatimid Ismaili dignitary Nasir Khusraw[2]
Hinduism[edit]
References to the number seven in Hindu knowledge and practice include:
##Seven worlds in the universe and seven seas in the world in Hindu cosmology
##Seven sages or Saptarishi and their seven wives or Sapta Matrka in Hindu mythology
##Seven stars in a constellation called "Saptharishi Mandalam" in Indian astronomy
##Seven promises, or Saptapadi, and seven circumambulations around a fire at Hindu weddings
##Seven virgin goddesses or Saptha Kannimar worshipped in temples in Tamil Nadu, India[3][4]
##Seven hills at Tirumala known as Yedu Kondalavadu in Telugu, or ezhu malaiyan in Tamil, meaning "Sevenhills God"
##Seven octets or Saptak Swaras in Indian Music as the basis for Ragas compositions
Eastern tradition[edit]
Other references to the number seven in Eastern traditions include:
##Seven steps taken by the Buddha at birth
##Seven Chakras in eastern philosophy
The Seven Lucky Gods in Japanese mythology##Seven Lucky Gods or gods of good fortune in Japanese mythology
##Seven-Branched Sword in Japanese mythology
##Seven Sages of the Bamboo Grove in China
##Seven minor symbols of yang in Taoist yin-yang
##Seven divine ancestresses of humankind in Khasi mythology
##Seven Social Sins listed by Mahatma Gandhi
Other references[edit]
Other references to the number seven in traditions from around the world include:
##Seven palms in an Egyptian Sacred Cubit
##Seven ranks in Mithraism
##Seven hills of Istanbul
##Seven islands of Atlantis
##Seven Cherokee clans
##Seven lives of cats in Iran and German and Romance language-speaking cultures[5]
##Seven fingers on each hand, seven toes on each foot and seven pupils in each eye of the Irish epic hero Cúchulainn
##Seventh sons will be werewolves in Galician folklore, or the son of a woman and a werewolf in other European folklores
##Seventh sons of a seventh son will be magicians with special powers of healing and clairvoyance in some culutures, or vampires in others
##Seven prominent legendary monsters in Guaraní mythology
##Seven gateways traversed by Inanna during her descent into the underworld
##Seven Wise Masters, a cycle of medieval stories
##Seven legendary Cities of Gold, such as Cibola, that the Spanish thought existed in South America
##Seven years spent by Thomas the Rhymer in the faerie kingdom in the eponymous British folk tale
##Seven-year cycle in which the Queen of the Fairies pays a tithe to Hell (or possibly Hel) in the tale of Tam Lin
##Circle Seven Koran, the holy scripture of the Moorish Science Temple of America
##Seven Valleys, a text by the Prophet-Founder Bahá'u'lláh in the Bahá'í faith
##Seven superuniverses in the cosmology of Urantia[6]
##Seven psychological types called the Seven Rays in the teachings of Alice A. Bailey
Other concepts[edit]
##Seven continents
##Seven colors in the rainbow
##Seven liberal arts
##Seven notes in the diatonic scale
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5 |
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18 |
18 |
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2 |
|
35 |
8 |
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3 |
|
25 |
7 |
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4 |
|
5 |
|
76 |
22 |
|
|
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|
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|
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|
|
4 |
|
48 |
21 |
|
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|
|
6 |
|
55 |
28 |
|
|
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|
|
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|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
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|
|
9 |
|
|
|
|
10 |
|
133 |
61 |
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10 |
|
121 |
49 |
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9 |
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2 |
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23 |
14 |
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|
1 |
|
9 |
|
65 |
29 |
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|
First Total |
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|
|
3+5 |
|
5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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|
|
1+4 |
|
1+8 |
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Second Total |
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|
|
|
1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
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|
Essence of Number |
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TO BE OR NOT TO BE THAT IS THE QUESTION
TO BE OR NOT TO BE IS THAT THE QUESTION
5 |
SEVEN |
65 |
- |
29 |
- |
2 |
9 |
SEVENTEEN |
109 |
- |
46 |
- |
1 |
7 |
SEVENTY |
110 |
- |
38 |
- |
2 |
10 |
SEVENTYONE |
144 |
- |
54 |
- |
9 |
10 |
SEVENTYTWO |
168 |
- |
51 |
- |
6 |
12 |
SEVENTYTHREE |
166 |
- |
67 |
- |
4 |
11 |
SEVENTYFOUR |
170 |
- |
62 |
- |
8 |
11 |
SEVENTYFIVE |
152 |
- |
62 |
- |
8 |
10 |
SEVENTYSIX |
162 |
- |
63 |
- |
9 |
12 |
SEVENTYSEVEN |
175 |
- |
67 |
- |
4 |
12 |
SEVENTYEIGHT |
159 |
- |
69 |
- |
6 |
11 |
SEVENTYNINE |
152 |
- |
62 |
- |
8 |
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE
SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE
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1 |
1 |
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19 |
10 |
|
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2 |
1 |
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5 |
5 |
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3 |
1 |
|
22 |
4 |
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|
4 |
1 |
|
5 |
5 |
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|
5 |
1 |
|
14 |
5 |
|
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|
20 |
|
5 |
|
65 |
29 |
20 |
2 |
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6 |
1 |
|
19 |
10 |
|
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7 |
1 |
|
5 |
5 |
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|
8 |
1 |
|
22 |
4 |
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9 |
1 |
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5 |
5 |
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10 |
1 |
|
14 |
5 |
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11 |
1 |
|
20 |
2 |
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12 |
1 |
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5 |
5 |
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13 |
1 |
|
5 |
5 |
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14 |
1 |
|
14 |
5 |
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|
|
46 |
|
9 |
|
109 |
46 |
46 |
1 |
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15 |
1 |
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19 |
10 |
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16 |
1 |
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5 |
5 |
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17 |
1 |
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22 |
4 |
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18 |
1 |
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5 |
5 |
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19 |
1 |
|
14 |
5 |
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20 |
1 |
|
20 |
2 |
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21 |
1 |
|
25 |
7 |
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|
38 |
|
7 |
|
110 |
38 |
38 |
2 |
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22 |
1 |
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19 |
10 |
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23 |
1 |
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5 |
5 |
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24 |
1 |
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22 |
4 |
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25 |
1 |
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5 |
5 |
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26 |
1 |
|
14 |
5 |
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27 |
1 |
|
20 |
2 |
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28 |
1 |
|
25 |
7 |
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29 |
1 |
|
15 |
6 |
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30 |
1 |
|
14 |
5 |
|
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31 |
1 |
|
5 |
5 |
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45 |
|
6 |
|
144 |
54 |
45 |
9 |
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32 |
1 |
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19 |
10 |
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33 |
1 |
|
5 |
5 |
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34 |
1 |
|
22 |
4 |
|
|
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|
|
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|
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|
|
|
35 |
1 |
|
5 |
5 |
|
|
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|
|
|
|
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|
|
|
|
|
36 |
1 |
|
14 |
5 |
|
|
|
|
|
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|
|
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|
|
|
|
|
37 |
1 |
|
20 |
2 |
|
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38 |
1 |
|
25 |
7 |
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39 |
1 |
|
20 |
2 |
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40 |
1 |
|
23 |
5 |
|
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41 |
1 |
|
15 |
6 |
|
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42 |
|
9 |
|
168 |
51 |
42 |
6 |
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42 |
1 |
|
19 |
10 |
|
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43 |
1 |
|
5 |
5 |
|
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44 |
1 |
|
22 |
4 |
|
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45 |
1 |
|
5 |
5 |
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46 |
1 |
|
14 |
5 |
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47 |
1 |
|
20 |
2 |
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48 |
1 |
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25 |
7 |
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49 |
1 |
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20 |
2 |
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50 |
1 |
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8 |
8 |
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51 |
1 |
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18 |
9 |
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52 |
1 |
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5 |
5 |
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53 |
1 |
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5 |
5 |
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58 |
54 |
9 |
|
166 |
67 |
58 |
4 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
|
170 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
|
|
152 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
|
10 |
|
162 |
63 |
54 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
|
9 |
|
175 |
67 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
107 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
108 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
109 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
110 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
111 |
11 |
|
159 |
69 |
60 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
112 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
113 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
114 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
115 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
116 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
117 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
118 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
119 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
120 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
121 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
122 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
|
152 |
62 |
53 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5+7 |
|
9+6 |
Add to Reduce |
1+7+3+2 |
4+7+5 |
5+7+1 |
|
1+4 |
2+8 |
|
5+6 |
2+6+0 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+5 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
|
|
1+0 |
|
1+1 |
|
|
1+4 |
|
|
|
|
|
|
6 |
Essence of Number |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE
SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE
5 x 43
LOOK AT THJE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
107 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
108 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
109 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
110 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
112 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
113 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
114 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
115 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
116 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
117 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
118 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
119 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
120 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
121 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
122 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+7+1 |
|
9+6 |
Add to Reduce |
1+7+3+2 |
4+7+5 |
5+7+1 |
|
1+4 |
2+8 |
|
5+6 |
2+6+0 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+5 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
|
|
1+0 |
|
1+1 |
|
|
1+4 |
|
|
|
|
|
|
6 |
Essence of Number |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE
SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE
5 x 43
LOOK AT THJE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
112 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
112 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
110 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
117 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
114 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
113 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
115 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
116 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
119 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
121 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
122 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
108 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
118 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
109 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
107 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
120 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+7+1 |
|
9+6 |
Add to Reduce |
1+7+3+2 |
4+7+5 |
5+7+1 |
|
1+4 |
2+8 |
|
5+6 |
2+6+0 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+5 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
|
|
1+0 |
|
1+1 |
|
|
1+4 |
|
|
|
|
|
|
6 |
Essence of Number |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE
SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE
5 x 43
LOOK AT THJE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
Doctor Faustus
by Christopher Marlowe
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust. It was written sometime between 1589 and 1592, and may have been performed between 1592 and Marlowe's death in 1593.
The devil will come, and Faustus must be damn'd. See, see, where Christ's blood streams in the firmament! Ah, rend not my heart for naming of my Christ! Stretcheth out his arm, and bends his ireful brows!
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
W |
|
5 |
|
5 |
WHERE |
59 |
32 |
5 |
C |
= |
3 |
- |
7 |
CHRISTS |
96 |
33 |
6 |
B |
= |
2 |
- |
5 |
BLOUD |
54 |
18 |
9 |
S |
= |
1 |
- |
8 |
STREAMES |
100 |
28 |
1 |
I |
= |
9 |
|
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
|
|
33 |
|
45 |
|
|
|
|
|
|
3+3 |
|
4+5 |
|
5+2+2 |
2+0+7 |
4+5 |
|
|
6 |
|
|
|
|
|
|
AMEN ALL MEN ALL MEN AMEN
AMEN ALLWOMEN ALL WOMEN AMEN
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+8 |
- |
- |
2 |
Essence of Number |
|
|
|
THE GREAT WORK
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
5 |
|
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
12 |
- |
151 |
61 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
|
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
3 |
|
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
5 |
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
8 |
|
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
9 |
|
W |
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
10 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
11 |
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
|
12 |
|
151 |
61 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
6+1 |
|
1+2 |
|
1+5+1 |
6+1 |
6+1 |
|
|
|
3+6 |
4+8 |
1+5 |
|
|
|
1+8 |
|
|
7 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
1+2 |
|
|
|
|
|
|
|
7 |
|
2 |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
5 |
|
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
12 |
- |
151 |
61 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
8 |
|
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
3 |
|
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
9 |
|
W |
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
10 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
|
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
5 |
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
11 |
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
|
12 |
|
151 |
61 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
6+1 |
|
1+2 |
|
1+5+1 |
6+1 |
6+1 |
|
|
|
3+6 |
4+8 |
1+5 |
|
|
|
1+8 |
|
|
7 |
|
|
|
|
|
7 |
|
|
|
|
|
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1+2 |
1+2 |
|
|
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|
7 |
|
2 |
|
|
|
7 |
|
|
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T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
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|
|
|
|
|
G |
= |
7 |
|
5 |
|
51 |
24 |
6 |
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
67 |
22 |
4 |
|
|
|
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|
|
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|
14 |
|
12 |
- |
151 |
61 |
16 |
7 |
|
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7 |
1 |
|
1 |
1 |
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1 |
1 |
|
20 |
2 |
|
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T |
= |
2 |
8 |
|
T |
20 |
2 |
2 |
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12 |
1 |
|
11 |
2 |
|
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E |
= |
5 |
3 |
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E |
5 |
5 |
5 |
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6 |
1 |
|
5 |
5 |
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W |
= |
5 |
9 |
|
W |
23 |
5 |
5 |
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6 |
10 |
1 |
|
15 |
6 |
6 |
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4 |
1 |
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7 |
7 |
|
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H |
= |
8 |
2 |
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H |
8 |
8 |
8 |
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R |
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5 |
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R |
18 |
9 |
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R |
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11 |
|
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18 |
9 |
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61 |
|
12 |
|
151 |
61 |
61 |
|
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6+1 |
|
1+2 |
|
1+5+1 |
6+1 |
6+1 |
|
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1+5 |
|
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1+8 |
|
|
7 |
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7 |
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7 |
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2 |
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7 |
|
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- |
- |
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1 |
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2 |
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3 |
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4 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
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6 |
- |
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7 |
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- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
ATONEMENT AT ONE MENTALLY ONE AT ATONEMENT
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
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O |
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N |
- |
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A |
T |
O |
N |
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M |
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N |
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- |
- |
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M |
- |
- |
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N |
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T |
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A |
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- |
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B |
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R |
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A |
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C |
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A |
B |
R |
|
C |
A |
D |
A |
B |
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A |
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- |
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B |
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R |
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A |
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B |
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2 |
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9 |
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9 |
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2 |
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1 |
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3 |
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4 |
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3 |
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4 |
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1 |
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9 |
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2 |
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2 |
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9 |
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4 |
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3 |
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4 |
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1 |
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1 |
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9 |
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2 |
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2 |
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9 |
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1 |
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1 |
1 |
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1 |
|
2 |
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9 |
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9 |
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2 |
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1 |
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1 |
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3 |
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4 |
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3 |
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4 |
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1 |
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1 |
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9 |
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2 |
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2 |
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9 |
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1 |
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1 |
5 |
|
25 |
16 |
|
1 |
|
1 |
1 |
|
5 |
|
26 |
17 |
|
|
|
|
|
|
1+1 |
|
5+2 |
3+4 |
1+6 |
|
|
|
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4 |
|
22 |
13 |
|
1 |
|
3 |
3 |
|
1 |
|
1 |
1 |
|
1 |
|
4 |
4 |
|
4 |
|
22 |
13 |
|
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|
1+1 |
|
5+2 |
3+4 |
1+6 |
|
|
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|
|
|
2 |
AB |
3 |
3 |
3 |
1 |
|
18 |
9 |
9 |
4 |
A+C+A+D |
9 |
9 |
9 |
2 |
A+B |
3 |
3 |
3 |
1 |
|
18 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
11 |
ABRACADABRA |
|
|
|
1+1 |
|
5+2 |
3+4 |
3+4 |
|
ABRACADABRA |
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
1 |
1 |
B |
2 |
2 |
2 |
1 |
|
18 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
C |
3 |
3 |
3 |
1 |
|
1 |
1 |
1 |
1 |
D |
4 |
4 |
4 |
1 |
A |
1 |
1 |
1 |
1 |
B |
2 |
2 |
2 |
1 |
|
18 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
11 |
ABRACADABRA |
|
|
|
1+1 |
|
5+2 |
3+4 |
3+4 |
|
ABRACADABRA |
|
|
|
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A |
|
1 |
1 |
1 |
A |
1 |
1 |
1 |
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B |
|
2 |
2 |
1 |
B |
2 |
2 |
2 |
|
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9 |
3 |
1 |
|
18 |
9 |
9 |
|
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A |
|
1 |
4 |
1 |
A |
1 |
1 |
1 |
|
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C |
|
3 |
5 |
1 |
C |
3 |
3 |
3 |
|
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1 |
6 |
1 |
|
1 |
1 |
1 |
|
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|
D |
|
4 |
7 |
1 |
D |
4 |
4 |
4 |
|
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|
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|
A |
|
1 |
8 |
1 |
A |
1 |
1 |
1 |
|
|
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|
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|
|
B |
|
2 |
9 |
1 |
B |
2 |
2 |
2 |
|
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|
9 |
10 |
1 |
|
18 |
9 |
9 |
|
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A |
|
1 |
11 |
1 |
A |
1 |
1 |
1 |
|
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|
11 |
ABRACADABRA |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
|
|
3+4 |
|
1+1 |
|
5+2 |
3+4 |
3+4 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
ABRACADABRA |
|
|
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A |
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1 |
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1 |
A |
1 |
1 |
1 |
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A |
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1 |
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1 |
A |
1 |
1 |
1 |
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1 |
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1 |
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1 |
1 |
1 |
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A |
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1 |
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1 |
A |
1 |
1 |
1 |
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A |
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1 |
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1 |
A |
1 |
1 |
1 |
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B |
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2 |
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1 |
B |
2 |
2 |
2 |
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B |
|
2 |
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1 |
B |
2 |
2 |
2 |
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C |
|
3 |
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1 |
C |
3 |
3 |
3 |
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D |
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4 |
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1 |
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4 |
4 |
4 |
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9 |
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1 |
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18 |
9 |
9 |
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9 |
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1 |
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18 |
9 |
9 |
|
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11 |
ABRACADABRA |
|
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|
|
|
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|
|
|
18 |
|
|
3+4 |
|
1+1 |
|
5+2 |
3+4 |
3+4 |
|
|
|
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|
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1+8 |
|
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|
|
|
ABRACADABRA |
|
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1 |
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1 |
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1 |
1 |
1 |
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1 |
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1 |
A |
1 |
1 |
1 |
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1 |
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1 |
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1 |
1 |
1 |
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A |
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1 |
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1 |
A |
1 |
1 |
1 |
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A |
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1 |
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1 |
A |
1 |
1 |
1 |
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B |
|
2 |
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1 |
B |
2 |
2 |
2 |
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B |
|
2 |
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1 |
B |
2 |
2 |
2 |
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C |
|
3 |
|
1 |
C |
3 |
3 |
3 |
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D |
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4 |
|
1 |
D |
4 |
4 |
4 |
|
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9 |
|
1 |
|
18 |
9 |
9 |
|
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|
|
9 |
|
1 |
|
18 |
9 |
9 |
|
|
|
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|
|
|
|
|
|
11 |
ABRACADABRA |
|
|
|
|
|
|
|
|
18 |
|
|
3+4 |
|
1+1 |
|
5+2 |
3+4 |
3+4 |
|
|
|
|
|
1+8 |
|
|
|
|
|
ABRACADABRA |
|
|
|
|
|
|
|
|
|
|
11 |
|
|
R |
|
|
|
|
|
|
R |
|
|
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|
|
|
|
|
|
1 |
2 |
9 |
1 |
3 |
1 |
4 |
1 |
2 |
9 |
1 |
+ |
= |
|
3+4 |
= |
|
= |
|
= |
|
|
|
1 |
2 |
18 |
1 |
3 |
1 |
4 |
1 |
2 |
18 |
1 |
+ |
= |
|
5+2 |
= |
|
= |
|
= |
|
|
11 |
|
|
R |
|
|
|
|
|
|
R |
|
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|
|
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|
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|
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|
|
1 |
2 |
9 |
1 |
3 |
1 |
4 |
1 |
2 |
9 |
1 |
+ |
= |
|
3+4 |
= |
|
= |
|
= |
|
|
|
1 |
2 |
18 |
1 |
3 |
1 |
4 |
1 |
2 |
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4 |
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9 |
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4 |
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9 |
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9 |
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11 |
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11 |
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34 |
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25 |
1+2 |
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1+9 |
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4 |
A+R+A+B |
22 |
4 |
4 |
3 |
C+A+D |
8 |
8 |
8 |
4 |
A+R+A+B |
22 |
4 |
4 |
11 |
ABRACADABRA |
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1+1 |
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5+2 |
3+4 |
3+4 |
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ABRACADABRA |
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4 |
A+R+A+B |
22 |
4 |
4 |
1 |
C |
3 |
3 |
3 |
1 |
A |
1 |
1 |
1 |
1 |
D |
4 |
4 |
4 |
4 |
A+R+A+B |
22 |
4 |
4 |
11 |
ABRACADABRA |
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1+1 |
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5+2 |
3+4 |
3+4 |
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ABRACADABRA |
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World Wide Words: Abracadabra
19 Dec 2005 ... The origin of the mystical phrase 'abracadabra', much beloved of conjurors, is explained.
www.worldwidewords.org/qa/qa-abr1.htm
[Q] From Speranza Spiratos: Can you shed some magical clarity on the word abracadabra please?
[A] Let me wave my wand ... Ah, a brief sputter, then nothing. It seems the origin isn’t known for certain.
These days it’s just a joking conjuror’s incantation with no force behind it, like hocus pocus and other meaningless phrases. But the word is extremely ancient and originally was thought to be a powerful invocation with mystical powers.
What we know for sure is that it was first recorded in a Latin medical poem, De medicina praecepta, by the Roman physician Quintus Serenus Sammonicus in the second century AD. It’s believed to have come into English via French and Latin from a Greek word abrasadabra (the change from s to c seems to have been through a confused transliteration of the Greek). Serenus Sammonicus said that to get well a sick person should wear an amulet around the neck, a piece of parchment inscribed with a triangular formula derived from the word, which acts like a funnel to drive the sickness out of the body:
A B R A C A D A B R A
A B R A C A D A B R
A B R A C A D A B
A B R A C A D A
A B R A C A D
A B R A C A
A B R A C
A B R A
A B R
A B
A
However, it seems likely that abracadabra is older and that it derives from one of the Semitic languages, though nobody can say for sure, because there is no written record before Serenus Sammonicus. For what it’s worth, here are some theories:
•It’s from the Aramaic phrase avra kehdabra, meaning “I will create as I speak”.
•The source is three Hebrew words, ab (father), ben (son), and ruach acadosch (holy spirit).
•It’s from the Chaldean abbada ke dabra, meaning “perish like the word”.
•It originated with a Gnostic sect in Alexandria called the Basilidians and was probably based on Abrasax, the name of their supreme deity (Abraxas in Latin sources).
Fans of the Harry Potter books will know the killing curse, Avada Kedavra, in which J K Rowling seems to have combined the supposed Aramaic source of abracadabra with the Latin cadaver, a dead body.
11 |
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1 |
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4 |
ODDS |
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AND |
19 |
10 |
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5 |
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5 |
EVENS |
65 |
20 |
2 |
- |
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12 |
|
12 |
Add to Reduce |
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Reduce to Deduce |
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4+5 |
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3 |
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|
Essence of Number |
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4 |
EVEN |
46 |
19 |
1 |
5 |
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65 |
20 |
2 |
4 |
ODDS |
42 |
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6 |
3 |
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23 |
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ODDS |
42 |
16 |
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19 |
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5 |
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65 |
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= |
40 |
4+0 |
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
|
1+4 |
|
7+3 |
|
2+8 |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
9 |
5 |
5 |
- |
1 |
5 |
4 |
5 |
5 |
- |
2 |
8 |
9 |
5 |
5 |
|
|
1+1 |
|
|
- |
|
1+0 |
|
1+0 |
7 |
5 |
N |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
9 |
5 |
|
- |
1 |
|
|
|
5 |
- |
|
8 |
|
|
|
|
|
|
3+3 |
|
|
|
|
|
|
- |
14 |
9 |
14 |
|
- |
19 |
|
|
|
14 |
- |
|
8 |
|
|
|
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
R |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
5 |
- |
|
5 |
4 |
5 |
|
- |
2 |
|
9 |
5 |
5 |
|
|
|
4+0 |
|
|
|
|
|
|
-` |
|
|
|
5 |
- |
|
5 |
22 |
5 |
|
- |
20 |
|
18 |
5 |
5 |
|
|
|
8+5 |
|
|
1+3 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
R |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
14 |
9 |
14 |
5 |
- |
19 |
5 |
22 |
5 |
14 |
- |
20 |
8 |
18 |
5 |
5 |
|
|
|
1+6+3 |
|
|
1+0 |
|
|
|
- |
5 |
9 |
5 |
5 |
- |
1 |
5 |
4 |
5 |
5 |
- |
2 |
8 |
9 |
5 |
5 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
14 |
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
40 |
4+0 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
|
1+4 |
|
7+3 |
|
2+8 |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
9 |
5 |
5 |
- |
1 |
5 |
4 |
5 |
5 |
- |
2 |
8 |
9 |
5 |
5 |
|
|
1+1 |
|
|
- |
|
1+0 |
|
1+0 |
5 |
N |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
1 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
2 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
3 |
|
WONDER |
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
12 |
- |
158 |
59 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
4 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
11 |
- |
135 |
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
7 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
8 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
9 |
|
ROYAL |
71 |
26 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
10 |
6 |
|
74 |
20 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
|
11 |
|
BRIGHT |
64 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
23 |
- |
288 |
108 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
First Total |
581 |
221 |
41 |
|
|
|
|
12 |
|
|
|
|
|
|
|
4+2 |
|
4+6 |
Add to Reduce |
5+8+1 |
2+2+1 |
4+1 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
10 |
Second Total |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
Essence of Number |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
1 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
2 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
3 |
|
WONDER |
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
4 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
7 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
8 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
9 |
|
ROYAL |
71 |
26 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
10 |
6 |
|
74 |
20 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
|
11 |
|
BRIGHT |
64 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
First Total |
581 |
221 |
41 |
|
|
|
|
12 |
|
|
|
|
|
|
|
4+2 |
|
4+6 |
Add to Reduce |
5+8+1 |
2+2+1 |
4+1 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
10 |
Second Total |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
Essence of Number |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
THE HOLY BIBLE
SAINT JOHN
Scofield References
Page 1117
C 3 V 3
JESUS ANSWERED AND SAID UNTO HIM
VERILY VERILY I SAY UNTO YOU
UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD
6
THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT
7
MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN
8
THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF
BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH SO IS EVERYONE BORN OF THE SPIRIT
GOD ONE GOD
AND ONE CHOSEN RACE THE HUMAN RACE
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
THE
PROPHET
Kahil Gibran
Page 82/83/84/85/86
"If these be vague words, then seek not to clear them.
Vague and nebulous is the beginning of all things, but not their end,
And I would have you remember me as a beginning.
Life, and all that lives, is conceived in the mist and not in the crystal.
And who knows but a crystal is mist in decay
This would I have you remember in remembering me:
That which seems most feeble and bewildered in you is the strongest and most determined.
Is it not your breath that has erected and hardened the structure of your bones?
And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?
Could you but see the tides of that breath you would cease to see all else,
And if you could hear the whispering of the dream you would hear no other sound.
But you do not see, nor do you here, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you.
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
6 |
LITTLE |
78 |
24 |
6 |
W |
= |
5 |
- |
5 |
WHILE |
57 |
30 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
= |
4 |
- |
6 |
MOMENT |
80 |
26 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
R |
= |
9 |
- |
4 |
REST |
62 |
17 |
8 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
T |
= |
T |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
W |
- |
4 |
WIND |
50 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
7 |
ANOTHER |
81 |
36 |
9 |
W |
= |
5 |
- |
5 |
WOMAN |
66 |
21 |
3 |
S |
= |
1 |
- |
5 |
SHALL |
52 |
16 |
7 |
B |
= |
2 |
- |
4 |
BEAR |
26 |
17 |
8 |
M |
= |
4 |
- |
2 |
ME |
18 |
9 |
9 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
5+3 |
- |
6+2 |
Add to Reduce |
7+1+1 |
2+7+9 |
8+1 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
|
1+8 |
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement.
WAY OF THE PEACEFUL WARRIOR
A
BOOK THAT CHANGES LIVES
Dan Millman 1980
Page 44
"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 / "Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a saying of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."
THE WASTE LAND
and other poems
T. S. Elliot 1940
Page 13
The Love Song of J. Alfred Prufrock
"I AM LAZARUS, COME FROM THE DEAD, COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL"
THE LURE AND ROMANCE OF ALCHEMY.
A history of the secret link between magic and science
1990
C. J. S.Thompson
Page# 31 / 32
note 1 Julius Ruska ,Tabula Smaragdini 1926
"THE EMERALD TABLE OF HERMES: "
"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
|
BECAUSE |
56 |
20 |
|
|
WE'RE |
51 |
24 |
|
|
KEEPING |
67 |
40 |
|
|
THE |
33 |
15 |
|
|
DREAM |
41 |
23 |
|
|
ALIVE |
49 |
22 |
|
|
First Total |
|
|
|
3+1 |
Add to Reduce |
2+9+7 |
1+4+4 |
7+2 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
2+9+7 |
- |
- |
|
Essence of Number |
|
|
|
THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY
NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE
THE GAME WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
6 6 6 AZIN 6 6 6
IS
SIX SIX SIX AND SIX SIX SIX
IS
777