TIMELESS
EARTH
Peter
Kolosimo
Page 121
"Another curious fact is
the prevalance in Malta of the
spiral
design which, in many parts of the globe signifies the
Universe. It is a matter for speculation how the peoples of
the ancient world came to adopt this sign, corresponding as
it does to the actual configuration of most of the 'islands
of cosmic space."
Page 175
" Modern explorers have
found in the Cauca valley exquisite artefacts made from an
alloy of gold and copper: helmets, vases jars and statuettes
of princes, one of which , about 8 inches tall, is in the
Museo de America at Madrid. The modelling of the features is
such that we can easily imagine the figure wearing a
transparent space-helmet withear-phones.Other ancient
masterpieces have been found in the garden of a villa at
Esmeraldas on the coast of Equador: the most valuable
collection of its kind in the world, it numbers
12,000 pieces including axes, sceptres, weapons and
imple-ments of all sorts. The majority are of unique design,
but there are seals made of precious stones and resembling
those executed in China down to recent times, as well as
figurines of persons with Oriental-type features, dressed in
a manner reminiscent of ancient Egypt. Another noteworthy
object is a mirror made from a green jewel two inches
wide,which reflects everything down to the smallest detail.
The Esmeraldas collection, which must be about
18,000
years old, is remarkable not only for its artistic
perfection but for its resemblances to ancient Mediterranean
and Asiatic work, though these do not fall into any specific
pattern.
The sceptres,
headresses and other objects found in the Cauca valley are
notable for the frequent use of the
spiral
as a decorative motif. This symbol occurs throughout the
ancient world, from Malta to Samarkland, from Africa to
Europe. Marcel Homet writes as follows (in Sons of the Sun,
London 1963 ):
'The representation
alone of the
spiral
form plays an
important part in the prehistory which links the
continents,
Montelius and Evans
assumed that it derived from the 4th
/
Page 176 /
Egyptian dynasty ( in the
middle of the third millenium B.C.) and only subsequently
came to Crete(after 2000 B.C. ). Neverthless we meet with
this form on the shores of the Danube as early as 3000 B.C.
and at the end of the palaeo-logical age in Moravia. Forms
of
spirals,
engraved or painted on stones, are constantly to be met with
in America,where they represent the life of the universe and
also the principle of fertility. It was always with the
purpose of affecting the faithful that the priests of
vanished civilizations put the earthly facts into simple
motifs as they were instructed by 'heaven' We must not
overlook the fact that not only the Sumerians, Akkadians and
Chaldeans but also, and much earlier, the wise men of
Tiahuanaco, thanks to procedures of which we know nothing,
had grasped that the heavenly path of the stars is an open
eclipse; in other words it is a screw-like
spiral,
and this knowledge they transferred to their stone drawings
and engravings.
'Of course linear and
two-dimensional representations can lead the layman astray.
So, in searching for a more adequate means of presentation,
one must recall the mystery of life the mystery of creation:
the serpent and
the cosmological egg that issues from its
mouth. This is a
myth widespread in Europe, in the Mediterranean countries,
among the Mayas and also the ancient inhabitants of Brazil.
The divinity of the serpent is variously depicted. For the
Chaldeans there was the god who held a staff in his hand,
which was a double screw-shaped sceptre, the symbol of
fertility and health. In the graves of the Kurgans in
southern Russia, one found also screw-shaped tubes and
spiral-shaped
ear pendants, But the cosmological egg also represents the
spiral
move-ment of the stars. That must be the reason why a
majority of the gigantic Ibero-celtic monoliths and those we
found in the Amazon region, as for example the Pedra
Pintada, have an ellipsoid form and are carefully set in
position in relation to the
stars.'
British, American and
Soviet scholars have also delved into the mystery of the
spiral,
and the Russians are inclined to support Homet's view: they
consider that it was both an astronomical symbol of the
universe and a religious emblem of creation, based on the
form of a
spiral
nebula or
/ Page 177 /
protogalaxy. The
spiral,
in fact, is a stylized galaxy, but how could our ancestors,
who were often wholly ignorant of astronomy, have hit upon
this idea or known what a galaxy was? We can only suppose,
improbable as it may seem,either that they had actually
reached an advanced degree of scientific knowledge by their
own efforts or that it was im-parted to them by extra
terrestrial beings. As Simaniov speculates, 'perhaps the
spiral
adorned the
space-suits of astronauts who landed on our globe in the
dawn of human history, and symbolized the mission of these
galactic explorers
.'
The
spiral
was a favourite
emblem of the Muiscas, a Chibcha tribe living in what are
now the Columbian province of Boyaca and Cundinamarca, where
the rulers like the Incas and the Pharaohs, used to take
their sisters as
consorts.
This people too had a
flood legend and worshipped white gods: Bochica, the sun and
his wife Bachue, the moon.Bochica it is related , came from
the east and taught men the arts of weaving and tillage; he
gave them laws and taught them how to 'conquer time and
disease'. "
The Bull of Minos
Leonard Cottrell
1964
Page 113
But says Apollo-dorus:'
"Minos pursued Daedalus and in every country he searched he
carried a
spiral
shell and promised to give great reward to him who should
pass a thread through the shell, believing that by that
means he should discover
Daedalus."
"Having
come to Camicus in Sicily [ writes Apollodorus] to
the court of Cocalus, with whom Daedalus was concealed, he
showed the
spiral
shell. Cocalus (Lord of Sicily) took it, and promised to
thread it, and gave it to Daedalus."
"Such a challenge was irresistable to
Daedalus."
"He knew well
that his new Lord, Cocalus, was as incapable of working out
math-matically the curves and convolutions of the shell as
was Ariadne's handsome but stupid lover in memorizing the
twists and turns of the Labyrinth. So, just as he had
provided Theseus with the clue of thread which even he could
not mis-understand , so he provided the King of Sicily with
a method of threading the shell which was brilliant in its
simplicity."
"Cocalus took it , and promised to thread it
and
Daedalus
fastened a thread to
an ant, and, having bored a hole in the
spiral
shell, allowed the
ant, to pass through it . But when Minos found
the thread passed
through the shell, he percieved that Daedalus
was with Cocalus, and
at once demanded his surrender Cocalus
promised to surrender
him, and made an entertainment for
Minos."
Page114
"And then follows one of
the most mysterious records in the
chronicle:"
"but after his bath
Minos was undone by the daughters of
Cocalus"
The scribe writ there
are Seven letters in Pyramid
And eight in
electron said
Alizzed
After
celebrating
ABRACADABRA
with the
good brother
and
exchanging the odd intuitive side long glance, to a front
facing mirror,to the left a't right hand side a't other
side, the one betwixt and between one n tother. The
ZedAlizZed and the scribe departed their journey. They did
not return the way they had come, rather preferring to
go not this way but
that.
Lucifer, said Zed
Aliz was our name for Venus, but it was all such a short
time ago.
The Death Of
Forever
A New Future for
Human Consciousness
Darryl Reanney
(1991)
" In the thirteenth
century, an Italian called Leonard Fibonacci discovered a
sequence of numbers that still bears his name:
1,1,2,3,5,8,13,21,34,55,89,144
etc.
These numbers have
some curious properties. Each succeeding number is the sum
of the preceeding
two;
every third number can be divided by 2, every fourth number
by 3 etc. The last digits of the Fibonacci number sequences
repeat a cycle of 60 digits, the last two a cycle of 300
etc.
Fibonacci ratios are
widespread in nature. The arrangement of petals in many
plants has a rotational symetery that corresponds strikingly
with a Fibonacci
spiral.
This is probably the result of natural selection. In the
unique configeration mapped out by the Fibonacci
spiral,
each leaf is optimally positioned to harvest the maximum
amount of sunlight. Evolutionary principles may also explain
why some shells trace out Fibonacci
spirals
as they grow. However, evolution cannot explain why
Fibonacci ratios appear also in the physical world, in
certain electrical networks for exam-ple, and perhaps in the
structure of subatomic
particles.
What gives these
numbers their facination is that they also occur in artworks
across the spectrum of creative human activity. They occur
in architecture (for example, in ancient Minoan buildings
and in Gothic cathedrals); in art (for example , in Greek
vases); in poetry (for example in the stanzas of Virgil )
and most especially in
music."
The scribe
writ
ATOM ATUM
And then
writ
Ra Atum
Timeless Earth
Peter
Kolosimo
Page
176
So, in searching for
a more adequate means of presentation, one must recall the
mystery of life the mystery of creation:
the serpent and
the cosmological egg that issues from its
mouth. This is a
myth widespread in Europe, in the Mediterranean countries,
among the Mayas and also the ancient inhabitants of Brazil.
The divinity of the serpent is variously depicted. For the
Chaldeans there was the god who held a staff in his hand,
which was a double
screw-shaped
sceptre, the symbol of fertility and health. In the graves
of the Kurgans in southern Russia, one found also
screw-shaped
tubes and
spiral-shaped
ear pendants, But the cosmological egg also represents the
spiral
move-ment of the stars. That must be the reason why a
majority of the gigantic Ibero-celtic monoliths and those we
found in the Amazon region, as for example the Pedra
Pintada, have an ellipsoid form and are carefully set in
position in relation to the
stars.'
Joseph and His
Brothers 1970
Thomas Mann
Page 915
" These conferences,which
at the moment greatly occupied Amenhotep's mind, had been
taken up with the subject of the bird Bennu, also called
Offspring of Fire, because it was said that he was
motherless, and morever actually his own father, since dying
and beginning were the same for him. For he burned himself
up in his nest made of myrrh and came forth from the ashes
again as young Bennu.This happened, some authorities
said,every five hundred years; happened in fact in the
temple of the sun at On, whither the bird, a heron-like
eagle, purple and gold,came for the purpose from Arabia or
even India. Other authorities asserted that it brought with
it an egg made of myrrh, as big as it could carry,wherein it
had put its deceased father, that is to say actually
actually itself,and laid it down on the sun-altar.These two
assertions might subsist side by side - after all, there
sub-sists so much side by side,differing things may both be
true and only different expressions of the same truth. But
what Pharaoh first wanted to know, what he wanted to
discuss, was how much time had passed out of the five
hundred years which lay between the bird and the egg; how
far they were on the one hand from the last appearance and
on the other from the next one; in short at what point of
the phoenix-year they stood. The majority opinion of the
priests was that it must be somewhere about the middle of
the period. They reasoned that if it was still near its
beginning, then some memory of the last appear-ance of Bennu
must still exist and that was not the case. But suppose they
were near the end of one period and the beginning of the
next; then they must reckon on the impending or immediate
return of the time-bird. But none of them counted on having
the experience in his lifetime so the only remaining
possibility was that they were about the middle of the
period. Some of the shiny pates went so far as to suspect
that they would always remain in the middle, the mystery of
the Bennu bird being precisely this: that the distance
between the last appearance of the Phoenix and his next one
was always the same, always a middle point.But the mystery
was not in itself the important thing to Pharaoh. The
burning question to be discussed, which was the object of
his visit, and which then he did discuss for a whole
half-day with the shiny-pates, was the doctrine that the
fire-bird's myrrh egg in which he had shut up the body of
his father did not therefore become heavier. For he had made
it anyhow as large and heavy as he could possibly carry, and
if he was still able to carry it after he had put his
fathers body in it, then it must follow that the egg had not
thereby increased in
weight.
That was an exciting
and enchanting fact of world-wide impor-tance. In young
Pharaoh's eyes it was worthy of the most circum-stantial
exposition. If one added to a body another body and it did
not become heavier thereby, that must mean there were
immaterial bodies - or differently and better put,
incorporeal realities, immaterial as sunlight; or, again
differently and still better put, there was the spir-itual
and this spiritual was etherally embodied in the
Bennu-father,
/
Page
916 /
whom the myrrh egg
received while altering its character thereby in the most
exciting and significant way. For the egg was altogether a
definitely female kind of thing; only the female among birds
laid eggs,and nothing could be more mother-female than the
great egg out of which the world came forth. But Bennu the
sun-bird, motherless and his own father, made his own egg
himself,an egg against the natural order, a masculine egg, a
father- egg and laid it as a manifestation of fatherhood,
spirit, and light upon the alabaster table of the
sun-divinity."
Fingerprints Of The
Gods
Graham Hancock
Page 382 " Who were these
people - or creatures, or beings or gods? Were they
figments of the priestly imagination, or symbols, or ciphers
? Were the stories told about them vivid myth memories or
real events which had taken place thousands of years
previously? Or were they perhaps part of a coded message
from the ancients that had been transmitting itself over and
over again down the epochs - a message only now
beginning to be unravelled and understood?
Such notions seem fanciful. Nevertheless I could hardly
forget
/ Page 383 /
that out of this very
same Heliopolitan tradition the great myth of Isis had
flowed, covertly transmitting an accurate calculus for the
rate of processional motion. Moreover the priests of Innu,
whose responsibility it had been to guard and nurture such
traditions, had been renowned throughout Egypt for their
high wisdom and their proficiency in prophesy, astronomy,
mathematics, architecture and the magic arts . They were
also famous for their possession of a powerful and sacred
object known as the Benben." Note
9
The Egyptians called
Heliopolis Innu, the pillar, because tradition had it that
the Benben had been kept here in remote pre-dynastic times,
when it had balanced on top of a pillar of rough-hewn stone.
The Benben was believed to have fallen from the skies.
Unfortu-nately, it had been lost so long before that is
appearance was no longer remembered by the time Sensuret
took the throne in
1971
B.C In that period ( the Twelfth Dynasty) all that was
clearly recalled was that the Benben had been pyramidal in
form, thus providing ( together with the pillar on which it
stood ) a prototype for the shape of all future obelisks.
The name Benben was likewise applied to the pyramidion, or
apex stone, usually placed on the top of pyramids. " note
10 In
a symbolic sense, it was also associated closely
and directly with
Ra-Atum, of
whom the ancient text said 'You became high on the height;
you rose up as the Benben stone in the Mansion of the
Phoenix
' note
11
Mansion of the
Phoenix described the original temple at Heliopolis where
the Benben had been
housed.
It reflected the fact
that the mysterious object had also served as an enduring
symbol for the mythical Phoenix, the divine Bennu bird whose
appearances and disappearances were believed to be linked to
violent cosmic and to the destruction and rebirth of world
ages. "note
12
The scribe made a
check, checked a maid
Sensuret took the throne in
1971
B.C
1971
B.C.
1971 x 360 = 709560
I + 9 + 7 + 1 =
18
1+
8 = 9
1 x 9 x 7 x 1 = 63
6 + 3 = 9
63 + 18 = 81
18 x 63
= 1134
1 x 8 x 6 x 3 = 144
1 + 8 + 6 + 3 = 18
Timeless Earth
Peter
Kolosimo
Chapter
Eighteen
"The Lords of fire"
Page 179 " On the banks
of a tiny stream, the Mozna, which rises in the Cordillera
Blanca in western Peru and flows into the Maranon, there is
a sleepy village named Chavin de Huantar which has given its
name to a great civilization
"
" The earliest known
strata of this culture date back to 4000 B.C., and some of
its buildings were erected in 715 B.C. Whatever the exact
dates, it seems to have reached its peak in about 1500 B.C.
and to have dominated the area between the Pacific and the
headwaters of the
Amazon.
The most important
animal in Chavin mythology is the jaguar ; snakes and
condors also play a prominent part, as do the part-human
monsters that we have already come across in other ancient
American cultures.The jaguar or puma plays a similar role,
as a symbol of divinity and lordship, to the lion in old
world mythology, while the conder corresponds to the eagle.
"
"
Another
symbolic creature which recalls the notion of a space
chariot is the fire-bird or thunder bird (the latter name is
used by the Indians of the U.S.A., Canada and Alaska),
variously repre-sented as an eagle, a hawk, a conder or a
winged reptile. This is the animal which we see at the top
of a totem pole, and it is identical with the feathered
serpent of the Aztecs. It also corresponds to Abmuseumkab,
the winged monster of the Hindus, to the Chinese flying
dragon, the 'Zimbabwe falcon' or the phoenix which appeared
every
500
years at Heliopolis /
The scribe
writ 500
x 360
iz 180000
Page
180
/
in Egypt, reborn from the
ashes of a special nest which was also its funeral
pyre.
It is, to say the
least, curious that so many distant peoples should have
associated the idea of a bird with that of fire or thunder."
"
An Egyptian
legend tells of a king who 'took refuge in the belly of a
white bird which came down from heaven in a trail of fire'.
References to 'lords of the flame, riding through the air on
the backs of fire-birds', are common to ancient America,
India and other parts of Asia. As for the phoenix, which
builds a nest of spices and is burnt up in it by the suns
rays - "
"
Writing of
this and similar myths, Homet takes a similar view to Soviet
scholars when he says :
We are more and more
inclined to the conviction that the contents of myths
if properly interpreted and understood, are nothing more
than a memory of facts far in the past
The point is to
extract the core of the myth, saga or legend and to grasp
it."
Page181
"
As Homet goes on
to say, 'Why should it not be that thousands, even tens of
thousands of years before us a civilization existed over
thousands of years and reached the height of aviational
possibilities? Just because such a train of thought is
suspiciously easy one must be especially cautious - not
only, however, with assertions, but also with a
priori rejection,'
"
After
celebrating
ABRACADABRA
with the
good brother
and
exchanging the odd intuitive side long glance, to a front
facing mirror,to the left a't right hand side a't other
side, betwixt and between one or tother. The ZedAlizZed and
the scribe departed their journey. They did not return the
way they had come, rather preferring to go not
this way but
that.
Then would you
believe it the scribe
writ Phi is
the
21st
letter of the
Greek alphabet
Thus
writ the scribe
Cassell's English
Dictionary 1974
Page 67
atom (at om)
[Gr. atomos, indivisible], n The
smallest conceivable portion of anything; a mite, a
pigmy; (Phys.Sc.) a body originally
thought to be incapable of further division;
(Chem.) the smallest particle taking part in
chemical action, the smallest particle of matter possessing
the properties of an
element.
The Splendour That
Was
EGYPT
Margaret A. Murray
1973 Edition
It was not until the
fourth year of his reign that Akhenaten adopted the religion
of the
Aten, to which
he devoted the rest of his life to the exclusion of all
other
considerations.The
Aten is the actual
disc of the sun , the physical sun that emits heat and sends
out visible rays;whereas
Re
is the divine
element in the sun and is a more abstract, perhaps a more
spiritual, conception. Akhenaten was therefore no heretic,
for the sun in all its aspects was the royal god, and this
was recognised by him for he worshipped Re, Horus, and the
Mnevis bull.
Here the far
yonder scribe writ Minerva, and then writ. Create, then
Crete, and then the great bull of
Crete then writ
The great Bull of
Minos
Fingerprints of
the Gods Graham Hancock
Page 382
Helipolitan theology rested on a creation-myth distinguished
by a number of unique and curious features.
It taught that in the beginning the universe had been filled
with a dark watery nothingness, called the Nun. Out of this
inert cosmic ocean (describedas 'shapeless, black with the
blackness of the blackest night') rose a mound of dry land
on which
Ra
, the Sun God, materialized in his self created form
as
Atum
(sometimes
depicted as an old bearded man resting on a staff ): " note
5
The sky had not been
created, the earth had not been created, the children of the
earth and the reptiles
had
not been fashioned in
that place
I
Atum,
was one by myself
There existed no other who worked
with me"
note
6
Chapter 35
Page 310
Tombs and Tombs
only
?
"Khufu, Khafre, Menkaure
Cheops, Chephren, Mycerinus.
Whether they were
referred to by their Egyptian or their Greek names, the fact
remained that these three pharaohs of the Fourth Dynasty
(2575 - 2467 BC ) were universally acclaimed as the builders
of the Giza
pyramids."
The number of letters
in Pharaohs name
Khufu Khafre Menkaure Cheops Chephren
Mycerinus
5 6
8 6
8
9
5 x 6
x 8 =
240 6 x 8
x 9
30 x
8 48
x 9
240 432
240 + 432
672
5 + 6 + 8 =
19
6 + 8 + 9 = 23
19 +
23
42
4 + 2
6
Khufu x Khafre =
30 48
= Cheops x Chephren
Menkaure x Khufu
=
40
54 =
Mycerinus x Cheops
Khafre
x Menkaure
= 48 72 =
Chephren x
Mycerinus
30 + 40 +
48 48
+ 54 + 72
70 +
48
54 + 72
118 126
1 + 1 +
8 1
+ 2 + 6
10 x 9
90
Khufu x Cheops =
"Khufu, Khafre, Menkaure
Cheops, Chephren, Mycerinus.
Whether they were referred to by their Egyptian or their
Greek names, the fact remained that these three pharaohs of
the Fourth Dynasty (2575 - 2467 BC ) were universally
acclaimed as the builders of the Giza pyramids."
three pharaohs
of the
Fourth
Dynasty (2575 -
2467 BC )
2575 +
2467 2575
- 2467
5042 108
5 + 4 +
2 1+
8
11 x 9
99
9
x 9
81
8 + 1
As in Ra and the
eight said Zed
Aliz
three pharaohs
of the
Fourth
Dynasty
(2575
2467 BC )
2575
x 360
360 x 2467
927000 888120
9 + 2 +
7
8 + 8 + 8 + 1 + 2
18 27
Acatalectic
Acatalepsy
Acateleptic
|